<?xml version="1.0" encoding="UTF-8" ?><rss version="2.0"><channel><title>Planum &#45; The journal of Urbanism &#45; Journals &amp; Books</title><link>http://www.planum.net/journals-books</link><description /><language>eng</language><item><title>Milano Città Aperta</title><description>&lt;hr/&gt;&lt;p&gt;&lt;strong&gt;Journal of Urban Photography&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Website&lt;/strong&gt;: &lt;a href=&quot;http://www.miciap.com/&quot; target=&quot;_blank&quot;&gt;www.miciap.com&lt;br /&gt;&lt;/a&gt;&lt;strong&gt;Editorial staff&lt;/strong&gt;: &lt;a href=&quot;mailto:info@miciap.com&quot; target=&quot;_blank&quot;&gt;info@miciap.com&lt;br /&gt;&lt;/a&gt;&lt;span&gt;&lt;span&gt;&quot;We finally want to declare Milan an &lt;em&gt;open city&lt;/em&gt; and we accept our war within the chaotic continuous changes of our city. We, as photographers, wish to understand and be understood. So that we can change it&quot;.&lt;/span&gt;&amp;nbsp;&lt;/span&gt;(from Miciap Website, &lt;em&gt;Manifesto&lt;/em&gt;)&amp;nbsp;&lt;/p&gt;</description><pubDate>Fri, 11 Nov 2011 18:29:39 +0100</pubDate><link>http://www.planum.net/journals-books/miciap</link><guid>http://www.planum.net/journals-books/miciap</guid></item><item><title>Territorio</title><description>&lt;hr/&gt;&lt;p&gt;&lt;strong&gt;Rivista del DAStU - Dipartimento di Architettura e Studi Urbani,&amp;nbsp;Politecnico di Milano |&amp;nbsp;&lt;/strong&gt;via Bonardi 3, 20133, Milan, Italy&lt;br /&gt;&lt;strong&gt;Editor: &lt;/strong&gt;Gabriele Pasqui&lt;br /&gt;&lt;strong&gt;Deputy Editor:&lt;/strong&gt;&amp;nbsp;Francesco Infussi&lt;br /&gt;&lt;strong&gt;Editorial staff: &lt;/strong&gt;Elena Gorla&amp;nbsp;&lt;a href=&quot;mailto:redazioneterritorio@polimi.it&quot;&gt;redazioneterritorio@polimi.it&lt;/a&gt;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;strong&gt;Publisher: &lt;/strong&gt;&lt;a title=&quot;Franco Angeli Editore&quot; href=&quot;http://www.francoangeli.it/riviste/sommario.asp?IDRivista=63&quot; target=&quot;_blank&quot;&gt;Franco Angeli&lt;/a&gt;, Milan, Italy&lt;/p&gt;</description><pubDate>Thu, 03 Feb 2011 09:54:15 +0100</pubDate><link>http://www.planum.net/journals-books/territorio</link><guid>http://www.planum.net/journals-books/territorio</guid></item><item><title>Urbanistica</title><description>&lt;hr/&gt;&lt;p&gt;&lt;strong&gt;Rivista trimestrale dell&#039;Istituto Nazionale di Urbanistica INU&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Editor:&amp;nbsp;&lt;/strong&gt;Paolo Avarello&lt;br /&gt;&lt;strong&gt;Editor in Chief:&amp;nbsp;&lt;/strong&gt;Paolo Avarello&lt;br /&gt;&lt;strong&gt;Editorial Staff: &lt;/strong&gt;Studio Associato Gerald&lt;br /&gt;&lt;strong&gt;Publisher:&amp;nbsp;&lt;/strong&gt;&lt;a href=&quot;http://www.inu.it/inuedizioni/&quot;&gt;INU Edizioni Srl&lt;/a&gt; &lt;br /&gt;Piazza Farnese 44, 00186, Rome, Italy&lt;/p&gt;</description><pubDate>Fri, 08 Oct 2010 21:22:26 +0200</pubDate><link>http://www.planum.net/journals-books/urbanistica</link><guid>http://www.planum.net/journals-books/urbanistica</guid></item><item><title>RaumPlanung</title><description>&lt;hr/&gt;&lt;p&gt;&lt;strong&gt;Bimonthly &lt;/strong&gt;&lt;strong&gt;Magazine &lt;br /&gt;of the Informationskreis&amp;nbsp;f&amp;uuml;r Raumplanung&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Contacts:&amp;nbsp;&lt;/strong&gt;Informationskreis f&amp;uuml;r Raumplanung, Gutenbergstra&amp;szlig;e 34,&amp;nbsp;44139 Dortmund&lt;br /&gt;&lt;strong&gt;Tel:&lt;/strong&gt; 0231/759570 &lt;br /&gt;&lt;strong&gt;Fax:&lt;/strong&gt; 0231/759597&lt;br /&gt;&lt;strong&gt;E-mail:&amp;nbsp;redaktion(at)ifr-ev.de&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;a href=&quot;http://www.ifr-ev.de/index.php?id=159&quot; target=&quot;_blank&quot;&gt;Raumplanung Website&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;</description><pubDate>Fri, 08 Oct 2010 21:22:27 +0200</pubDate><link>http://www.planum.net/journals-books/raumplanung</link><guid>http://www.planum.net/journals-books/raumplanung</guid></item><item><title>Transmitting Architecture Organ TAO</title><description>&lt;hr/&gt;&lt;p&gt;&lt;strong&gt;Periodico di informazione della Fondazione dell&#039;Ordine degli Architetti PPC&amp;nbsp;della Provincia di Torino,&amp;nbsp;&lt;/strong&gt;Via Giolitti 1, 10123 Torino&lt;br /&gt;&lt;strong&gt;Editor:&lt;/strong&gt; R.Bedrone&lt;br /&gt;&lt;strong&gt;Deputy Editor:&lt;/strong&gt; L.Pastorin&lt;br /&gt;&lt;strong&gt;Editorial Staff:&lt;/strong&gt; R.Bucci, E.Garda, L.Pastorin&lt;a href=&quot;http://www.taomag.it&quot; target=&quot;_blank&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;strong&gt;Contacts:&lt;/strong&gt; &lt;a href=&quot;http://www.taomag.it&quot; target=&quot;_blank&quot;&gt;www.taomag.it&lt;/a&gt;&amp;nbsp;|&amp;nbsp;&lt;a href=&quot;mailto:redazione@taomag.it&quot; target=&quot;_blank&quot;&gt;redazione@taomag.it&lt;/a&gt;&lt;/p&gt;</description><pubDate>Fri, 09 Mar 2012 17:54:43 +0100</pubDate><link>http://www.planum.net/journals-books/tao</link><guid>http://www.planum.net/journals-books/tao</guid></item><item><title>La città dei ricchi e la città dei poveri</title><description>&lt;hr/&gt;&lt;p&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;L&amp;rsquo;urbanistica ha forti, precise responsabilit&amp;agrave; nell&amp;rsquo;aggravarsi delle disuguaglianze. Siamo di fronte a una nuova questione urbana che &amp;egrave; causa non secondaria della crisi che oggi attraversano le principali economie del pianeta.&lt;/strong&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;Nelle culture occidentali la citt&amp;agrave; &amp;egrave; stata a lungo immaginata come spazio dell&amp;rsquo;integrazione sociale e culturale&lt;/strong&gt;. Luogo sicuro, protetto dalla violenza della natura e degli uomini, produttore di nuove identit&amp;agrave;, sede privilegiata di ogni innovazione tecnica e scientifica, culturale e istituzionale. Nella citt&amp;agrave; occidentale ricchi e poveri si sono da sempre incontrati e continuano a incontrarsi, ma sono anche sempre pi&amp;ugrave; resi visibilmente distanti. &lt;br /&gt;&lt;strong&gt;Oggi pi&amp;ugrave; che in passato, nelle grandi aree metropolitane, le disuguaglianze saltano agli occhi e strategie di distinzione ed esclusione sono state spesso favorite dallo stesso progetto urbanistico.&lt;/strong&gt; Bisogna tornare a riflettere sulla struttura spaziale della citt&amp;agrave;, riconoscere l&amp;rsquo;importanza che nel costruirla ha la forma del territorio. Tornare a conferire agli spazi urbani una maggiore e pi&amp;ugrave; diffusa porosit&amp;agrave;, permeabilit&amp;agrave; e accessibilit&amp;agrave;; disegnarli con ambizione, tenendo conto della qualit&amp;agrave; delle citt&amp;agrave; che ci hanno preceduto e ragionare di nuovo sulle dimensioni del collettivo.&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
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&lt;p&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;strong&gt;CONTENTS&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Premessa&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;La nuova questione urbana&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Economia, societ&amp;agrave; e territorio&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Ricchi e poveri&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Strategie di esclusione&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Ricchi&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Poveri&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Un mondo migliore &amp;egrave; possibile&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;La tradizione europea&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Disuguaglianze sociali, questione urbana e crisi&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;strong&gt;Indice dei nomi&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ABOUT THE AUTHOR:&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Bernardo Secchi&lt;/strong&gt; &amp;egrave; professore emerito di Urbanistica nella &lt;a href=&quot;http://www.iuav.it/homepage/&quot; target=&quot;_blank&quot;&gt;Scuola di Architettura dell&#039;Universit&amp;agrave; IUAV di Venezia&lt;/a&gt;. Ha ricevuto la laurea honoris causa dalle universit&amp;agrave; di Grenoble e di Hasselt e il Grand Prix d&amp;rsquo;Urbanisme. &amp;Egrave; Senior fellow al &lt;a href=&quot;http://www.cca.qc.ca/en&quot; target=&quot;_blank&quot;&gt;Canadian Centre for Architecture&lt;/a&gt; e Chevalier de la L&amp;eacute;gion d&amp;rsquo;honneur. Ha partecipato agli studi per il Piano Intercomunale di Milano e lavorato al Piano Regionale del Trentino. Nel 2008 &amp;egrave; tra i dieci architetti richiesti di sviluppare idee e progetti per la &amp;lsquo;Grande Parigi&amp;rsquo;; nel 2010 tra i tre richiesti di sviluppare progetti per Bruxelles 2040 e nel 2012 tra i dieci richiesti di sviluppare un progetto per la &amp;lsquo;Grande Mosca&amp;rsquo;. &amp;Egrave; stato direttore di &amp;ldquo;Urbanistica&amp;rdquo;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Sat, 20 Apr 2013 16:42:13 +0200</pubDate><link>http://www.planum.net/journals-books/book-1</link><guid>http://www.planum.net/journals-books/book-1</guid></item><item><title>The Urban Masterplanning Handbook</title><description>&lt;hr/&gt;&lt;p&gt;&lt;strong&gt;&lt;br /&gt;A highly illustrated reference tool, this handbook provides comparative visual analysis of major urban extensions and masterplans around the world.&amp;nbsp;&lt;/strong&gt;It places an important new emphasis on the processes and structures that influence urban form, highlighting the significant impact that public or private landownership, management and funding might have on shaping a particular project. &lt;br /&gt;&lt;strong&gt;Each of the book&amp;rsquo;s 20 subjects is rigorously analysed through original diagrams, scale drawings and descriptive texts, which are complemented by key statistics and colour photography.&lt;/strong&gt; &lt;strong&gt;The case studies are presented in order of size rather than date or geographical location&lt;/strong&gt;. This offers design professionals, developers and city planners, as well as students of architecture and urban design informed organisational and formal comparisons, leading to intriguing insights.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;A wide geographical range of contemporary and historic masterplans are featured. These encompass European projects from the 19th century to the present day: Belgravia in London, Sarphatipark in Amsterdam, Potsdamer Platz in Berlin, La D&amp;eacute;fense Seine Arche in Paris and Hammarby Sj&amp;ouml;stad in Stockholm&lt;span style=&quot;line-height: 1.5em;&quot;&gt;. &lt;/span&gt;In North America, the postwar development of Stuyvesant Town in Manhattan is also the subject of a case study. &lt;/strong&gt;More recent and ongoing international urban schemes are included, such as Puerto Madero in Buenos Aires, Downtown Dubai and the New Central Business District in Beijing.&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;br /&gt;&lt;strong&gt;CONTENTS&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Acknowledgements&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;Introduction&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;CASE STUDIES&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Broadgate, London&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Mass&amp;eacute;na Nord, Paris&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull; Stuyvesant Town, New York&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Battery Park City, New York&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Avenue de l&amp;rsquo;Op&amp;eacute;ra, Paris&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Vauban, Freiburg&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Antigone, Montpellier&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Potsdamer Platz, Berlin&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Kirchsteigfeld, Potsdam&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Spangen, Rotterdam&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Belgravia, London&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;False Creek North, Vancouver&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Sarphatipark, Amsterdam&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Marunouchi, Tokyo&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Euralille, Lille&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Puerto Madero, Buenos Aires&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Hammarby Sj&amp;ouml;stad, Stockholm&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Downtown Dubai&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Beijing Central Business District&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;La D&amp;eacute;fense Seine Arche, Greater Paris&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;APPENDICES&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Timeline&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Density Table&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Figure-ground Diagrams&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Scale Comparison of all Projects&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;Bibliography&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Index&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Image Credits&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ABOUT THE AUTHORS:&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;Eric Firley&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;nbsp;is the author of the book&amp;rsquo;s companion volumes&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;http://eu.wiley.com/WileyCDA/WileyTitle/productCd-1119989981.html&quot; target=&quot;_blank&quot;&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;The Urban Housing Handbook&lt;/em&gt;&lt;/a&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;nbsp;(2009) and&amp;nbsp;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;&lt;a href=&quot;http://eu.wiley.com/WileyCDA/Section/id-WILEYEUROPE2_SEARCH_RESULT.html?query=The%20Urban%20Towers%20Handbook&quot; target=&quot;_blank&quot;&gt;The Urban Towers Handbook&lt;/a&gt;&amp;nbsp;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;(2011). Assistant Professor at the&lt;a href=&quot;http://www.arc.miami.edu/&quot; target=&quot;_blank&quot;&gt; University of Miami School of Architecture&lt;/a&gt; since January 2011, he is a trained architect and urban designer with work experience in property development and several design practices in Paris and London. Regularly invited to speak at architectural institutions around the world, he has a specific interest in interdisciplinary research and in the relationship between architecture and the urban fabric.&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;Katharina Gr&amp;ouml;n&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;nbsp;is a German planner who graduated in 2008 from the &lt;a href=&quot;http://www.tuhh.de/alt/tuhh/startpage.html&quot; target=&quot;_blank&quot;&gt;Hamburg University of Technology&lt;/a&gt;. Already involved in the production of&amp;nbsp;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;The Urban Housing Handbook&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;, she has developed the graphic concept of the book, including diagrams and custom-made urban plans. She lives and works as a planner and urban designer in Hamburg.&lt;/span&gt;&lt;/p&gt;
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Sat, 20 Apr 2013 21:07:30 +0200</pubDate><link>http://www.planum.net/journals-books/the-urban-masterplanning-handbook</link><guid>http://www.planum.net/journals-books/the-urban-masterplanning-handbook</guid></item><item><title>L&#039;architettura degli spazi del lavoro</title><description>Nuovi compiti e nuovi luoghi del progetto&lt;hr/&gt;&lt;p&gt;&lt;strong&gt;Il libro affronta il tema del lavoro che, nel quadro articolato delle trasformazioni sociali ed economiche in atto, assume una centralit&amp;agrave; rinnovata anche per le discipline che si occupano del disegno degli spazi che lo accolgono.&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Da un lato si assiste alla riorganizzazione del sistema egemone negli ultimi trent&amp;rsquo;anni: gli spazi del lavoro non sono pi&amp;ugrave; semplici edifici industriali ma nuove realt&amp;agrave; dotate di laboratori, centri studi, spazi di relazione con il pubblico e con il paesaggio&lt;/strong&gt;. &lt;strong&gt;Prende dunque corpo una revisione del modello di citt&amp;agrave; sociale che in Italia ha segnato profondamente la progettazione architettonica e urbana, sulla scia di quanto accaduto per la Olivetti&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Il Diesel Village a Breganze e le diverse &lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;factory&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt; che nascono oggi occupando complessi industriali dismessi rappresentano il controcampo della crisi dei capannoni diffusi. Dall&amp;rsquo;altro lato la dismissione della produzione fisica di materiali ed oggetti crea una diversa strutturazione di reti per la produzione immateriale di idee o servizi: nuovi spazi del lavoro si costruiscono in luoghi marginali o abbandonati del territorio, possibili motori latenti di uno sviluppo alternativo.&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;div&gt;&lt;object style=&quot;width: 450px; height: 208px;&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://static.issuu.com/webembed/viewers/style1/v1/IssuuViewer.swf?mode=embed&amp;amp;layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Flight%2Flayout.xml&amp;amp;showFlipBtn=true&amp;amp;documentId=130413105119-b37197d9d89a4ae49a6dfcaf689fef89&amp;amp;docName=per_sfogliatore_l_architettura_del_lavoro&amp;amp;username=planumnet&amp;amp;loadingInfoText=L&#039;architettura%20degli%20spazi%20del%20lavoro.&amp;amp;et=1365850589883&amp;amp;er=36&quot; /&gt;&lt;param name=&quot;allowfullscreen&quot; value=&quot;true&quot; /&gt;&lt;param name=&quot;menu&quot; value=&quot;false&quot; /&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot; /&gt;&lt;/object&gt;&lt;br /&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;Il volume &amp;egrave; stato pubblicato in occasione del convegno&amp;nbsp;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;L&#039;architettura degli spazi del lavoro. Nuovi compiti e nuovi luoghi del progetto&amp;nbsp;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;(Venezia, 16-11-2012, a cura di Sara Marini, Alberto Bertagna, Francesco Gastaldi) con il contributo dell&#039; &lt;a href=&quot;http://www.iuav.it/homepage/&quot; target=&quot;_blank&quot;&gt;Universit&amp;agrave; IUAV di Venezia&lt;/a&gt; e della &lt;a href=&quot;http://www.fondazionefrancescofabbri.it/&quot; target=&quot;_blank&quot;&gt;Fondazione Francesco Fabbri&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;CONTENUTI&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;Presentazioni&lt;br /&gt;&lt;/strong&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Giustino Moro, Daniele Marini&lt;br /&gt;&lt;/em&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;Premesse&lt;br /&gt;&lt;/strong&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Sara Marini, Alberto Bertagna, Francesco Gastaldi&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;I. ARCHITETTURE E COMMITTENZE PER PRODURRE LUOGHI&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Le ali dell&amp;rsquo;architettura. Spazi del lavoro ed altre alchimie&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Sara Marini&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Luoghi di lavoro, paesaggi del XX secolo&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Luigi Latini&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;SSIC, Gordola&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Durisch&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt; + &lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Nolli Architetti&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;L&amp;agrave;, dove il Paesaggio si fa. Esperienze e confronti nella terra del lavoro&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Claudio Bertorelli&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Spazi condivisi, luoghi ritrovati&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Marco Ragonese&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Milano e la sfida post-fordista. Logiche localizzative e idee di citt&amp;agrave;&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Laura Montedoro&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;II. DALL&amp;rsquo;IMPRESA NEL TERRITORIO AL PAESAGGIO COME IMPRESA&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Alto lo spread citt&amp;agrave;/territorio. Dettagli in cronaca&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Alberto Bertagna&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Rigenerare paesaggi in declino: progetti, risorse e strategie per tornare a crescere. Il caso di Napoli est&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Michelangelo Russo&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Reload: riattivare il capitale territoriale per re-immaginare lo sviluppo&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Maurizio Carta&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Pi&amp;ugrave; cose alla volta&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Mos&amp;egrave; Ricci&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Territori ed architetture del Made in Italy&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Rosario Pavia&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Hashima: economie produttive tra rovine post-industriali&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Giulia Menziett&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;i&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Productive Landscapes. Common Grounds&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Emanuele Sommariva, Jeannette Sordi&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;III. IL NORD EST, FRA CRISI E NUOVA DOMANDA DI GOVERNO DEL TERRITORIO&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;C&amp;rsquo;&amp;egrave; un Nord Est oltre il mito?&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Francesco Gastaldi&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Dopo la crisi, quale modello territoriale?&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Michelangelo Savino&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Scenari e territori per un nuovo sviluppo del Nord Est&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Giancarlo Cor&amp;ograve;&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Le ragioni del lavoro artigiano nell&amp;rsquo;economia globale&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Stefano Micelli&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Riqualificare lo sprawl&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Laura Fregolent&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Oltre il capannone: metamorfosi del Nord Est produttivo&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Marco Ferrari&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;br /&gt;ABOUT THE AUTHORS:&lt;/strong&gt;&lt;br /&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;Sara Marini&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt; &amp;egrave; ricercatore in Composizione Architettonica e Urbana presso l&amp;rsquo;&lt;/span&gt;&lt;a style=&quot;line-height: 1.5em;&quot; title=&quot;Universit&amp;agrave; Iuav di Venezia&quot; href=&quot;http://www.iuav.it/homepage/&quot;&gt;Universit&amp;agrave; Iuav di Venezia&lt;/a&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;. Tra le sue numerose pubblicazioni ricordiamo Architettura parassita. &lt;/span&gt;&lt;a style=&quot;line-height: 1.5em;&quot; title=&quot;Strategie di riciclaggio per la citt&amp;agrave;&quot; href=&quot;http://www.quodlibet.it/schedap.php?id=1819#.USTYdo7tjhk&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Strategie di riciclaggio per la citt&amp;agrave;&lt;/em&gt;&lt;/a&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;, (Quodlibet, Macerata 2008); &lt;/span&gt;&lt;a style=&quot;line-height: 1.5em;&quot; title=&quot;Nuove terre. Architetture e paesaggi dello scarto&quot; href=&quot;http://www.quodlibet.it/schedap.php?id=1967#.USTYn47tjhk&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Nuove terre. Architetture e paesaggi dello scarto&lt;/em&gt;&lt;/a&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt; (Macerata, Quodlibet 2010) e, con Alberto Bertagna, In &lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Teoria. Assenze, collezioni, angeli&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt; (Quodlibet, Macerata 2012). Ha inoltre curato, insieme con Pippo Ciorra, Re-cycle. Strategie per l&amp;rsquo;architettura, la citt&amp;agrave; e il pianeta (Electa, Milano 2011).&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;Alberto Bertagna&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt; &amp;egrave; ricercatore in Urbanistica presso l&amp;rsquo;&lt;/span&gt;&lt;a style=&quot;line-height: 1.5em;&quot; title=&quot;Universit&amp;agrave; degli Studi di Genova&quot; href=&quot;http://www.unige.it/&quot; target=&quot;_blank&quot;&gt;Universit&amp;agrave; degli Studi di Genova&lt;/a&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;. Ha pubblicato &lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;La citt&amp;agrave; tragica. &lt;a title=&quot;L&amp;rsquo;(an)architettura come (de)costruzione&quot; href=&quot;http://www.diabasis.it/database/diabasis/diabasis.nsf/pagine/C1A70FA19F1755EAC125722000438C30?OpenDocument&quot;&gt;L&amp;rsquo;(an)architettura come (de)costruzione&lt;/a&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt; (Diabasis, Reggio Emilia 2006); &lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Il controllo dell&#039;indeterminato.&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt; Pot&amp;euml;mkin villages e altri nonluoghi (Quodlibet, Macerata 2010) e, con Sara Marini, &lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;The Landscapes of Waste&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt; (Skira, Milano 2011). Per Quodlibet ha inoltre curato il volume &lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Paesaggi fatti ad arte&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt; (Macerata 2010).&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;Francesco Gastaldi&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt; &amp;egrave; ricercatore in Urbanistica presso l&amp;rsquo;Universit&amp;agrave; Iuav di Venezia. &amp;Egrave; autore di articoli e saggi, ha pubblicato con Silvia Soppa il volume &lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Genova. Piani 1866-1980&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt; (Libreria CLUP, Milano 2004) e insieme con Valeria Fedeli ha curato &lt;/span&gt;&lt;a style=&quot;line-height: 1.5em;&quot; title=&quot;Pratiche strategiche di pianificazione&quot; href=&quot;http://www.francoangeli.it/Ricerca/Scheda_libro.aspx?CodiceLibro=1862.85&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Pratiche strategiche di pianificazione&lt;/em&gt;&lt;/a&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt; (Franco Angeli, Milano 2004) sulle sperimentazioni di pianificazione strategica in Italia. &amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;La &lt;/span&gt;&lt;a style=&quot;line-height: 1.5em;&quot; title=&quot;Fondazione Francesco Fabbri&quot; href=&quot;http://www.fondazionefrancescofabbri.it/&quot; target=&quot;_blank&quot;&gt;Fondazione Francesco Fabbri&lt;/a&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt; non persegue scopo di lucro, il suo ruolo &amp;egrave; quello di essere strumento di sviluppo culturale, sociale ed economico della comunit&amp;agrave;. La missione &amp;egrave; perseguita attraverso lo sviluppo di programmi ed azioni da ideare, coordinare e promuovere in una logica di rete orientata alle forme del Contemporaneo. Opera nell&#039;ambito del territorio veneto ma con uno sguardo aperto al sistema nazionale, nei settori dell&#039;assistenza, dell&#039;istruzione e formazione, della promozione e valorizzazione nel campo artistico, culturale, storico, dell&#039;innovazione e, in particolare nel presente periodo, del paesaggio in attuazione della Convezione Europea di riferimento.&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Wed, 20 Feb 2013 11:47:01 +0100</pubDate><link>http://www.planum.net/journals-books/l-architettura-degli-spazi-del-lavoro</link><guid>http://www.planum.net/journals-books/l-architettura-degli-spazi-del-lavoro</guid></item><item><title>Handmade Urbanism</title><description>From Community Initiatives to Participatory Models&lt;hr/&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;People have always been interested in the cities in which they live. With the world&amp;lsquo;s stark urbanization, the engagement of citizens to improve their urban environments is also growing. &lt;/strong&gt;Far from the traditional urban planning culture, they make use of limited resources, offering solutions to face the challenges these cities offer. They focus on the provision of social infrastructure aiming to improve the living conditions of the residents at the local scale. &lt;strong&gt;&lt;br /&gt;Handmade Urbanism showcases 15 projects realized mostly in less favored areas of five major cities in emerging countries, examining the potential of urban transformation embedded in community initiatives.&amp;nbsp;&lt;/strong&gt;What is the basis for such initiatives? Which are the instruments and tools they use? Illustrations depict their operational modes, reveal the actors involved and trace the steps they made in the organization of the initiatives. Interviews with experts, actors and different stakeholders clarify their meaning towards the local challenges. At a global level, common threads and differences are made clear.&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Handmade Urbanism drafts a possible urban vision of the city impacted by those processes and organizes a discussion that promotes participatory initiatives while exploring their potential to impact on the city at large &amp;ndash; to the benefit of all&lt;/strong&gt;. &lt;br /&gt;&amp;bull;&amp;nbsp;&lt;em&gt;The publication includes the documentary &#039;Urban Future&#039; in DVD, which provides the reader with further information from the ground.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;div&gt;&lt;object style=&quot;width: 450px; height: 299px;&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://static.issuu.com/webembed/viewers/style1/v1/IssuuViewer.swf?mode=embed&amp;amp;viewMode=presentation&amp;amp;layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Flight%2Flayout.xml&amp;amp;showFlipBtn=true&amp;amp;documentId=130407101753-05e5a5cac63c42eabd5ca0f918e82ca0&amp;amp;docName=handmade_urbanism_total_pdf&amp;amp;username=planumnet&amp;amp;loadingInfoText=Handmade%20Urbanism&amp;amp;et=1365330318703&amp;amp;er=91&quot; /&gt;&lt;param name=&quot;allowfullscreen&quot; value=&quot;true&quot; /&gt;&lt;param name=&quot;menu&quot; value=&quot;false&quot; /&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot; /&gt;&lt;/object&gt;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;hr /&gt;&lt;br /&gt;&lt;strong&gt;&lt;strong&gt;CONTENTS&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;INTRODUCTION&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Introductory Interview:&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Returning to the Roots&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Wolfgang Nowak&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Initial Thoughts:&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Make the Invisible Visible&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Ute E. Weiland&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Foreword:&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;The Community&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Richard Sennett&lt;/span&gt;&lt;/em&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Editorial&lt;em&gt;:&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;An Urban Trend: Residents Taking Ownership&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;of their Environment&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Marcos L. Rosa, Ute E. Weiland, with Ana &amp;Aacute;lvarez,&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Lindsay Bush, Demet Mutman, Priya Shankar&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;FIVE CITIES&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Introduction to Five Cities&lt;br /&gt;&lt;br /&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;1. MUMBAI&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Priya Shankar&lt;/em&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;Initiatives&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Mumbai Waterfronts Center&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Triratna Prerana Mandal&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Urban Design Research Institute&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;&lt;br /&gt;Interviews&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Dreams, Dignity and Changing Realities:&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;The Story of a Community Toilet&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Dilip Kadam, Dayanand Jadhav, Dayanand Mohite&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Network, Intermediate, Integrate:&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Reaching out to the Grassroots&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Seema Redkar&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Elastic Urbanism:&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Sustainability and Informality in the City&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Rahul Mehrotra&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Making Voices Heard: Art and Activism&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Shabama&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt; Azmi&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Democratizing Public Space&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;P. K. Das&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;2. SAO PAULO&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Marcos L. Rosa&lt;/span&gt;&lt;/em&gt;&lt;strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;Initiatives&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Union Building&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;ACAIA Institute&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Biourban&lt;/span&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;Interviews&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Workshops as a Communication Facilitator:&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Understanding Community Needs&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Ana Cristina Cintra Camargo&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Preexistence in Socially Vulnerable Areas&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Elisabete Fran&amp;ccedil;a&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Scaling Up Micro Actions&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Fernando de Mello Franco&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;How to Live Together&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Lisette Lagnado&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;The Challenge of Derelict and Residual Spaces.&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Is Anyone Thinking on the Local Level?&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Nevoral Alves Bucheroni&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;3. ISTAMBUL&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Demet Mutman&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Initiatives&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Music for Peace&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Nurtepe First Step Cooperative&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Children of Hope&amp;mdash;Youth House&lt;/span&gt;&lt;strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;Interviews&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Presence and Vision of a Grass Roots Initiative&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Yeliz Yalın Baki&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;New Planning Approaches for Building Up Cities&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Erhan Demirdizen&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Action and Participation in Planning&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;&amp;Ouml;zlem &amp;Uuml;nsal&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Curating Artists and Cultural Practices&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Behi&amp;ccedil; Ak&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Advocating Sustainable and Participatory Models&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Aslı Kıyak&lt;/span&gt;&lt;/em&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt; I˙ngin&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;4. MEXICO CITY&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Ana &amp;Aacute;lvarez&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Initiatives&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Miravalle Community Council&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Cultural Center Consejo Agrarista&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Recovering Spaces for Life&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;Interviews&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Weaving Efforts:&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Working for the Common Good&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;em&gt;Francisco Javier Conde Gonz&amp;aacute;lez&lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Reality Surpasses Us:&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;We Need to Be More Flexible and Porous&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Felipe Leal&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Unfolding New Professional Profiles for&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Bottom-up Urban Planning&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Arturo Mier y Ter&amp;aacute;n&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Cultural Acupuncture over the City&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;em&gt;Argel G&amp;oacute;mez and Benjam&amp;iacute;n Gonz&amp;aacute;lez&lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Braiding the Physical and the Social:&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;A New Social Contract for the City&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Jose&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt; Castillo&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;5. CAPE TOWN&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Lindsay Bush&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;Initiatives&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Mothers Unite&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Rocklands Urban Abundance Center&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Thrive&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;Interviews&lt;/strong&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Incidental Urban Acupuncture&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Carol Jacobs&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Breaking it Down to Build it Up&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Michael Krause&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Reimagining the City from a Different Viewpoint&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Edgar Pieterse&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Lighting the Fire within Us&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Malika Ndlovu&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Going Local: The Lavender Hill Area&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Councilor Shaun August&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;COMMON POINTS&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Four Interviews: Five Cities, One Gaze&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;The Significance of Space in Urban Society&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Ricky Burdett&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Reporting from Local Initiatives&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Olaf Jacobs&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Cities are an Expression of Human Needs&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Wolfgang Nowak&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Focus on Results: Attention to Real Needs&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Anthony Williams&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Project Categories, Programs and&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Common Clouds&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Final Considerations&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Marcos L. Rosa and Ute E. Weiland&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Credits&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ABOUT THE AUTHORS:&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Marcos L. Rosa &lt;/strong&gt;is an architect and urban plenner. He received&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;nbsp;diploma in architecture and urban planning from&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;. He organized the &lt;a href=&quot;http://www.dbuaaward.net/page/previous-awards/Sao-Paulo&quot; target=&quot;_blank&quot;&gt;DBUA Award in S&amp;atilde;o&amp;nbsp;&lt;/a&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;a href=&quot;http://www.dbuaaward.net/page/previous-awards/Sao-Paulo&quot; target=&quot;_blank&quot;&gt;Paulo&lt;/a&gt;, in 2008, when he set up a research platform based on&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;the 133 compiled projects. He is the author of a publication of&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;that research entitled Microplanning, Urban Creative Practices&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;(S&amp;atilde;o Paulo, 2011). He exhibited worldwide, among which, in the&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Rotterdam International Architecture Biennale 2010 and in the&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;International Biennale in S&amp;atilde;o Paulo 2011.&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;He was awarded the&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Young Architects Award from the &lt;a href=&quot;http://www.iabsp.org.br/&quot; target=&quot;_blank&quot;&gt;Brazilian Architects Institute&amp;nbsp;&lt;/a&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;a href=&quot;http://www.iabsp.org.br/&quot; target=&quot;_blank&quot;&gt;for Microplanning&lt;/a&gt;.&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;His current research focuses on the operational mechanisms &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;embedded in these projects and their scaling potential within&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;existing and proposed urban infrastructural networks.&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;Ute Elisabeth Weiland&amp;nbsp;&lt;/strong&gt;has been the Deputy Director of the Alfred Herrhausen Society, Deutsche Bank&#039;s international forum since 2007, a member of the Executive Board of the Urban Age conference series at the &lt;a href=&quot;http://www2.lse.ac.uk/home.aspx&quot; target=&quot;_blank&quot;&gt;London School of Economics&lt;/a&gt; since 2004, and since 1 January of 2010 member of the Governing Board of &lt;a href=&quot;http://www2.lse.ac.uk/LSECities/home.aspx&quot; target=&quot;_blank&quot;&gt;LSE Cites&lt;/a&gt;. For five years, she has coordinated all of the awards in five cities, organizing the content and compilation with the local researchers chosen to carry out the communicazion, organization, and fieldwork in each city.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;hr /&gt;&lt;/div&gt;</description><pubDate>Sat, 06 Apr 2013 20:39:15 +0200</pubDate><link>http://www.planum.net/journals-books/handmade-urbanism</link><guid>http://www.planum.net/journals-books/handmade-urbanism</guid></item><item><title>Selfmade City</title><description>Berlin: Self-Initiated Urban Living and Architectural Interventions 
&lt;hr/&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;Berlin is thought of as the city of Urban Pioneers, a place where everything is possible and where space can be taken over and transformed. Voids and unused spaces waiting to be occupied, old buildings engaged with new program.&lt;/strong&gt; The self-determined design of space, building, living and working, be it in the form of builder collectives or co-housing (Baugruppen), co-op&amp;rsquo;s (Genossenschaften), co-working spaces or other project forms, has produced an architectural diversity and quality in Berlin over the last fifteen years that is exemplary. &lt;br /&gt;&lt;strong&gt;Selfmade city presents the evolving condition in Berlin, including a survey of over 120 projects, an analysis of the qualities and potentials of these projects as well as 50 best-practice case studies.&lt;/strong&gt; &lt;strong&gt;Which contributions are being made in private initiative for the development of the city and what can be achieved in the future? Which methods and strategies are generating added value?&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;div&gt;&lt;object style=&quot;width: 450px; height: 289px;&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://static.issuu.com/webembed/viewers/style1/v1/IssuuViewer.swf?mode=embed&amp;amp;viewMode=presentation&amp;amp;layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Flight%2Flayout.xml&amp;amp;showFlipBtn=true&amp;amp;documentId=130405163706-d974a3f59de74e7b86dd9493ce69d88b&amp;amp;docName=selfmade_city_completo&amp;amp;username=planumnet&amp;amp;loadingInfoText=Selfmade%20City&amp;amp;et=1365180142325&amp;amp;er=83&quot; /&gt;&lt;param name=&quot;allowfullscreen&quot; value=&quot;true&quot; /&gt;&lt;param name=&quot;menu&quot; value=&quot;false&quot; /&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot; /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Background&lt;em style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Selfmade City is an initiative of the curator Kristien Ring (AA Projects). The books is based on the exhibition and publication project &#039;&lt;/span&gt;Builder Collectives in the City&#039;,&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;nbsp;that Kristien Ring presented at the German Center for Architecture DAZ in 2007. Over 3000 visitors came to the show durring the eight-week exhibition time period at the DAZ.&lt;br /&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;The focus of Selfmade City is not only builder collectives and self-initiated living projects, but includs projects that have helped to define the spirit of the city by transforming the berliner city-scap&lt;/strong&gt;&lt;strong&gt;e&lt;span style=&quot;line-height: 1.5em;&quot;&gt;.&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;The goal of Selfmade City is to present the qualities of these projects, with particular attention given to the design.&lt;br /&gt;&lt;/strong&gt;Preserving the specific potential of Berlin is at stake. The project see for the presentation of an exhibition in Berlin that is accompanied by discourse events, excursions and a prblication that will reach a wide public and, at the same time, further discussion and political decision making. Which qualities have really been materialised through the self-initiative of architects, owners, and other space pioneers? What is the subsistence of future potential concerning Berlin&amp;rsquo;s urban planning? What are future-oriented fields of work and strategies, or even requirements and conditions that are need for self-initiated spatial design with an aspiration for high quality to continue?&lt;br /&gt;&amp;bull;&amp;nbsp;&lt;em&gt;The book is bilingual: English and German&lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;hr /&gt;&lt;br /&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;CONTENTS&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;Preface&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;I. INTRO |&amp;nbsp;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;POSITIONS ON THE SELFMADE CITY&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Mapping and Index of&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Selfmade Projects in Berlin&lt;br /&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Statements I: Typical Berlin?&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Introduction: Selfmade not Readymade&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;II. ANALYSIS |&amp;nbsp;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;PROJECTS AND PROFILES FROM THE SELFMADE CITY&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Ten Selfmade Qualities: How Self-Initiated&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Housing Projects and Interventions C&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;ontribute to Urban Development&lt;br /&gt;&lt;span style=&quot;line-height: 1.5em; font-size: 13px;&quot;&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;&lt;strong&gt;Project Analysis: Principles and&amp;nbsp;Evaluation Criteria&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Between Museumsinsel and Torstra&amp;szlig;e&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Between Torstra&amp;szlig;e and Mauerpark&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Around Winsviertel and B&amp;ouml;tzowviertel&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;Statements II: Why Selfmade?&lt;em style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Between Wollankstra&amp;szlig;e and Vinetastra&amp;szlig;e&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;From the Komponistenviertel to&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Wei&amp;szlig;er See&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Around the Frankfurter Allee&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;Statements III: Do it yourself &amp;ndash; but how?&lt;em style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em; font-size: 13px;&quot;&gt;&amp;bull;&amp;nbsp;Between Jannowitzbr&amp;uuml;cke and&lt;strong&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Kottbusser Tor&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Around Lohm&amp;uuml;hleninsel&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Around Gleisdreieck Park&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Other Places&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;III.&amp;nbsp;&lt;/strong&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;CONCLUSION |&amp;nbsp;&lt;br /&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;PROSPECTS AND POTENTIALS FROM THE SELFMADE CITY&lt;/strong&gt;&lt;br /&gt;&lt;/strong&gt;&amp;bull;&lt;strong&gt;&amp;nbsp;Statements IV: What next?&lt;em style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Selfmade City Berlin:&amp;nbsp;Key Data and Evaluation on the Current&amp;nbsp;and Future Development&lt;br /&gt;&lt;span style=&quot;line-height: 1.5em; font-size: 13px;&quot;&gt;&lt;br /&gt;&lt;strong&gt;Literature and Links&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Image Credits&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;Authors&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;ABOUT THE AUTHORS:&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;Kristien Ring&amp;nbsp;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;is founder of &lt;a href=&quot;http://aa-projects.eu/en&quot; target=&quot;_blank&quot;&gt;AA PROJECTS&lt;/a&gt; (2011) and works as a design, planning, and project process consultant, curator, architecural critic, and author. From 2005 untill 2011 she was the Director of the &lt;a href=&quot;http://www.daz.de/sixcms/detail.php?area_id=28&amp;amp;id=168643&amp;amp;template_id=25&amp;amp;lang=en&quot; target=&quot;_blank&quot;&gt;German Center of&amp;nbsp;Architecture, DAZ&lt;/a&gt;, from 2001 untill 2005 the curator and co-funder the galley Suitcase Architecture.&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;Franziska Eidner&amp;nbsp;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;studied journalism, cutlural studies, and arts administration. Since 2005 shi was worked as author, conceptual consultant, and communication espert for institutions, agencies, administrations, corporations, and publcihers in the field of architecture, urban and regional development. She is co-funder of &lt;a href=&quot;http://www.einsateam.de/typo3/index.html&quot; target=&quot;_blank&quot;&gt;EINSATEAM&lt;/a&gt;, Berlin.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;hr /&gt;&lt;/div&gt;</description><pubDate>Fri, 15 Mar 2013 18:03:22 +0100</pubDate><link>http://www.planum.net/journals-books/selfmade-city</link><guid>http://www.planum.net/journals-books/selfmade-city</guid></item><item><title>Approssimazioni alla città</title><description>Urbano, rurale, ecologia&lt;hr/&gt;&lt;p&gt;&lt;strong&gt;Da pi&amp;ugrave; di vent&amp;rsquo;anni il progetto della citt&amp;agrave; contemporanea sta mettendo a fuoco uno spazio, il periurbano, che si colloca tra la citt&amp;agrave; e ci&amp;ograve; che la circonda. Una geografia che negli stessi luoghi si confronta con ordini di problemi a differenti livelli di complessit&amp;agrave; - l&amp;rsquo;approvvigionamento di cibo, il decentramento di funzioni urbane, le reti infrastrutturali, i cambiamenti climatici, i grandi rischi ambientali - e, insieme, questioni pi&amp;ugrave; vicine e ordinarie quali la riqualificazione delle aree periferiche e dei loro margini, la sostenibilit&amp;agrave; dei tessuti a bassa densit&amp;agrave; e la loro maggiore qualit&amp;agrave; e abitabilit&amp;agrave;.&lt;/strong&gt;&lt;br /&gt; &lt;br /&gt;Perch&amp;eacute; parliamo di periurbanit&amp;agrave;? Perch&amp;eacute; crediamo che lo spazio intorno alle citt&amp;agrave;, invaso dalle urbanizzazioni ma costruito ancora dall&amp;rsquo;agricoltura, sia investito da un processo di grande rinnovamento, mentre le categorie dell&amp;rsquo;urbanit&amp;agrave; e della ruralit&amp;agrave; hanno perso il loro potenziale euristico per descriverlo.&lt;br /&gt; Una&amp;nbsp;cospicua parte di umanit&amp;agrave; abita e lavora nel periurbano, lo attraversa e lo modifica incessantemente. Ma il periurbano rimane ancora uno spazio senza autore. Il periurbano si fa leggere criticamente come spazio multispaziale. Non uno spazio topografico o metaforico ma uno spazio progettuale che nasce dal bisogno di ricostruire nuove condizioni&amp;nbsp;di comfort e di benessere, che riesce a veicolare simboli, valori e desideri collettivi. &lt;br /&gt;Dentro un&amp;rsquo;angolazione paesaggista, il periurbano pu&amp;ograve; diventare un laboratorio formidabile di idee e progetti. In esso spazi e valori possono essere messi a fuoco rendendoli pi&amp;ugrave; riconoscibili; in esso trova espressione quel &amp;laquo;besoin de campagne&amp;raquo; &amp;ndash; inteso come desiderio di una natura fuori porta, pi&amp;ugrave; vera di quella che ha potuto offrire fino ad ora il parco urbano &amp;ndash; che la societ&amp;agrave; sempre pi&amp;ugrave; manifesta.&lt;br /&gt;&lt;br /&gt;Il libro &amp;egrave; parte della serie: &#039;Le culture del progetto di paesaggio&#039; a cura di Pierre Donadieu e Mariavaleria Mininni.&amp;nbsp;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;br /&gt;&lt;strong&gt;CONTENTS&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Un apprendistato sul campo&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;PARTE PRIMA&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;I. Periurbanit&amp;agrave;&lt;/strong&gt;&lt;br /&gt; &amp;bull;&amp;nbsp;Uno spazio riflessivo&lt;br /&gt; &amp;bull;&amp;nbsp;Agrourbanit&amp;agrave;&lt;br /&gt; &amp;bull;&amp;nbsp;Un paesaggio dell&amp;rsquo;urbanistica&lt;br /&gt; &amp;bull;&amp;nbsp;Governance cross scaling&lt;br /&gt; &amp;bull;&amp;nbsp;Una visione paesaggistica del periurbano&lt;br /&gt; &amp;bull;&amp;nbsp;Una genealogia urbana del periurbano&lt;br /&gt; &amp;bull;&amp;nbsp;Misurare il periurbano&lt;br /&gt; &amp;bull;&amp;nbsp;Urbanit&amp;agrave; e ruralit&amp;agrave; del periurbano&lt;br /&gt; &amp;bull;&amp;nbsp;Raccontare il periurbano&lt;br /&gt; &amp;bull;&amp;nbsp;Comunit&amp;agrave; approssimative&lt;br /&gt; &amp;bull;&amp;nbsp;Estetiche inquiete&lt;br /&gt; &amp;bull;&amp;nbsp;Valori paesaggistici&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;II. Approssimazioni e nomadismi&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;br /&gt; &lt;strong&gt;PARTE SECONDA&lt;br /&gt;&lt;/strong&gt; &lt;strong&gt;I. Vivere in un parco&lt;/strong&gt;&lt;br /&gt; &amp;bull;&amp;nbsp;Territorio vs. area vasta&lt;br /&gt; &amp;bull;&amp;nbsp;Nuove estetiche della natura&lt;br /&gt; &amp;bull;&amp;nbsp;Natural sprawl e urban sprawl&lt;br /&gt; &amp;bull;&amp;nbsp;Dallo spazio aperto al paesaggio infrastruttura&lt;br /&gt;&lt;br /&gt; &lt;strong&gt;II. Approssimazioni agrourbane&lt;/strong&gt;&lt;br /&gt; &amp;bull;&amp;nbsp;Scendere a patti con il paesaggio&lt;br /&gt; &amp;bull;&amp;nbsp;Prove tecniche di periurbanit&amp;agrave;&lt;br /&gt; &amp;bull;&amp;nbsp;Agricoltura e agricoltori del periurbano&lt;br /&gt; &amp;bull;&amp;nbsp;Come migliorare la qualit&amp;agrave; urbana in tempo di crisi?&lt;br /&gt;&lt;br /&gt; &lt;strong&gt;III. Periurbanit&amp;agrave; costiera&lt;/strong&gt;&lt;br /&gt; &amp;bull;&amp;nbsp;Obliquit&amp;agrave; costiere&lt;br /&gt; &amp;bull;&amp;nbsp;Un territorio costiero profondo&lt;br /&gt; &amp;bull;&amp;nbsp;Dal dato al problema&lt;br /&gt; &amp;bull;&amp;nbsp;Visioni a scadenza&lt;br /&gt; &amp;bull;&amp;nbsp;Un territorio inclinato a Nord-est&lt;br /&gt; &amp;bull;&amp;nbsp;Un territorio a intermittenza&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;PARTE TERZA&lt;/strong&gt;&lt;br /&gt; &lt;strong&gt;I. Discipline che dialogano a distanza&lt;/strong&gt;&lt;br /&gt; &amp;bull;&amp;nbsp;Dal landscape planning alla landscape ecology&lt;br /&gt; &amp;bull;&amp;nbsp;Regionalismo ecologico&lt;br /&gt; &amp;bull;&amp;nbsp;Un&amp;rsquo;ecologia umanista&lt;br /&gt; &amp;bull;&amp;nbsp;Ecologie a confronto&lt;br /&gt;&lt;br /&gt; &lt;strong&gt;II. Mestieri del paesaggio&lt;/strong&gt;&lt;br /&gt; &amp;bull;&amp;nbsp;Urbanistica e &amp;laquo;paesaggistica&amp;raquo;&lt;br /&gt; &amp;bull;&amp;nbsp;Discipline e mestieri sul paesaggio. Una prospettiva italiana&lt;br /&gt; &amp;bull;&amp;nbsp;Paesaggisti e giardinieri&lt;br /&gt; &amp;bull;&amp;nbsp;Il mestiere al futuro&lt;br /&gt;&lt;br /&gt; &lt;strong&gt;III. Progettare in prossimit&amp;agrave;&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Il progetto paesaggista&lt;br /&gt; &amp;bull;&amp;nbsp;Dispositivi di approssimazione&lt;br /&gt; &amp;bull;&amp;nbsp;Una geologia poetica&lt;br /&gt; &amp;bull;&amp;nbsp;Politiche di approssimazione&lt;br /&gt; &amp;bull;&amp;nbsp;La periurbanit&amp;agrave; nei procedimenti regolamentativi&lt;br /&gt;&amp;bull;&amp;nbsp;Governare il periurbano&lt;br /&gt; &amp;bull;&amp;nbsp;Campagne contemporanee&lt;br /&gt; &amp;bull;&amp;nbsp;Politiche rurali sul periurbano&lt;br /&gt; &amp;bull;&amp;nbsp;Agrourbanismo e agricoltura urbana&lt;br /&gt; &amp;bull;&amp;nbsp;Food planning&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;Conclusioni. Nutrire speranze&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt; Ringraziamenti &lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;ABOUT THE AUTHOR:&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Mariavaleria Mininni,&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt; ecologa e urbanista, &amp;egrave; professore al &lt;/span&gt;&lt;a style=&quot;font-size: 13px; line-height: 1.5em;&quot; title=&quot;DiCEM&quot; href=&quot;http://www2.unibas.it/dicem/index.php/it/&quot; target=&quot;_blank&quot;&gt;DiCEM&lt;/a&gt;&amp;nbsp;-&amp;nbsp;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Dipartimento delle culture europee e del Mediterrano: Architettura, Ambiente, Patrimoni culturali presso l&amp;rsquo;Universit&amp;agrave; degli Studi della Basilicata. Lavora sulla nozione e sul progetto di paesaggio sia nella sua declinazione di landscape e urban ecology sia nella dimensione dell&amp;rsquo;abitare contemporaneo. &amp;Egrave; nell&amp;rsquo;editorial board di &amp;laquo;&lt;a href=&quot;http://www.planum.net/journals-books/urbanistica&quot; target=&quot;_blank&quot;&gt;Urbanistica&lt;/a&gt;&amp;raquo;. Tra le sue numerose pubblicazioni&amp;nbsp;ricordiamo:&amp;nbsp;&lt;/span&gt;&lt;a style=&quot;font-size: 13px; line-height: 1.5em;&quot; title=&quot;La costa obliqua. Un atlante per la Puglia&quot; href=&quot;http://www.donzelli.it/libro/2180/la-costa-obliqua&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;La&amp;nbsp;costa&amp;nbsp;obliqua.&amp;nbsp;Un&amp;nbsp;atlante&amp;nbsp;per&amp;nbsp;la&amp;nbsp;Puglia&lt;/em&gt;&lt;/a&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&amp;nbsp;(2010).&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Wed, 20 Feb 2013 15:25:54 +0100</pubDate><link>http://www.planum.net/journals-books/approssimazioni-alla-citta-1</link><guid>http://www.planum.net/journals-books/approssimazioni-alla-citta-1</guid></item><item><title>Masterplanning Futures</title><description>&lt;hr/&gt;&lt;p&gt;&lt;strong&gt;Lucy Bullivant analyses the ideals and processes of international&amp;nbsp;masterplans, and their role in the evolution of many different types of urban contexts in both the developed and developing world. Among the book&amp;rsquo;s key themes are landscape-driven schemes, social equity through the reevaluation of spatial planning, and the evolution of strategies responding to a range of ecological issues and the demands of social growth.&amp;nbsp;&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;In the past, spatial masterplans for cities have been fixed blueprints realized as physical form through conventional top down processes. These frequently disregarded existing social and cultural structures, while the old modernist planning model zoned space for home and work.&amp;nbsp;At a time of urban growth, these models are now being replaced by more adaptable, mixed use plans dealing holistically with the physical, social and economic revival of districts, cities and regions. Through today&amp;rsquo;s public participative approaches and using technologically enabled tools, contemporary masterplanning instruments embody fresh principles, giving cities a greater resilience and capacity for social integration and change in the future.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Drawing on first-hand accounts and illustrated throughout with colour photographs, plans and visualizations, the book includes twenty essays introduced by an extensive overview of the field and its objectives.&lt;/strong&gt; These investigate plans including one-north Singapore, Masdar City in Abu Dhabi, Xochimilco in Mexico City and Waterfront Seattle, illuminating their distinct yet complementary integrated strategies. This is a key book for those interested in today&amp;rsquo;s multiscalar masterplanning and conceptually advanced methodologies and principles being applied to meet the challenges and opportunities of the urbanizing world.&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;CONTENTS&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Preface&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt; About the authors&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt; Acknowledgement&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt; Introduction&lt;/strong&gt;&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;Post-Industrial Urban Regeneration&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;&amp;Oslash;restad, Carlsberg, Loop City, Nordhavnen,&lt;br /&gt;&lt;em&gt;Copenhagen, Denmark&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;HafenCity,&lt;br /&gt; &lt;em&gt;Hamburg, Germany&lt;/em&gt;&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;City Centre and Waterfront Neighbourhoods&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Musheireb,&lt;br /&gt;&lt;em&gt;Doha Quatar&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Waterfront,&lt;br /&gt;Seattle, USA&amp;nbsp;&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;Science and Technology Districts&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;One-north,&lt;br /&gt; &lt;em&gt;Singapore&amp;nbsp;&lt;/em&gt;&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;Post-Disaster Urban Regeneration&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Pres Sustainable Recontruction Plan,&lt;br /&gt;&lt;em&gt;Constitution, Chile&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Make it Right,&lt;br /&gt;New Orleans, USA&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;Social Equity&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Medellin, Colombia&lt;br /&gt;&amp;bull;&amp;nbsp;Lion Park Urban Design Framework, extension to Cosmo City,&lt;br /&gt; &lt;em&gt;Johannesburg, South Africa&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Urban Think Tank, an interview&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;&amp;lsquo;Eco - Cities&#039;&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Masdar City,&lt;br /&gt; &lt;em&gt;Abu Dhabi, UAE&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Montecorvo Eco City,&lt;br /&gt; &lt;em&gt;Logro&amp;ntilde;o, Spain&lt;/em&gt;&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;Landscape and &lt;strong&gt;Landscape Infrastructure-Driven Urban Plans&amp;nbsp;&lt;/strong&gt;&amp;nbsp;&lt;/strong&gt;&amp;nbsp;&lt;br /&gt;&amp;bull;&amp;nbsp;Milan Urban Development Plan,&lt;br /&gt; &lt;em&gt;Milan, Italy&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;MRIO, Manzanares River,&lt;br /&gt;&lt;em&gt;Madrid, Spain&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Xochimilco,&lt;br /&gt;&lt;em&gt;Mexico City, Mexico&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Soci&amp;oacute;polis,&lt;br /&gt; &lt;em&gt;Valencia, Spain&lt;/em&gt;&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Water City&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Seamangeum Island City,&lt;br /&gt;&lt;em&gt;Seamangueum, South Korea&lt;/em&gt;&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;Urban Growth&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Almere Structure Vision,&lt;br /&gt;&lt;em&gt;Almere, the Netherlands&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Longgang, Pearl River Delta, and Qianhai Port City,&lt;br /&gt;&lt;em&gt;Shenzhen, China&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Smart Cities: Rethinking the City Centre&lt;br /&gt; &lt;em&gt;Brisbane, Queensland, Australia&lt;/em&gt;&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;Epilogue&amp;nbsp;&lt;br /&gt;&lt;/strong&gt;Illustration Credit Information&lt;br /&gt; Index&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;ABOUT THE AUTHOR&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lucy Bullivant&lt;/strong&gt; &lt;a title=&quot;Hon FRIBA&quot; href=&quot;http://www.lucybullivant.net/html/changing/honouryFellowshipOfRIBA.html&quot; target=&quot;_blank&quot;&gt;&lt;span&gt;Honorary Fellowship from &lt;/span&gt;RIBA&lt;/a&gt; is an architecture curator, guest lecturer and internationally published author and critic. She works internationally with leading museums, galleries, cultural and educational institutions, publishers, corporate and non-profit bodies. She is the author of &lt;em&gt;&lt;a title=&quot;New Arcadians&quot; href=&quot;http://www.merrellpublishers.com/?9781858945484&quot; target=&quot;_blank&quot;&gt;New Arcadians&lt;/a&gt;, Responsive Environments, 4dsocial,&lt;/em&gt; &lt;em&gt;4dspace&lt;/em&gt;&amp;nbsp;and &lt;a title=&quot;Anglo Files: UK Architecture&amp;rsquo;s Rising Generation&quot; href=&quot;http://www.thamesandhudson.com/Anglo_Files/9780500342121&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Anglo Files: UK Architecture&amp;rsquo;s Rising Generation&lt;/em&gt;&lt;/a&gt;.&amp;nbsp;Lucy is an International correspondent to Domus, The Plan, Volume and Indesign.&lt;/p&gt;
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Fri, 22 Feb 2013 16:36:27 +0100</pubDate><link>http://www.planum.net/journals-books/masterplanning-futures-1</link><guid>http://www.planum.net/journals-books/masterplanning-futures-1</guid></item><item><title>Infrastructural Urbanism</title><description>Addressing the In-between&lt;hr/&gt;&lt;p&gt;&lt;strong&gt;Architecture and public spaces are well, if not prestigious accepted components of the urban realm&lt;/strong&gt;&lt;strong&gt;&amp;ndash; but what about technical infrastructure? Although the interdependence between infrastructure and urban development has been a central topic in urban planning, infrastructure as a design element plays a comparatively subordinate role.&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;This book is an attempt to reflect on the relevance of infrastructures for urban design and to perceive infrastructural urbanism as something that complements conventional architectural urbanism and the more recent concept of landscape urbanism.&lt;br /&gt; The authors introduce projects of various scales &amp;ndash; from skate parks to ur- ban motorways &amp;ndash; located in many different cities &amp;ndash; such as Mexico City, New York, London, Paris, Zurich, Seattle, Barce- lona, Stockholm, S&amp;atilde;o Paulo, Antwerp, amongst others. They demonstrate that infrastructure generates its own category of urban territory.&lt;br /&gt;&lt;br /&gt;&lt;iframe src=&quot;http://www.book2look.de/embed/JhONSvK14j&amp;amp;euid=14733336&amp;amp;ruid=0&amp;amp;referURL=www.dom-publishers.com&amp;amp;shoplinkNumbers=all&amp;amp;bibletType=single&quot; frameborder=&quot;0&quot; align=&quot;middle&quot; width=&quot;570&quot; height=&quot;702&quot;&gt;&lt;/iframe&gt;&amp;nbsp;&lt;/p&gt;
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&lt;p&gt;&lt;strong&gt;&lt;br /&gt;CONTENTS&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt; &lt;strong&gt;Preface&lt;/strong&gt;&lt;br /&gt;by &lt;em&gt;Regine Keller&lt;/em&gt;&lt;br /&gt; &lt;strong&gt;Infrastructural Urbanism&lt;/strong&gt; &lt;br /&gt; by &lt;em&gt;Thomas Hauck, Volker Kleinekort&lt;/em&gt;&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;INFRASTRUCTURE AS SPATIAL CATEGORY&lt;/strong&gt;&lt;br /&gt; &amp;bull;&amp;nbsp;Wired Landscaper: Infrastructures of Telecommunication and Modern Urban Theories&lt;br /&gt; by &lt;em&gt;Carlotta Dar&amp;ograve;&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Re-tracing the Ringscape- Infrastructure as a Mode of urban Design&lt;br /&gt; by &lt;em&gt;Maarten Van Acker&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;From object Line to Vector Field-the Social Instrument&lt;br /&gt; by &lt;em&gt;Rahul Paul&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Infrastructure&amp;rsquo;s Marginal Spaces and the Invention of a prosaic Landscape Visual Knowledge and Design&lt;br /&gt; by &lt;em&gt;Matteo D&amp;rsquo;Ambros, Roberto Zancan&lt;/em&gt;&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;Samples&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Perception of the &amp;lsquo;Segundo Piso&amp;rsquo; in Mexico City&lt;br /&gt; by &lt;em&gt;Christof G&amp;ouml;bel&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;The Highway&amp;rsquo;s Shadow: Zurich&amp;rsquo;s &lt;em&gt;Hardbr&amp;uuml;cke&lt;br /&gt;&lt;/em&gt;by &lt;em&gt;Charlotte Malterre-Barthes&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Urban Mobilities of the Westway in London&lt;br /&gt;by &lt;em&gt;Susan Robertson&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;INFORMAL INFRASTRUCTURAL URBANISM&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Occupying the Edge and the Underneath- &amp;lsquo;Other&amp;rsquo; Urban Public Spaces&lt;br /&gt;by &lt;em&gt;Karen A. Franck&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;As found. Use ,Meaning and Re-appropriation of contentious Urban Spaces&lt;br /&gt;by &lt;em&gt;Maren Harnack, Martin Kohler&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Infrastructural Form, Interstitial Spaces and Informal Acts&lt;br /&gt;by&lt;em&gt; Ed Wall&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Creation of Trans-Local Spaces&lt;br /&gt;by &lt;em&gt;Stefanie Bremer, Henrik Sander&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Samples&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&amp;bull;&amp;nbsp;Burnside and DIY Skatepark Movement&lt;br /&gt;by &lt;em&gt;Thomas Hauck&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;I-5 Colonnade Park&lt;br /&gt;by &lt;em&gt;Evergreen Mountain Bike Alliance John Roloff&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Milwaukee Marsupial Bridge and Urban Plaza&lt;br /&gt;by &lt;em&gt;La Dallman Architects&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;strong&gt;INFRASTRUCTURAL URBANISM AND CONTEXT&lt;/strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Shaping the well-connected City- Infrastructure and Contemporary Urban Design&lt;br /&gt;by &lt;em&gt;Cordelia Polinna&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;The Quest for the Good Road: A Short History of Road Infrastructure and the Public Sphere in Belgium&lt;br /&gt;by &lt;em&gt;David Peleman&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;From Transit to Place- Urbanisation of Traffic Infrastructure: Exemples from Switzerland&lt;br /&gt;by&lt;em&gt; Ronal Z&amp;uuml;ger&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Shaping the Royal Docks with Infrastructure&lt;br /&gt;by &lt;em&gt;Tobias Goevert&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Samples&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&amp;bull;&amp;nbsp;Slusse, Social Infrastructure&lt;br /&gt;by &lt;em&gt;Bjarke Ingels Group&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Barcelona Ring Road Projects&lt;br /&gt;by &lt;em&gt;Martinez Lape&amp;ntilde;a- Torres Arquitectos Ravetllat-Ribas arquitectes&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Highway..ing&lt;br /&gt;by &lt;em&gt;SMAQ&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;strong&gt;&lt;strong&gt;&lt;br /&gt;INFRASTRUCTURAL&lt;/strong&gt;&lt;/strong&gt;l LANDSCAPES&amp;nbsp;&lt;br /&gt;&lt;/strong&gt;&amp;bull;&amp;nbsp;The Role of Infrastructural Landscapes within the Image of the city&lt;br /&gt;by &lt;em&gt;Eduardo Rico&lt;br /&gt;&lt;/em&gt;&amp;bull;&amp;nbsp;Infrastructural Landscape: Beyond Memory and Metaphor&lt;br /&gt;by &lt;em&gt;Georges Farthat&lt;br /&gt;&lt;/em&gt;&amp;bull;&amp;nbsp;Squatting Infrastructure&lt;br /&gt;by &lt;em&gt;Chrsitian Werthmann&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Samples&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&amp;bull; Extending the Public Realm&lt;br /&gt; by &lt;em&gt;Thomas Hauck, Regine Keller&lt;/em&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Elastic Landscape- Seeding Ecology in Public Space and Urban Infrastructure&lt;br /&gt;by &lt;em&gt;Susannah C. Drake&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;br /&gt;ABOUT THE AUTHORS&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thomas Hauck&lt;/strong&gt;&amp;nbsp;landscape architect and artist. Founded the artists&amp;rsquo; group Club Real. Since 2005 Assistant Professor at the Department of Landscape Architecture and Public Space, &lt;a title=&quot;Technical University Munich&quot; href=&quot;http://www.tum.de/en/homepage/&quot; target=&quot;_blank&quot;&gt;Technical University Munich&lt;/a&gt;.&amp;nbsp;Since 2005 Assistant Professor at the Department of Landscape Architecture and Public Space, Technical University Munich.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Regine Keller&lt;/strong&gt;&amp;nbsp;landscape architect and urban planner. Founded &lt;a title=&quot;keller landschaftsarchitekten &quot; href=&quot;http://www.kellerdamm.de/&quot; target=&quot;_blank&quot;&gt;keller landschaftsarchitekten&lt;/a&gt; (Keller &amp;amp; Damm since 2008) in 1998 with a focus on landscape architecture and urban planning. Since 2005 Professor of Landscape Architecture and Public Space at the TUM (Technical University Munich). Since 2009 Dean of the Faculty of Architecture at the TUM.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Volker Kleinekort&lt;/strong&gt; architect and urban planner. In 2003 he founded bK, a transitionary studio between architecture and urban landscape. Since 2005 research and teaching as Assistant Professor at the Department of Landscape Architecture and Public Space at the TUM. Since 2009 Professor for Urban Design and Housing at the University of Applied Sciences in Wiesbaden.&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Thu, 21 Feb 2013 18:04:31 +0100</pubDate><link>http://www.planum.net/journals-books/infrastructural-urbanism-1</link><guid>http://www.planum.net/journals-books/infrastructural-urbanism-1</guid></item><item><title>River. Space. Design.</title><description>Planning Strategies, Methods and Projects &lt;/br&gt; for Urban Rivers&lt;hr/&gt;&lt;p&gt;&lt;strong&gt;&lt;em&gt;River. Space. Design&lt;/em&gt; is a systematically organised reference book for the design and planning of river spaces. Urban river landscapes need to unite a broad range of requirements - most notably flood control, ecological considerations and open space design - often within tight space constraints. Taking a process-oriented approach, this book offers concrete guidelines for sustainable long-term interventions.&lt;br /&gt;&lt;/strong&gt; Arranged in two volumes, this book contains a &lt;strong&gt;comparative analysis of more than 50 successful projects alongside rivers and streams in Europe, and dissects them into their individual design elements.&lt;/strong&gt;&lt;br /&gt; The result is a catalogue of effective design strategies and tools that provides readers with an attractive and inspiring overview of the broad and varied spectrum of design possibilities for river spaces. Each project is illustrated with photographs taken especially for the book and each principle is illustrated with explanatory diagrams.&lt;br /&gt; The book&amp;rsquo;s interdisciplinary structure is of interest to landscape architects, architects, engineers, urban planners and hydrologists alike.&lt;br /&gt;&lt;br /&gt; This publication is the result of the research project &lt;em&gt;Process-oriented Design of Urban River Spaces&amp;nbsp;&lt;/em&gt;undertaken from August 2008 until March 2011, which was financially supported by DFG - German Research Foundation. The project was conducted by Institute of Open Space Planning and Design, Faculty of Architecture and Landscape Sciences, Leibniz University Hannover and was undertaken in cooperation with Studio Urbane Landschaften: Platform for Research, Teaching and Practice.&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;CONTENTS&lt;br /&gt;&lt;br /&gt;Foreword&lt;/strong&gt; &lt;br /&gt; di &lt;em&gt;Herbert Dreiseitl&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;FUNDAMENTALS&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Introduction&amp;nbsp;&lt;br /&gt;&lt;/strong&gt;&amp;bull;&amp;nbsp;Objectives&lt;br /&gt;&amp;bull;&amp;nbsp;Selection of projects&lt;br /&gt;&amp;bull;&amp;nbsp;The book&#039;s structure&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Prerequisites for Planning&lt;br /&gt;&lt;/strong&gt;&amp;bull;&amp;nbsp;Urban River Spaces&lt;br /&gt;&amp;bull;&amp;nbsp;Multifunctionality&lt;br /&gt;&amp;bull;&amp;nbsp;Interdisciplinarity&lt;br /&gt;&amp;bull;&amp;nbsp;Process orientation&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Water Spaces and their Processes&lt;br /&gt;&lt;/strong&gt;&amp;bull;&amp;nbsp;Processes and their driving forces&lt;br /&gt;&amp;bull;&amp;nbsp;Types of processes&lt;br /&gt;&amp;bull;&amp;nbsp;Water landscapes as an expression of spatio-temporal processes&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Designing Water&amp;nbsp;Spaces&lt;br /&gt;&lt;/strong&gt;&amp;bull;&amp;nbsp;Water spaces and their limits&lt;br /&gt;&amp;bull;&amp;nbsp;Types of limits&lt;br /&gt;&amp;bull;&amp;nbsp;Riparian landscapes between control and dynamism&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;DESIGN CATALOGUE&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Introduction&lt;br /&gt;&lt;/strong&gt;&amp;bull;&amp;nbsp;Process spaces&lt;br /&gt;&amp;bull;&amp;nbsp;List of process spaces and design strategies&lt;br /&gt;&amp;bull;&amp;nbsp;List of design tools and design measures&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;Process Space A. Embankment Walls and Promenades&lt;/strong&gt; &lt;br /&gt;A1 Linear spatial expansion&lt;br /&gt;A2 Selective spatial expansion&lt;br /&gt;A3 Temporary resistance&lt;br /&gt;A4 Placing over the water&lt;br /&gt;A5 Tolerating&lt;br /&gt; A6 Adapting&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Process Space B. Dikes and Flood Walls&lt;/strong&gt; &lt;br /&gt;B1 Differentiating resistance&lt;br /&gt;B2 Vertical resistance&lt;br /&gt;B3 Reinforcing resistance&lt;br /&gt;B4 Integrating resistance&lt;br /&gt;B5 Temporary resistance&lt;br /&gt;B6 Making river dynamics evident&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Process Space C. Flood Areas&lt;br /&gt;&lt;/strong&gt;C1 Extending the space&lt;br /&gt;C2 Placing over the water&lt;br /&gt;C3 Tolerating&lt;br /&gt;C4 Evading&lt;br /&gt;C5 Adapting&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Process Space D. Riverbeds and Currents&amp;nbsp;&lt;br /&gt;&lt;/strong&gt;D1 Deflecting the current&lt;br /&gt;D2 Grading the channel&lt;br /&gt;D3 Varying the riverbed&lt;br /&gt;D4 Varying the bank reinforcement&lt;br /&gt;D5 Varying the riverbed reinforcement&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Process Space E. Dynamic River Landscapes&amp;nbsp;&lt;br /&gt;&lt;/strong&gt;E1 Allowing channel migration&lt;br /&gt;E2 Initiating channel dynamics&lt;br /&gt;E3 Creating new channels&lt;br /&gt;E4 Restricting channel dynamics&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;PROJECT CATALOGUE&lt;br /&gt;Introduction&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Map of projects&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Process Space. Embankment Walls and Promenades&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;(Elster and Pleilie Millraces, Leipzig, Germany; Leine, Hanover, Germany; Limmat, Zurich, Switzerland (Factory by the Water); Limmat, Zurich, Switzerland (Wipkingerpark); Rhone, Lyon, France; Spree, Berlin, Germany; Wuppen Wuppertal, Germany)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Process Space B. Dikes and Flood Walls&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;(Ijssel, Doesburg, the Netherlands; ljssel, Kampen, the Netherlands; Main, Miltenberg, Germany; Main, Worth am Main, Germany; Nahe, Bad Kreuznach, Germany; Waal, between Afferden and Dreumel, the Netherlands; Waal, Zaltbommel, the Netherlands)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Process Space C. Flood Areas&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;(Bergsche Maas, between Waalwijk and Geenruidenberg; the Netherlands; Besos, Barcelona, Spain; Ebro, Zaragoza, Spain; Elbe, Hamburg, Germany; Gallego, Zuera, Spain; ljssel, Zwolle, the Netherlands; Kyll, Trier, Germany; Maas, Maasbommel, the Netherlands; Petite Gironde, Coulaines, France&amp;nbsp;; Rhine, Briihl, Germany&amp;nbsp;; Rhine, Mannheim, Germany; Seine, Le Pecq, France; Waal, Gameren, the Netherlands; Wantij, Dordrecht, the Netherlands?; Wupper, Mungsten, Germany)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Process Space D. Riverbeds and Currents&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;(Ahna, Kassel, Germany; Alb, Karlsruhe, Germany; Birs, Basle, Switzerland; Leutschenbach, Zurich, Switzerland; Neckar; Ladenhurg, Germany; Seille, Metz, France; Soestbach, Soest, Germany; Wiese, Basle, Switzerland; Wiese, L&amp;eacute;rrach. Germany)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Process Space E. Dynamic River Landscapes&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;(Emschen Dortmund, Germany; Isar, Munich, Germany; Losse, Kassel, Germany; Schunter, Braunschweig, Germany; Wahlebach, Kassel, Germany; Werse, Beckum, Germany)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;APPENDIX&amp;nbsp;&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Project Credits and References&amp;nbsp;&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Further Reference Projects&amp;nbsp;&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Glossary&amp;nbsp;&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Selected Bibliography&amp;nbsp;&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Indices&amp;nbsp;&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Authors&amp;nbsp;&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Acknowledgements &amp;nbsp;&lt;/strong&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;ABOUT THE AUTHORS&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Martin Prominski&lt;/strong&gt;&amp;nbsp;is Assistant Professor of Theory of Contemporary Landscape Architecture at the &lt;a title=&quot;Faculty of Architecture and Landscape at the University of Hannover&quot; href=&quot;http://www.uni-hannover.de/en/fakultaeten/fk-arlan/index.php&quot; target=&quot;_blank&quot;&gt;Faculty of Architecture and Landscape at the University of Hannover&lt;/a&gt;, Germany. His research combines landscape and design theory.&lt;br /&gt;&lt;strong&gt;Antje Stokman&lt;/strong&gt;&amp;nbsp;is a German landscape architect. She is currently a professor and chair at the Leibniz University in Hannover as well as a directing partner of the Hamburg studio &lt;a title=&quot;OSP Urbanelandschaften&quot; href=&quot;http://www.osp-urbanelandschaften.de/&quot; target=&quot;_blank&quot;&gt;OSP Urbanelandschaften&lt;/a&gt;.&lt;br /&gt; &lt;strong&gt;Daniel Stimberg&lt;/strong&gt;&amp;nbsp;studied Landscape Architecture at the Berlin University of Technology. He worked as a researcher within the project process-oriented design of urban river spaces at Leibniz University Hanover. &lt;br /&gt; &lt;strong&gt;Hinnerk Voermanek&amp;nbsp;&lt;/strong&gt;is a civil engineer with a focus on water bodies; he studied at Braunschweig University of Technology.&amp;nbsp;&lt;br /&gt;&lt;strong&gt;Susanne Zeller&lt;/strong&gt; worked for the landscape design practice &lt;a title=&quot;H+N+S Landschapsarchitecten in Utrecht&quot; href=&quot;http://www.hnsland.nl/index.php?option=com_content&amp;amp;view=article&amp;amp;id=112&amp;amp;Itemid=46&amp;amp;lang=en-GB&quot; target=&quot;_blank&quot;&gt;H+N+S Landschapsarchitecten in Utrecht&lt;/a&gt;, the Netherlands, where her focus was on designing riparian spaces. Since 2010 she has been a lecturer at Leibniz University Hanover, department for Designing Urban Landscapes.&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Wed, 20 Feb 2013 17:17:52 +0100</pubDate><link>http://www.planum.net/journals-books/river-space-design</link><guid>http://www.planum.net/journals-books/river-space-design</guid></item><item><title>Competenza e rappresentanza</title><description>&lt;hr/&gt;&lt;p&gt;&lt;strong&gt;Non &amp;egrave; semplice trattare del ruolo delle competenze tecniche in rapporto alle trasformazioni urbane. Tanto meno oggi, nel nostro paese. La competenza ha implicazioni non solo conoscitive, ma etiche e politiche.&lt;/strong&gt; &amp;Egrave; parte del sistema delle regole dello Stato di diritto e della politica democratica. E per quel che ci riguarda pi&amp;ugrave; da vicino, &amp;egrave; intimamente legata a ogni forma di governo della citt&amp;agrave; che voglia ancora dirsi razionale, avere cura del bene comune, e porsi come azione a lungo termine.&lt;br /&gt; &lt;strong&gt;Tornare a occuparsi di competenza tecnica &amp;egrave; importante. Discuterne e osservarne i mutamenti aiuta a comprendere la natura sociale del lavoro degli architetti e degli urbanisti e il loro posizionarsi entro gerarchie sociali, non solo professionali.&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Gli scritti contenuti in questo libro affrontano il modo in cui le competenze entrano nella trasformazione della politica e della citt&amp;agrave;. In maniera selettiva, seguendo diversi registri tematici.&lt;/strong&gt;&lt;br /&gt; &lt;strong&gt;Si &amp;egrave; assunto dapprima un punto di osservazione costruito sulla crisi della rappresentanza che lo scritto di Alessandro Pizzorno, nella prima parte del volume, mette al centro.&lt;/strong&gt; Le questioni sollevate da Pizzorno ruotano attorno a un interrogativo circa il modo in cui sia oggi possibile introdurre il principio di competenza in istituzioni che in altri tempi si pensava potessero reggersi sul principio di maggioranza.&lt;br /&gt; &lt;strong&gt;Alle questioni poste rispondono Bernardo Secchi e Pier Luigi Crosta, cogliendo le implicazioni che il tema ha in rapporto alla progettazione e alla politica urbana.&lt;/strong&gt; La discussione iniziata a Torino in occasione della XIV Conferenza della Societ&amp;agrave; italiana degli urbanisti &amp;egrave; proseguita nei mesi successivi in incontri di cui d&amp;agrave; conto la lunga conversazione contenuta nella seconda parte del volume, la quale riporta su un terreno pi&amp;ugrave; specificamente urbano molti dei temi messi in rilievo nella prima parte.&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;CONTENTS&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Un diverso campo concettuale&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;Introduzione&lt;/strong&gt;&lt;br /&gt; di &lt;em&gt;Cristina Bianchetti&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;PARTE PRIMA&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;I.&lt;/strong&gt; Competenza e maggioranza nel processo di decisione&lt;br /&gt;di &lt;em&gt;Alessandro Pizzorno&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;II.&lt;/strong&gt; Note al testo di Alessandro Pizzorno&lt;br /&gt;di &lt;em&gt;Bernardo Secchi&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;III.&lt;/strong&gt; Note sulla competenza&lt;br /&gt;di &lt;em&gt;Pier Luigi Crosta&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;IV.&lt;/strong&gt; Breve risposta ai commenti&lt;br /&gt;di &lt;em&gt;Alessandro Pizzorno&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;PARTE SECONDA&lt;/strong&gt;&amp;nbsp;&lt;br /&gt;Culture tecniche e rappresentanza nella citt&amp;agrave; europea.&lt;br /&gt;Conversazione tra &lt;em&gt;Alessandro Pizzorno, Cristina Bianchetti, &lt;br /&gt;Pier Luigi Crosta, Bernardo Secchi&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;1.&lt;/strong&gt; Nelle faccende urbane la durata &amp;egrave; un valore o un&amp;rsquo;ideologia?&lt;br /&gt;&lt;strong&gt;2.&lt;/strong&gt; Competenze e significato simbolico&lt;br /&gt;&lt;strong&gt;3.&lt;/strong&gt; Mobilit&amp;agrave;, solitudine, cittadinanza&lt;br /&gt;&lt;strong&gt;4.&lt;/strong&gt; La penetrazione della competenza nella politica&lt;br /&gt;&lt;strong&gt;5.&lt;/strong&gt; Quale mediazione sociale?&lt;br /&gt;&lt;strong&gt;6.&lt;/strong&gt; Giudizio competente e giudizio morale&lt;br /&gt;&lt;br /&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Postfazione&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;di &lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Alessandro Balducci&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;ABOUT THE AUTHORS:&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Alessandro Pizzorno, &lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;professore emerito di Teoria sociale all&amp;rsquo;&lt;/span&gt;&lt;a style=&quot;font-size: 13px; line-height: 1.5em;&quot; title=&quot;Istituto universitario europeo di Fiesole&quot; href=&quot;http://www.eui.eu/Home.aspx&quot; target=&quot;_blank&quot;&gt;Istituto Universitario Europeo di Fiesole&lt;/a&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;. Autore di numerosi studi sulla sociologia politica, la sociologia urbana e la sociologia del lavoro, si &amp;egrave; interessato di teoria dell&#039;azione, delle scelte razionali e delle identit&amp;agrave; collettive e di teoria della democrazia.&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Pier Luigi Crosta,&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&amp;nbsp;Professore ordinario di politiche urbane e territoriali al Corso di Laurea in Pianificazione Territoriale Urbanistica e Ambientale dell&#039;&lt;/span&gt;&lt;a style=&quot;font-size: 13px; line-height: 1.5em;&quot; title=&quot;Iuav di Venezia&quot; href=&quot;http://www.iuav.it/homepage/&quot; target=&quot;_blank&quot;&gt;Universit&amp;agrave; IUAV di Venezia&lt;/a&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;.&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Bernardo Secchi,&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&amp;nbsp;professore emerito di Urbanistica presso l&#039;Universit&amp;agrave; IUAV di Venezia.&amp;nbsp;Ha partecipato alla redazione di numerosi piani e progetti in Italia e in Europa tra i quali&amp;nbsp;Madrid (1984), Jesi (1988), Bergamo (1994), Brescia (1998) oltre ad essere autori di numerosi libri. Tra gli altri: &lt;em&gt;Il racconto urbanistico&lt;/em&gt;, (Einaudi, 1989) e Prima lezione di urbanistica (Laterza, 2000) .&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Cristina Bianchetti&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;, professore ordinario di Urbanistica presso il &lt;/span&gt;&lt;a style=&quot;font-size: 13px; line-height: 1.5em;&quot; title=&quot;Politecnico di Torino&quot; href=&quot;http://www.polito.it/&quot; target=&quot;_blank&quot;&gt;Politecnico di Torino&lt;/a&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;.&amp;nbsp;Tra i suoi scritti &lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Abitare la citt&amp;agrave; contemporanea&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt; (Skira, 2003) , &lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;a title=&quot;l novecento &amp;egrave; davvero finito &quot; href=&quot;http://www.planum.net/journals-books/il-novecento-e-davvero-finito&quot; target=&quot;_blank&quot;&gt;Il Novecento &amp;egrave; davvero finito&lt;/a&gt; &lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;(Donzelli, 2011) e &lt;/span&gt;&lt;a style=&quot;font-size: 13px; line-height: 1.5em;&quot; title=&quot;Urbanistica e sfera pubblica &quot; href=&quot;http://www.planum.net/journals-books/urbanistica-e-sfera-pubblica-1&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;Urbanistica e sfera pubblica&amp;nbsp;&lt;/em&gt;&lt;/a&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;(Donzelli, 2007)&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Alessandro Balducci&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;, professore ordinario di Pianificazione e Politiche urbane, prorettore del Politecnico di Milano. Come urbanista &amp;egrave; stato responsabile di diversi piani e progetti in Italia, tra i quali il Piano strategico della Provincia di Milano (2004 - 2008) dal quale &amp;egrave; scaturito il volume&amp;nbsp;&lt;/span&gt;&lt;a style=&quot;font-size: 13px; line-height: 1.5em;&quot; title=&quot;Strategic Planning for Contemporary Urban Regions&quot; href=&quot;http://www.planum.net/journals-books/strategic-planning-for-contemporary-urban-region&quot; target=&quot;_blank&quot;&gt;Strategic Planning for Contemporary Urban Regions&lt;/a&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;, e di attivit&amp;agrave; di consulenza per progetti all&amp;rsquo;estero (Shanghai, Dubai)&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Fri, 01 Mar 2013 15:24:09 +0100</pubDate><link>http://www.planum.net/journals-books/competenza-e-rappresentanza-2</link><guid>http://www.planum.net/journals-books/competenza-e-rappresentanza-2</guid></item><item><title>Disabitare &lt;br/&gt; Storie di spazi separati</title><description>&lt;hr/&gt;&lt;p&gt;Negli ultimi anni le citt&amp;agrave; e i territori hanno subito profonde&amp;nbsp;trasformazioni, sono stati investiti da mutamenti&amp;nbsp;ambientali, sociali e dagli effetti della recente crisi finanziaria.&amp;nbsp;Queste trasformazioni hanno investito anche&amp;nbsp;i territori della produzione e hanno inciso sia sul&amp;nbsp;significato attribuito al termine &amp;ldquo;produzione&amp;rdquo;, sia sul&amp;nbsp;rapporto tra produzione e spazi.&amp;nbsp;&lt;strong&gt;Per rimettere al centro del dibattito questo tema,&amp;nbsp;troppo a lungo considerato marginale, il libro invita a&amp;nbsp;riflettere su dilemmi propri del campo urbanistico, sia&amp;nbsp;dal punto di vista dei pattern e dei materiali urbani che&amp;nbsp;compongono gli spazi della produzione contemporanea,&amp;nbsp;sia in relazione ai significati possibili di sostenibilit&amp;agrave;&amp;nbsp;e abitabilit&amp;agrave;.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;La struttura del volume si articola in questo modo: &lt;br /&gt;il capitolo 1 &lt;/strong&gt;restituisce alcuni sfondi teorici e metodologici pi&amp;ugrave; importanti dedicati alla relazione tra produzione e spazi, muovendo dal riconoscimento di una inerzia nel campo della pratica e della riflessione urbanistica sul tema. &lt;br /&gt;&lt;strong&gt;Nel capitolo 2&lt;/strong&gt; si articola un ragionamento su alcuni termini ricorrenti in letteratura e nelle politiche che tendono a tipizzare in maniera poco critica anche i territori della produzione. &lt;br /&gt;&lt;strong&gt;Nel capitolo 3&lt;/strong&gt; si osservano congiuntamente i mutamenti degli &quot;archetipi&quot; produttivi italiani nel contesto della crisi economica in corso e le trasformazioni degli spazi della produzione. &lt;br /&gt;&lt;strong&gt;Nel capitolo 4&lt;/strong&gt; si ricostruisce un primo vocabolario di parole chiave, con l&#039;ausilio di alcuni approfondimenti, relativi a casi esemplari rispetto alla complessit&amp;agrave; di pratiche, territori, tipi di spazi, processi, politiche, attori mobilitati dai territori delle produzioni. &lt;br /&gt;&lt;strong&gt;Il capitolo 5 &lt;/strong&gt;accoglie alcune riflessioni di sintesi.&lt;br /&gt;&amp;nbsp;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;br /&gt;&lt;strong&gt;CONTENTS&lt;/strong&gt;&lt;br /&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;strong&gt;Introduzione&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;1. Sfondi a confronto: asimmetrie dell&amp;rsquo;attenzione&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;1.1&lt;/strong&gt; Inerzie dell&amp;rsquo;urbanistica&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;1.2&lt;/strong&gt; La costruzione dei fattori di localizzazione&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;2. Retoriche influenti&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;2.1&lt;/strong&gt; Creativit&amp;agrave;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;2.2&lt;/strong&gt; City regions e mondializzazione&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;2.3&lt;/strong&gt; Mixit&amp;eacute;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;2.4&lt;/strong&gt; Sostenibilit&amp;agrave;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;2.5&lt;/strong&gt; Shrinkage. La fine della growth machine&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;3. Come cambiano le geografie delle produzioni&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;3.1&amp;nbsp;&lt;/strong&gt;Il profilo degli spazi produttivi contemporanei&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;3.1.1&amp;nbsp;&lt;/strong&gt;Spazi principalmente industriali&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Industrie individuali isolate; medie imprese con requisiti&amp;nbsp;spaziali specifici; distretti&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;3.1.2&lt;/strong&gt; Piattaforme prevalentemente logistiche&lt;br /&gt;&lt;strong&gt;3.1.3&lt;/strong&gt; Spazi in prevalenza terziari&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Sedi di rappresentanza; industrie urbane; parchi scientifici tecnologici&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&lt;br /&gt;3.2&amp;nbsp;Nove esplorazioni territoriali&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;3.2.1 &lt;/strong&gt;Le produzioni urbane&lt;br /&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Le grandi aree industriali dismesse nei contesti urbani densi:&amp;nbsp;le aree Falck a Sesto San Giovanni&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;La mixit&amp;eacute; non intenzionale all&amp;rsquo;interno della citt&amp;agrave; consolidata:&amp;nbsp;via Mecenate a Milano&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Il distretto post-fordista urbano:&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;la zona Savona-Tortona a Milano&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;La transizione delle placche produttive isolate:&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Sesto Ulteriano a San Giuliano Milanese&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;La media industria fordista trasformata in condominio industriale&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;nelle citt&amp;agrave; piccole: la ex Gilera ad Arcore&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;3.2.2&lt;/strong&gt; I distretti e l&amp;rsquo;equivoco della dispersione&lt;strong&gt;&lt;em style=&quot;line-height: 1.5em; font-size: 13px;&quot;&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em; font-size: 13px;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;La Valtrompia&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em; font-size: 13px;&quot;&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt; Il Cadore&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em; font-size: 13px;&quot;&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Prato&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em; font-size: 13px;&quot;&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Arzignano&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;4. Elementi per un vocabolario&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Altezza, Aree produttive ecologicamente attrezzate, Clima, Confini, Coperture, Drosscape, Gestione, Habitat, Immaginari, Impresa, Microtrasformazioni, Parcheggi, Placche, Reti, Scarti, Storie&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;5. Ritematizzare gli spazi della produzione&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style=&quot;line-height: 1.5em; font-size: 13px;&quot;&gt;&lt;br /&gt;Riferimenti bibliografici&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;ABOUT THE AUTHOR:&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Simonetta Armondi&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;insegna e svolge attivit&amp;agrave; di ricerca&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;presso la &lt;a href=&quot;http://www.arch.polimi.it/&quot; target=&quot;_blank&quot;&gt;Facolt&amp;agrave; di Architettura e Societ&amp;agrave;&lt;/a&gt; del &lt;a href=&quot;http://www.polimi.it/&quot; target=&quot;_blank&quot;&gt;Politecnico&amp;nbsp;&lt;/a&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;a href=&quot;http://www.polimi.it/&quot; target=&quot;_blank&quot;&gt;di Milano&lt;/a&gt;.&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;E&amp;rsquo; autrice del volume&lt;a href=&quot;http://www.francoangeli.it/Ricerca/Scheda_libro.aspx?CodiceLibro=301.27&quot; target=&quot;_blank&quot;&gt; &lt;em&gt;Biografie dello sviluppo territoriale&lt;/em&gt;&lt;/a&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;(FrancoAngeli, Milano, 2008) e coautrice di numerosi libri.&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Fri, 01 Feb 2013 17:51:10 +0100</pubDate><link>http://www.planum.net/journals-books/disabitare</link><guid>http://www.planum.net/journals-books/disabitare</guid></item><item><title>Il fuoco nel cuore e il diavolo nel corpo.&lt;/br&gt;La partecipazione come attivazione sociale</title><description>&lt;hr/&gt;&lt;p&gt;&lt;strong&gt;La crisi delle democrazie &amp;egrave; uno dei teatri della mutazione. La democrazia associativa con pratiche sociali che implicano direttamente le persone &amp;egrave; una delle strade promettenti per attraversare la crisi.&amp;nbsp;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&amp;Egrave; necessario superare ogni approccio dottrinario, lavorare con cura e abitare le ambiguit&amp;agrave;.&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Ripensando al contributo offerto da alcuni testimoni italiani degli anni Cinquanta e riflettendo su molti anni di esperienze fatte a Napoli, con questo libro rivolto a coloro che si occupano di democrazia, politiche urbane e partecipazione, l&#039;autore sostiene che &amp;egrave; necessaria una riconsiderazione profonda di alcune categorie di fondo, facendo tesoro delle elaborazioni di altri contesti ma trovando anche una via originale. Si tratta di ripensare l&#039;universalismo, superare le visioni unitariste, la contrapposizione fra efficacia della democrazia e ruolo delle &amp;eacute;lite o quella fra iniziative dal basso e aperture dei processi da parte dei responsabili del governo, praticando una convivenza con le differenze che vada oltre la tolleranza.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Rispetto ai necessari interventi di coesione sociale nei quartieri in gravi difficolt&amp;agrave;, il libro propone un modello di intervento - la missione locale - con cui associare &lt;em&gt;empowerment&lt;/em&gt; e protagonismo delle persone, assumendo alcuni principi progettuali innovativi entro un approccio pragmatico e contingente.&lt;br /&gt;&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
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&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;INDEX&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;Premessa&lt;br /&gt;&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;PRIMA PARTE: MUTAZIONE&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;1. Trespassing&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;2. Cura&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;3. Ambiguit&amp;agrave;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;SECONDA PARTE: QUALE DEMOCRAZIA&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;4. Democrazia e Partecipazione: un cantiere aperto&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;5. Testimoni delle culture del riformismo italiano&lt;/strong&gt;&lt;br /&gt;Premessa&lt;br /&gt;Le &amp;eacute;lite nella costruzione della democrazia in Italia&lt;br /&gt;Apprendimento&lt;br /&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Conclusioni&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;6. Costretti e diversi&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Premessa&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Il contributo delle proposte pluraliste&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Un approccio integrato e partecipato&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Le aporie del pensiero democratico&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;La deriva oligarchica e le critiche dei realisti&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;La difficile convivenza con le differenze&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;La difficile convivenza con le gerarchie&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;In principio era il verbo&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;L&amp;rsquo;ineguaglianza dei subalterni Conclusioni&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;TERZA PARTE: LA PARTECIPAZIONE COME ATTIVAZIONE SOCIALE&amp;nbsp;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;7. Un luogo privilegiato&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Le politiche&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Le politiche innovative&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Conclusioni&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;8. Le Regie di quartiere: un dispositivo di cittadinanza attiva&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Premessa&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Dai pionieri alla rete europea delle Regie&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Cos&amp;rsquo;&amp;egrave; una Regia di quartiere&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Un dispositivo contro l&amp;rsquo;esclusione&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Il coinvolgimento nelle azioni&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;9. I Nidi di mamme&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Premessa&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Le attivit&amp;agrave; realizzate dal 1999&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Una variet&amp;agrave; di attori in scena con diversi approcci e finalit&amp;agrave;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Gli elementi di forza del progetto&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;I punti critici&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;I possibili sviluppi&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Le difficolt&amp;agrave; di coinvolgere le persone&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Conclusioni&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;10. I Programmi per l&amp;rsquo;occupabilit&amp;agrave; dei giovani&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Premessa&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Il circolo vizioso dell&amp;rsquo;inoccupabilit&amp;agrave;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;La crisi dei percorsi formativi&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;L&amp;rsquo;insuccesso formativo e la disoccupazione dei giovani&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Oltre l&amp;rsquo;informazione offrire inserimenti&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Andare a cercare e coinvolgere le persone&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;I progetti realizzati Conclusioni&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;QUARTA PARTE: IL QUANDO E IL COME DELLA PARTECIPAZIONE&amp;nbsp;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;11. Partecipazione sempre, appena possibile?&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Apertura dei processi decisionali e approccio contingente&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;In quale fase del processo realizzare la partecipazione?&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;12. Missione locale: un modello per i quartieri poveri del Sud&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Premessa&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Quale innovazione&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Un modello matrice&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Progetti a dote&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Frangibilit&amp;agrave;, sana vaghezza e adattabilit&amp;agrave; delle linee di bilancio&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Progetti focalizzati su obiettivi&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;13. Conclusioni: partecipazione come attivazione sociale&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;Riferimenti bibliografici&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Giovanni Laino&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;nbsp;insegna Politiche Urbane e territoriali presso la &lt;a href=&quot;http://www.architettura.unina.it/&quot; target=&quot;_blank&quot;&gt;Facolt&amp;agrave; di Architettura dell&#039;Universit&amp;agrave; Federico II di Napoli&lt;/a&gt;. Afferente al&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;nbsp;Dipartimento di Progettazione Urbana e di Urbanistica &amp;egrave; parte della redazione della rivista CRU, Critica della Razionalit&amp;agrave; Urbanistica. E&amp;rsquo; stato consulente del Comune di Napoli per il Programma URBAN e per altre politiche di riqualificazione di tipo integrato. Per lo stesso Comune ha redatto il Piano Comunale per l&amp;rsquo;infanzia e il progetto per il Reddito Minimo di Inserimento; ha collaborato per molti anni ai progetti dell&amp;rsquo;&lt;a href=&quot;http://www.associazionequartierispagnoli.it/associazione_quartieri_spagnoli/home.html&quot; target=&quot;_blank&quot;&gt;Associazione Quartieri Spagnoli&lt;/a&gt; di Napoli.&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Fri, 25 Jan 2013 12:47:28 +0100</pubDate><link>http://www.planum.net/journals-books/il-fuoco-nel-cuore-e-il-diavolo-nel-corpo</link><guid>http://www.planum.net/journals-books/il-fuoco-nel-cuore-e-il-diavolo-nel-corpo</guid></item><item><title>Qui è ora. &lt;/br&gt; Lo spazio e il tempo pubblici &lt;/br&gt; come leve della qualità della vita &lt;/br&gt; e della cittadinanza attiva</title><description>&lt;hr/&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;Come si vivono il tempo e lo spazio pubblici? Quando l&amp;rsquo;uso spontaneo dello spazio pubblico &amp;egrave; fonte di scontri fra diverse esigenze e quando invece &amp;egrave; riappropriazione positiva di luoghi e modi della socialit&amp;agrave;? Quali strumenti hanno le istituzioni per integrare e governare l&amp;rsquo;espressione del mutamento negli usi dello spazio e le esigenze dei tempi di vita?&lt;/strong&gt; &lt;br /&gt;Queste alcune delle domande, che riguardano la qualit&amp;agrave; della vita urbana, con le quali si &amp;egrave; misurato un convegno svoltosi a Torino nel marzo 2011, di cui questo volume raccoglie gli esiti. I contributi forniscono elaborazioni teoriche ed esperienze pratiche sull&amp;rsquo;uso sociale dello spazio pubblico e del tempo in un orizzonte internazionale. Inoltre il libro presenta una panoramica degli uffici dei tempi e conciliazione dei ritmi di vita di varie citt&amp;agrave; italiane, di diverse esperienze torinesi di spazi socioculturali di quartiere, nonch&amp;eacute; del progetto sperimentale &lt;em&gt;+Spazio+Tempo&lt;/em&gt; realizzato negli ultimi anni dalla Citt&amp;agrave; di Torino.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;div&gt;&lt;object style=&quot;width: 450px; height: 210px;&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://static.issuu.com/webembed/viewers/style1/v1/IssuuViewer.swf?mode=embed&amp;amp;layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Flight%2Flayout.xml&amp;amp;showFlipBtn=true&amp;amp;documentId=130114230035-5b99eb59bb4f4f6cbf4d7d26d2afe23b&amp;amp;docName=issuu_file&amp;amp;username=planumnet&amp;amp;loadingInfoText=Qui%20%C3%A8%20ora.&amp;amp;et=1358239755908&amp;amp;er=51&quot; /&gt;&lt;param name=&quot;allowfullscreen&quot; value=&quot;true&quot; /&gt;&lt;param name=&quot;menu&quot; value=&quot;false&quot; /&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot; /&gt;&lt;/object&gt;&lt;/div&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;span&gt;&lt;br /&gt;&lt;strong&gt;CONTENTS&lt;/strong&gt;&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;Introduzione&lt;/strong&gt;&lt;br /&gt;Coltivare il tempo e lo spazio. &lt;br /&gt;Per una riappropriazione&amp;nbsp;respunsabile della qualita della vita urbana&lt;br /&gt;&lt;em&gt;Andrea Bosco&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PARTE I.&amp;nbsp;&lt;br /&gt;+SPAZIO +TEMPO&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;+Spazio+Tempo. Le premesse, il contesto, il modello&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Un progetto per la qualita della vita.&amp;nbsp;Dal piano territoriale degli orari a +Spazio+Tempo&lt;br /&gt;&lt;em&gt;Marta Levi&lt;/em&gt;&amp;nbsp;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Le politiche di rigenerazione e il ruolo&amp;nbsp;dello spazio pubblico&lt;br /&gt;&lt;em&gt;Ilda Curti&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;ll ruolo delle fondazioni&lt;br /&gt;&lt;em&gt;Antonella Ricci&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;l fondamenti teorici e il modello&lt;br /&gt;&lt;em&gt;Marisa Cortese&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;&lt;strong&gt;Portfolio I. I divieti nelluso dello spazio pubblio&lt;/strong&gt;&lt;br /&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;em&gt;&lt;br /&gt;+Spazio+Tempo&lt;/em&gt;. Il progetto&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Gli ambiti operativi&lt;br /&gt;&lt;em&gt;Vittorio Sopetto&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Le attivita svolte in San Donato&lt;br /&gt;&lt;em&gt;Guido Maria Alunno&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;La funzione dell&#039;assistenza tecnica&lt;br /&gt;&lt;em&gt;Raffaella Fusaro&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;La comunicazione&lt;br /&gt;&lt;em&gt;Roberto Maria Clemente&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;Portfolio ll, Le azioni di +Spazio+Tempo&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PARTE II. &lt;br /&gt;SPAZIO E TEMPO PUBBLICI COME LEVE DELLA QUALITA&#039; &lt;br /&gt;DELLA VITA E DELLA CITTADINANZA ATTIVA&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Uno spazio per la diversita nella vita urbana&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;ll possibile, il diverso e l&#039;inatteso&amp;nbsp;nello spazio pubblico urbano&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Karen A. Franck&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;La Cascina Roccafranca&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Renato Bergamin&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;I Bagni pubblici di via Agli&amp;egrave;&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Erika Mattarella&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;La Casa del Quartiere di San Salvario&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Roberto Arnaudo&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Via Cecchi&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Davide Paglia&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;La Fondaziorie Mirafiori&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Silvia Cordero&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;Portfolio lll. Progetti dello spazio pubblico&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;br /&gt;Il progetto democratico dello spazio pubblico&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Concetti di indeterminatezza, Esempi dal Regno Unito&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Tatiana Schneider con Melanie Bax, Sarah Considine&amp;nbsp;e Adam Towle&lt;br /&gt;&lt;/em&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Low cost design&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;. La creativit&amp;agrave; spontanea come&amp;nbsp;materiale di sviluppo urbano&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Daniele Pario Perra&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;L&#039;orticoltura urbana e l&#039;orticoltura collettiva a Torino&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Vittorio Bianco&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Le citt&amp;agrave; educative. Il coinvolgimento dei bambini&amp;nbsp;nella progettazione e nell&#039;uso dello spazio pubblico&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Umberto Magnoni&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;Portfolio lV. Tempo/tempi&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Uso del tempo e qualit&amp;agrave; della vita&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Perch&amp;egrave; abbiamo bisogno di una settimana lavorativa pi&amp;ugrave; corta&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Anna Coote&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;La rete &quot;Tempo Territorial&quot;&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Chantal Trouwborst&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;La legge 8 marzo 2000, n&amp;deg;53&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Elena Cordoni&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Spazio e tempo pubblici nei nuovi strumenti urbanistici della Citt&amp;agrave; di Massa&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Gabriella Gabrielli&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;L&#039;ufficio Spazi e tempi urbani e il Piano territoriale degli orari della Citt&amp;agrave; di Bergamo&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Marina Zambianchi&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Il Piano territoriale degli orari della Regione Lombardia. Difficolt&amp;agrave; e prospettive&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Marilena La Fretta&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Le politiche piemontesi sul tempo e il monitoraggio dei dati&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Ketty Costanzo&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;Portfolio V. tYps - Tell Your public space&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;PROFILI DEI RELATORI&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;CREDITI FOTOGRAFICI&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;ABOUT THE AUTHOR&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Andrea Bocco&amp;nbsp;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&amp;egrave; professore Associato presso il DIST - Dipartimento Interateneo di Scienze, Progetto e Politiche del Territorio del &lt;a href=&quot;http://www.polito.it/&quot; target=&quot;_blank&quot;&gt;Politecnico di Torino&lt;/a&gt;. Ha fondato e diretto l&#039;&lt;a href=&quot;http://www.sansalvario.org/gruppo_associazione.php?id=69&quot; target=&quot;_blank&quot;&gt;Agenzia per lo Sviluppo Locale di San Salvario&lt;/a&gt;. Fra le sue pubblicazioni ricordiamo&amp;nbsp;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Bernard Rudofsky. A Humane Designer&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;, Springer Verlag, Wien-New York 2003. Collabora con la cooperativa &lt;a href=&quot;http://www.sumisuratorino.it/home.htm&quot; target=&quot;_blank&quot;&gt;Sumisura.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Fri, 11 Jan 2013 11:47:03 +0100</pubDate><link>http://www.planum.net/journals-books/qui-e-ora</link><guid>http://www.planum.net/journals-books/qui-e-ora</guid></item><item><title>Taiwan Architectural Guide</title><description>&lt;hr/&gt;&lt;p&gt;&lt;em&gt;&lt;br /&gt;&lt;br /&gt;Ilha formosa&lt;/em&gt;, beautiful island - the Portuguese seafarers passing by in the sixteenth century were enthusiastic, and so present-day architecture buffs when they recommend Taiwan&#039;s architecture as a must-see for anyone travellign in East Asia.&amp;nbsp;The island republic proudly calls buildings by internationally renowned architects its own, including I.M. Pei, UNStudio and Toyo Ito, but local superstars such as C.Y. Lee and Kris Yao have also realized spectacular projects here. Taiwan has a highly creative architecture, design and urban culture scene that so far has received little notice in international design publications. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The new book in the &#039;Architectural Guides Series&#039; by&amp;nbsp;DOM Publishers&amp;nbsp;therefore highlights the architecture and urban culture of the &#039;beautiful island&#039;. A fresh layout follows up the introductory essay with concise descriptions of 125 projects mostly from the post-1945 period, in a selection made by Asia expert and architecture critic Ulf Meyer to reflect the prominent status the Taiwanese accord their archtecture. &lt;br /&gt;With its well-researched essays and large-format illustrations, this handy vademecum provides extensive background information while QR codes and geographicla coordinates help travellers find precisely the building they are looking for.&amp;nbsp;TheTaiwan Architectural Guide&amp;nbsp;is published on the occasion of the 100th anniversary of the Republic of China.&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;&lt;iframe src=&quot;http://www.book2look.com/embed/LQTsa2DqgJ&amp;amp;euid=12255217&amp;amp;ruid=0&quot; frameborder=&quot;0&quot; align=&quot;middle&quot; width=&quot;450&quot; height=&quot;299&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
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&lt;p&gt;&lt;strong&gt;&lt;br /&gt;CONTENTS&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tradition and Modernity on the Ilha Formosa&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;by &lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Ulf Meyer&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Taipei City&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;New Taipei City&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Taoyuan County&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Taichung City&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Tainan City&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Kaohsiung City&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Other Areas&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Annex&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;Maps&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Index of Architects&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Index of Buildings and Projects&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;CONTRIBUTING ARCHITECTS (Among others)&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Acropolis, Ambi Studio, Jun Aoki, Eiichi Araki, ARCTANGENT,&amp;nbsp;aRCHITECTURE + dESIGN, Behet Bondzio Lin, BIG (Bjarke Ingels Group), Bio Architecture Formosana, Boeing Corp., Gottfried B&amp;ouml;hm, Marco Casagrande, CECI Engineering Consultants, Inc., Chang Chao-kang, Chang Ching-hwa, Chen Chi-kwan, Frank Chen, Chen Lien-feng, Chen Tien-chu, Cheng Mei, Master Cheng Yen, Chian Le-ching, Chien Architects &amp;amp; Associates, Chien Hsueh-yi, Jay W. Chiu, CHS Architects, Chuang Hsue-neng, C-Laboratory, CUH2A, C.Y. Lee &amp;amp; Partners, ecc.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
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&lt;p&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</description><pubDate>Fri, 05 Oct 2012 18:28:50 +0200</pubDate><link>http://www.planum.net/journals-books/taiwan-architectural-guide</link><guid>http://www.planum.net/journals-books/taiwan-architectural-guide</guid></item><item><title>Atlas of Urban Expansion</title><description>&lt;hr/&gt;&lt;p&gt;&lt;br /&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;The &lt;/span&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;Atlas of Urban Expansion&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt; is a comprehensive guide to the past and future characteristics of metropolitan growth. In 2010 more than half of the world&amp;rsquo;s total population lived in cities, and this share is expected to increase to 70 percent or more by 2050. &lt;/span&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;The world&amp;rsquo;s urban population is expected to increase from 3.5 billion in 2010 to 6.2 billion in 2050, and almost all of this growth is expected to take place in less-developed countries. Cities in developed countries will add only 160 million people to their populations during this period, while Cities in developing countries will need to absorb 15 times that number, or close to 2.6 billion people, thereby doubling their total urban population of 2.6 billion in 2010. Given the expected decline in urban densities, these cities are likely to more than triple their developed land areas by 2050.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;The main objective of this &lt;/span&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;Atlas of Urban Expansion&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt; is to increase understanding and help residents, policy makers, and researchers around the world come to terms with the expected global urban expansion in the coming decades. The call to action is urgent, as the urbanization process now underway will be largely completed by the end of the 21st century. &lt;strong&gt;&amp;ldquo;Most people who desire to live in urban areas will already be in them by 2100, but by that time it will be too late to act,&amp;rdquo;&lt;/strong&gt; Angel says.&lt;strong&gt; &amp;ldquo;If the land required for public works or public open spaces is not protected from encroachment before it is developed, it will be next to impossible to ensure the orderly development of cities to make them more efficient, more equitable, and more sustainable.&amp;rdquo;&lt;/strong&gt;&lt;br /&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;The Atlas in book form introduces the project and presents two sets of full-color maps and a set of raw data tables. The first map section contains pairs of urban land cover maps from circa 1990 and 2000, representing a global sample of 120 cities. The second map section includes composite maps of a global representative sample of 30 cities, showing the historical expansion of their urbanized areas from 1800 to 2000. In both sections, the maps shown are paired with numerical and graphical data, making it possible to compare cities in terms of their metric values on key attributes of urban expansion. The third section contains four extensive tables of urban, national, and regional data for each of the 120 cities.&lt;br /&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;strong&gt;The companion volume,&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;strong&gt;&lt;a href=&quot;http://www.planum.net/journals-books/planet-of-cities&quot; target=&quot;_blank&quot;&gt;&lt;em style=&quot;line-height: 1.5em;&quot;&gt;Planet of Cities&lt;/em&gt;&lt;/a&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;,&amp;nbsp;also authored by Lincoln Institute visiting fellow Shlomo Angel, lays out a series of recommendations for making adequate room for increased urban population growth, rather than emphasizing containment&lt;/strong&gt;; adjusting densities within a sustainable range; providing an ample supply of urban land for decent housing; and securing land necessary for public streets, public infrastructure networks, and public open spaces well in advance of development.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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&lt;p&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;CONTENTS&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;em&gt;&lt;em&gt;&lt;span&gt;&lt;em&gt;&amp;bull;&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;/em&gt;List of&amp;nbsp; Illustrations&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;CHAPTER 1&lt;/strong&gt;&lt;br /&gt;The Dynamics of Global Urban Expansion&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;strong&gt;CHAPTER 2&lt;/strong&gt;&lt;br /&gt;Understanding and Measuring Urban Expansion&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;strong&gt;CHAPTER 3&lt;/strong&gt;&lt;br /&gt;The Global Sample of 120 Cities, 1990 - 2000&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;strong&gt;CHAPTER 4&lt;/strong&gt;&lt;br /&gt;Historical Perspectives on 30 Cities, 1800 - 2000&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;strong&gt;CHAPTER 5&lt;/strong&gt;&lt;br /&gt;Urban, National, and Regional Data&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;em&gt;&lt;span&gt;&lt;em&gt;&amp;bull;&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;/em&gt;Acknowledgments&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;em&gt;&lt;span&gt;&lt;em&gt;&amp;bull;&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;/em&gt;References&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;em&gt;&lt;span&gt;&lt;em&gt;&amp;bull;&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;/em&gt;Historical Map References&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;em&gt;&lt;span&gt;&lt;em&gt;&amp;bull;&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;/em&gt;About the Authors&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;em&gt;&lt;span&gt;&lt;em&gt;&amp;bull;&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;/em&gt;About the Lincoln Institute of Land Policy&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;ABOUT THE AUTHOR&lt;/strong&gt;:&lt;br /&gt;&lt;strong&gt;Shlomo Angel&lt;/strong&gt; teaches the History and Theory of Planning at the &lt;a href=&quot;http://wagner.nyu.edu/&quot; target=&quot;_blank&quot;&gt;Wagner School&lt;/a&gt; in New York. He also teaches a similar course at the &lt;a href=&quot;http://wws.princeton.edu/&quot; target=&quot;_blank&quot;&gt;Woodrow Wilson School of Public and International Affairs&lt;/a&gt; at Princeton University, New Jersey. He is currently the principal investigator in a global study of urban expansion that has been financed by the &lt;a href=&quot;http://www.worldbank.org/&quot; target=&quot;_blank&quot;&gt;World Bank&lt;/a&gt;, the National Science Foundation, NASA, and lately the Lincoln Institute of Land Policy.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ABOUT LINCOLN INSTITUTE OF LAND POLICY:&lt;br /&gt;&lt;/strong&gt;The &lt;a href=&quot;http://www.lincolninst.edu/&quot; target=&quot;_blank&quot;&gt;Lincoln Institute of Land Policy&lt;/a&gt; is a leading resource for key issues concerning the&amp;nbsp;&lt;strong&gt;use, regulation, and taxation of land&lt;/strong&gt;. Providing high-quality education and research,&amp;nbsp;&lt;strong&gt;the Institute strives to improve public dialogue and decisions about land policy&lt;/strong&gt;. As a private operating foundation whose origins date to 1946,&amp;nbsp;&lt;strong&gt;the Institute seeks to inform decision making through education, research, policy evaluation, demonstration projects, and the dissemination of information, policy analysis, and data through our publications, Web site, and other media&lt;/strong&gt;. By bringing together&amp;nbsp;&lt;strong&gt;scholars, practitioners, public officials, policy makers, journalists, and involved citizens&lt;/strong&gt;, the Lincoln Institute integrates theory and practice and provides a nonpartisan forum for multidisciplinary perspectives on public policy concerning land, both in the U.S. and internationally.&lt;/span&gt;&lt;/p&gt;
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Mon, 21 Jan 2013 18:15:10 +0100</pubDate><link>http://www.planum.net/journals-books/atlas-of-urban-expansion</link><guid>http://www.planum.net/journals-books/atlas-of-urban-expansion</guid></item><item><title>Planet of Cities</title><description>&lt;hr/&gt;&lt;p&gt;&lt;strong&gt;&lt;br /&gt;The book puts into question the main tenets of the familiar &lt;em&gt;containment paradigm&lt;/em&gt;, also known as smart growth, urban growth management, or compact city, that is designed to contain boundless urban expansion, typically decried as sprawl&lt;/strong&gt;. It examines this paradigm in a broader global perspective and shows it to be deficient and practically useless in addressing the central questions now facing expanding cities outside the United States and Europe.&amp;nbsp;&lt;br /&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;In its place S. Angel proposes to revive an alternative &#039;Making Room Paradigm&#039; that seeks to come to terms with the expected expansion of cities, particularly in the rapidly urbanizing countries in Asia and Africa, and to make the minimally necessary preparations for such expansion ins&lt;/strong&gt;&lt;strong&gt;tead of seeking to contain it.&amp;nbsp;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;This paradigm is predicated on four propositions:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;1.&lt;/strong&gt; The expansion of cities that urban population growth entails cannot be contained. Instead we must make adequate room to accommodate it.&lt;br /&gt; &lt;strong&gt;2.&lt;/strong&gt; City densities must remain within a sustainable range. If density is too low, it must be allowed to increase, and if it is too high, it must be allowed to decline.&lt;br /&gt; &lt;strong&gt;3.&lt;/strong&gt; Strict containment of urban expansion destroys the homes of the poor and puts new housing out of reach for most people. Decent housing for all can be ensured only if urban land is in ample supply.&lt;br /&gt; &lt;strong&gt;4.&lt;/strong&gt; As cities expand, the necessary land for public streets, public infrastructure networks, and public open spaces must be secured in advance of development.&lt;br /&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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&lt;p&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;The companion volume,&amp;nbsp;&lt;a href=&quot;http://www.planum.net/journals-books/atlas-of-urban-expansion&quot; target=&quot;_blank&quot;&gt;Atlas of Urban Expansion&lt;/a&gt;, was also authored by Lincoln Institute visiting fellow S. Angel with Jason Parent, Daniel L. Civco, and Alejandro M. Blei. The main objective is to increase understanding and help residents, policy makers, and researchers around the world come to terms with the expected global urban expansion in the coming decades.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CONTENTS&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;List of Illustrations&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;em&gt;&lt;em&gt;&lt;span&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;Foreword, Gregory K. Ingram&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;Introduction and Four Propositions&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;br /&gt;&lt;strong&gt;1.&lt;/strong&gt;&amp;nbsp;Coming to Terms with Global Urban Expansion&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;2.&amp;nbsp;&lt;/strong&gt;The Inevitable Expansion Proposition&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;3.&lt;/strong&gt; The Sustainable Densities Proposition&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;4.&amp;nbsp;&lt;/strong&gt;The Decent Housing Proposition&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;5.&amp;nbsp;&lt;/strong&gt;The Public Works Proposition&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;Part One&lt;/strong&gt; &lt;em&gt;The Urbanization Project&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;6.&amp;nbsp;&lt;/strong&gt;Urbanization in Historical Perspective&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;7.&amp;nbsp;&lt;/strong&gt;The Geography of World Urbanization&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;8.&lt;/strong&gt; The Global Hierarchy of Cities&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;line-height: 1.5em;&quot;&gt;Part Two&lt;/strong&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&amp;nbsp;&lt;em&gt;The Study of Global Urban Expansion&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;9.&lt;/strong&gt; The Evidence: New Maps, New Metrics, Old Theory&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;10.&lt;/strong&gt; Global Urban Land Cover and Its Expansion&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;11.&lt;/strong&gt;&amp;nbsp;The Persistent Decline in Urban Densities&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;12.&lt;/strong&gt;&amp;nbsp;From Centrality to Dispersal&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;13.&lt;/strong&gt;&amp;nbsp;The Fragmentation of Urban Landscapes&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;14.&lt;/strong&gt; The Pulsating Compactness of Urban Footprints&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;15.&lt;/strong&gt; Urban Land Cover Projections, 2000&amp;ndash;2050&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;16.&lt;/strong&gt; Urban Expansion and the Loss of Cultivated Lands&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;Conclusion&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;strong&gt;17.&amp;nbsp;&lt;/strong&gt;Making Room for a Planet of Cities&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;em&gt;&lt;span&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;Acknowledgments&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;em&gt;&lt;span&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;References&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;em&gt;&lt;span&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;Photograph Credits&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;em&gt;&lt;span&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;Index&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;em&gt;&lt;span&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;About the Author&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;line-height: 1.5em;&quot;&gt;&lt;em&gt;&lt;em&gt;&lt;span&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;/em&gt;About the Lincoln Institute of Land Policy&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;ABOUT THE AUTHOR&lt;/strong&gt;:&lt;br /&gt;&lt;strong&gt;Shlomo Angel&lt;/strong&gt;&amp;nbsp;teaches the History and Theory of Planning at the&amp;nbsp;&lt;a href=&quot;http://wagner.nyu.edu/&quot; target=&quot;_blank&quot;&gt;Wagner School&lt;/a&gt;&amp;nbsp;in New York. He also teaches a similar course at the&amp;nbsp;&lt;a href=&quot;http://wws.princeton.edu/&quot; target=&quot;_blank&quot;&gt;Woodrow Wilson School of Public and International Affairs&lt;/a&gt;&amp;nbsp;at Princeton University, New Jersey. He is currently the principal investigator in a global study of urban expansion that has been financed by the&amp;nbsp;&lt;a href=&quot;http://www.worldbank.org/&quot; target=&quot;_blank&quot;&gt;World Bank&lt;/a&gt;, the National Science Foundation, NASA, and lately the Lincoln Institute of Land Policy.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ABOUT LINCOLN INSTITUTE OF LAND POLICY:&lt;br /&gt;&lt;/strong&gt;The Lincoln Institute of Land Policy is a leading resource for key issues concerning the &lt;strong&gt;use, regulation, and taxation of land&lt;/strong&gt;. Providing high-quality education and research, &lt;strong&gt;the Institute strives to improve public dialogue and decisions about land policy&lt;/strong&gt;. As a private operating foundation whose origins date to 1946, &lt;strong&gt;the Institute seeks to inform decision making through education, research, policy evaluation, demonstration projects, and the dissemination of information, policy analysis, and data through our publications, Web site, and other media&lt;/strong&gt;. By bringing together &lt;strong&gt;scholars, practitioners, public officials, policy makers, journalists, and involved citizens&lt;/strong&gt;, the Lincoln Institute integrates theory and practice and provides a nonpartisan forum for multidisciplinary perspectives on public policy concerning land, both in the U.S. and internationally.&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Mon, 21 Jan 2013 19:01:26 +0100</pubDate><link>http://www.planum.net/journals-books/planet-of-cities</link><guid>http://www.planum.net/journals-books/planet-of-cities</guid></item><item><title>Paesaggi in produzione</title><description>&lt;hr/&gt;&lt;p&gt;&lt;br /&gt;&quot;La progettazione di un&#039;area produttiva, industriale o artigianale che sia, rappresenta un&#039;occasione. Un&#039;occasione per disegnare un&#039;ampia parte di territorio (i valori messi in gioco dalla pianificazione sono alti e impongono un&#039;occupazione dominata dai volumi delle diverse attivit&amp;agrave; che si insedieranno), per dotarlo di servizi e funzionalit&amp;agrave; e facendo in modo che questo possa avvenire per gradi, per fasi, tutte funzionali alle reali necessit&amp;agrave; del momento.&quot; (p. 12)&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&quot;Il presente libro si affianca [...] al precedente &lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Il parco dell&#039;Ariosto e del Boiardo. Progetti di luoghi come esercizi di fantasia&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;, a cura di C. Olmi, sempre per i tipi di Quodlibet (Macerata 2010), frutto della sperimentazione condotta dal Laboratorio di Paesaggio IUAV coordinato da R. Bocchi, P. Burgi e E. Fontanari, nello sviluppare il discorso intorno all&#039;uso del &#039;progetto di paesaggio&#039; in funzione reinterpretativa e innovativa dei valori culturali profondi depositati nel territorio reggiano e delle altrettanto profonde spinte del suo sviluppo socio-economico.&quot; (p. 17)&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;I&lt;/span&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;l volume, articolato in due sezioni - scritti e ricerche - raccoglie i contributi di Renato Bocchi, Paola Cavallini, Paolo Ceccon, Michela De Poli e Laura Zampieri, come sintesi di due ricerche svolte nella provincia di Reggio Emilia in collaborazione con la Biennale del Paesaggio che in questa citt&amp;agrave; si svolge da alcuni anni.&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Riflessioni e &#039;linee guida&#039; pensate specificamente per i luoghi della produzione e della logistica - recentemente minacciati dagli eventi sismici - cos&amp;igrave; come i criteri di intervento per mediare efficienza tecnica, redditivit&amp;agrave; economica, elevata performativit&amp;agrave; ambientale. Tuttavia il cuore del lavoro consta soprattutto nelle riflessioni sul ruolo attuale delle infrastrutture (dai caselli autostradali all&amp;rsquo;alta velocit&amp;agrave;) inquadrate secondo una dimensione sovracomunale e sulle possibili valenze &#039;risarcitorie&#039; dei modelli insediativi; perch&amp;eacute;, per usare le parole di Ceccon, &amp;laquo;Lo spazio &amp;egrave; saturo. Oggi non &amp;egrave; pi&amp;ugrave; attuale occupare spazio, occorre liberarlo&amp;raquo;.&lt;br /&gt;&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;
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&lt;p&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;br /&gt;CONTENTS&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;La produzione di nuovi paesaggi&lt;br /&gt;&lt;/strong&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;di Renato Bocchi&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;SCRITTI&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Intrastrutturazione contingente ed eterocronia del paesaggio&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Paolo Ceccon&lt;br /&gt;&lt;/em&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Scarti, flussi, energia&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Laura Zampieri&lt;br /&gt;&lt;/em&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Transizioni&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Michela De Poli&lt;br /&gt;&lt;/em&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Tre paesaggi industriali&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Paola Cavallini&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;RICERCHE&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&lt;/strong&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Oltre il castello&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Definizione di linee guida per la trasformazione di paesaggi relativi al previsto polo produttivo di interesse sovracomunale, collegato al casello autostradale di &quot;Teree di Canossa - Campegine&quot;&lt;br /&gt;&lt;/em&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Tre paesaggi industriali&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Definizione delle linee guida per le trasformazioni di paesaggi con destinazione industriale-artigianale in aree di interesse sovracomunale nella Provincia di Reggio Emilia&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;ABOUT THE AUTHORS:&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Paolo Ceccon&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt; (1965) &amp;egrave; architetto e docente a contratto di Composizione architettonica presso l&amp;rsquo;&lt;a href=&quot;http://www.iuav.it/homepage/&quot; target=&quot;_blank&quot;&gt;Universit&amp;agrave; IUAV di Venezia&lt;/a&gt;, dove svolge attivit&amp;agrave; di ricerca. Ha insegnato al Master de Arquitectura del Paisaje presso l&amp;rsquo;ETSAB di Barcellona e l&amp;rsquo;ACMA di Milano. &lt;br /&gt;Fra le sue pubblicazioni ricordiamo&amp;nbsp;&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Le Corbusier e Louis Kahn: palazzi per congressi&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&amp;nbsp;(Unicopli, Milano 2000) e&lt;/span&gt;&lt;em style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;&amp;nbsp;&lt;a href=&quot;http://www.gangemieditore.com/scheda_articolo.php?isbn=884920891X&quot; target=&quot;_blank&quot;&gt;Spazi altri ed eventuali&lt;/a&gt;&amp;nbsp;&lt;/em&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;(Gangemi, Roma 2005).&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt;Laura Zampieri&lt;/strong&gt;&lt;span style=&quot;font-size: 13px; line-height: 1.5em;&quot;&gt; (1963) &amp;egrave; architetto e docente a contratto di Architettura del paesaggio presso le Universit&amp;agrave; IUAV di Venezia, Trento e Udine, nelle quali svolge attivit&amp;agrave; di ricerca. Dal 2004 insegna al Master de Arquitectura del Paisaje presso l&amp;rsquo;&lt;a href=&quot;http://www.etsab.upc.edu/web/frame.htm?i=2&amp;amp;m=inicio&amp;amp;c=inicio&quot; target=&quot;_blank&quot;&gt;ETSAB a Barcellona&lt;/a&gt; e l&amp;rsquo;&lt;a href=&quot;http://www.acmaweb.com/&quot; target=&quot;_blank&quot;&gt;ACMA di Milano&lt;/a&gt;. Inseme con Paolo Ceccon &amp;egrave; titolare di CZstudio associati di Marghera, dove entrambi svolgono attivit&amp;agrave; professionale.&lt;/span&gt;&lt;/p&gt;
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Fri, 11 Jan 2013 13:00:57 +0100</pubDate><link>http://www.planum.net/journals-books/paesaggi-in-produzione</link><guid>http://www.planum.net/journals-books/paesaggi-in-produzione</guid></item><item><title>Hands on Urbanism 1850-2012 &lt;/br&gt; The Right to Green</title><description>&lt;hr/&gt;&lt;p&gt;&lt;strong&gt;The spring show at the &lt;em&gt;Architekturzentrum Wien&lt;/em&gt;&amp;nbsp;(15 March - 25 &amp;nbsp;June 2012)&amp;nbsp;was dedicated to the history of the idea of appropriating land in urban space. Since the shockwave of modernisation that accompanied industrialisation towns and cities worldwide have had to face some very significant challenges, city-dwellers have always found a number of solutions in crisis situations, they are involved in bottom-up urban development. &lt;/strong&gt;Self-build and selforganisation, settlements and fruit and vegetable gardening lead to other forms of collective cohesion, neighbourliness and fair distribution. Another world can be planted, as today&#039;s community gardeners are clearly showing.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Following many years of international research, the curator Elke Krasny presents 19 historical and contemporary case studies of bottom-up urban development in Chicago, Leipzig, Vienna, Bremen, New York, Paris, Hong Kong, Istanbul, Porto Alegre, Havana or Quito. &lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;They provide an overview of informal, self-organised collective movements and of the spaces that are created by them. The exhibition shows how decisively small projects have often led, and are still leading, to major changes.&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&#039;Hands-On Urbanism&#039; introduces an alternative urban history, one that poses urgent questions about the responsibility of design for architects and planners, and the resource-logic of towns and cities.&lt;/strong&gt; What do architects do in this process, and what can be learned from the bottom-up in this urban history? Its role ranges from initiative via activism to conducting research. How are urban planning authorities reacting to these developments? The spectrum ranges from the founding of a settlement regulatory agency, via infrastructural measures and tolerance, to measures of support from the authorities, but also the introduction of new laws and legal sanctioning in official urban plans.&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;br /&gt;&lt;iframe src=&quot;http://www.youtube.com/embed/ltYeKNMhagE&quot; frameborder=&quot;0&quot; width=&quot;450&quot; height=&quot;253&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;CONTENTS&lt;br /&gt;&lt;br /&gt;Vorwort&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Dietmar Steiner&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Hands-on Urbanism&amp;nbsp;1850-2012.&amp;nbsp;Vom Recht auf Gr&amp;uuml;n&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Elke Krasny&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Felder gemeinsamen&amp;nbsp;Genie&amp;szlig;ens&lt;br /&gt;&lt;/strong&gt;Phoebe Giannisi,&amp;nbsp;Zissis Kotionis&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;So man die Fr&amp;uuml;chte&amp;nbsp;sehen will&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Fallen Fruit:Matias Viegener,David Burns und&amp;nbsp;Austin Young&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Der Mainstream&amp;nbsp;des Informellen:&amp;nbsp;Urbanistische Forschung&amp;nbsp;zwischen Romantisierung&amp;nbsp;und st&amp;auml;dtischer Realit&amp;auml;t&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Anke Hagemann&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Der Schreberplatz&amp;nbsp;in Leipzig&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Caterina Hildebrand&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Schreberg&amp;auml;rten in Wien&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Una Steiner&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Rekreation als&amp;nbsp;&amp;ouml;ffentliche Aufgabe&amp;nbsp;urbaner Gemeinschaften&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Jane Addams&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Urbanes G&amp;auml;rtnern&amp;nbsp;und die Erzeugung&amp;nbsp;von Gemeinschaft&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Lisa Heldke&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Selbsthilfe als&amp;nbsp;Reformbewegung&amp;nbsp;Der Kampf der Wiener&amp;nbsp;Siedler nach&amp;nbsp;dem 1. Weltkrieg&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Klaus Novy&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Tomaten in&amp;nbsp;der Gartenstadt&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Andrea Seidling&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Kaisenh&amp;auml;user &amp;ndash; Wohnen&amp;nbsp;auf der Parzelle in Bremen&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Kirsten Tiedemann&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Squattersiedlungen:&amp;nbsp;Architektur, die funktioniert&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;John F. C. Turner&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Der Baukasten&amp;nbsp;einer kreisf&amp;ouml;rmigen&amp;nbsp;Handlungsstrategie&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Daniel Kerber&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Erkenntnisse&amp;nbsp;aus dem Mexicali&amp;nbsp;Experimental Project&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Ana Laura Ruesjas&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Sarig&amp;ouml;l. Ein Gecekondu&amp;nbsp;in Istanbul im&amp;nbsp;Brennpunkt&amp;nbsp;urbaner Krisen&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;ISSSresearch,&amp;nbsp;Ingrid Sabatier,&amp;nbsp;Stephan Schwarz&lt;/em&gt;&lt;strong&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Laboratorien der&amp;nbsp;urbanen Landwirtschaft:&amp;nbsp;Von Havanna bis Milwaukee&lt;/strong&gt;&lt;br /&gt;Bohn&amp;thinsp;&amp;amp;&amp;thinsp;Viljoen Architects:&amp;nbsp;Katrin Bohn, Andr&amp;eacute; Viljoen&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Eine unerwartetes&lt;/strong&gt;&amp;nbsp;&lt;strong&gt;Lehrst&amp;uuml;ck &amp;uuml;ber Architektur.&lt;/strong&gt;&amp;nbsp;&lt;strong&gt;Mein Besuch im Centro&lt;/strong&gt;&amp;nbsp;&lt;strong&gt;de Educa&amp;ccedil;&amp;atilde;o Ambiental&lt;/strong&gt;&amp;nbsp;&lt;strong&gt;da Vila Pinto&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Felipe Hern&amp;aacute;ndez&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Hinter der Blechwand:&amp;nbsp;die Welt&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Elke Krasny&lt;/em&gt;&lt;strong&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Transnationales Bauen&amp;nbsp;im Settlement im Grenzland:&amp;nbsp;Mr. Leung und die&amp;nbsp;Cottages in Ma Shi Po&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Shu-Mei Huang&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Das Blatt wendet sich &amp;ndash;&amp;nbsp;Hongkong, Ma Shi Po und ich&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Chi-Ho Chung&amp;nbsp;&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;The Cook, the Farmer,&amp;nbsp;his Wife and their Neighbor&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Marjetica Potrč&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Die Idee war gut.&amp;nbsp;Die Hoffnungen&amp;nbsp;wurden entt&amp;auml;uscht.&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Lucia Babina&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Die Aneignung der Topografie:&amp;nbsp;Eine informelle &amp;Ouml;kologie&amp;nbsp;des Wachstums.&amp;nbsp;Eine Untersuchung&amp;nbsp;der Quebradas von Quito&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Pablo Molestina,&amp;nbsp;Catherine Venart&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Learning from Philadelphia&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Fran&amp;ccedil;oise Fromonot&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Beyond a Construction Site. &lt;br /&gt;Eine nachbarschaftliche Gartenintervention auf einem vernachlassigten Stuck Stadt in Ljubljana.&amp;nbsp;&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Obrat&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;R-Urban: Zukunftsf&amp;auml;higkeit&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Constantin Petcou,&amp;nbsp;Doina Petrescu Atelier d&amp;rsquo;architecture autog&amp;eacute;r&amp;eacute;e&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Dank&amp;nbsp;und Biografien&lt;br /&gt;&lt;br /&gt;ABOUT THE CURATOR&lt;br /&gt;Elke&amp;nbsp;Krasny is a cultural theorist, curator, urbanist and author, based in&amp;nbsp;Vienna.&lt;/strong&gt; She researches on the interrelations of architecture, urban&amp;nbsp;space, issues of cultural identity and representation, engaged art&amp;nbsp;practices, gender and world fairs, museums and exhibitions as cultural&amp;nbsp;formations. &lt;br /&gt;She teaches Art and Public Space, Museum Pedagogy, Visual&amp;nbsp;Didactics, Didactics of Architecture and Space and Cultural Education&amp;nbsp;at the &lt;a href=&quot;http://www.akbild.ac.at/portal_en/english-start-page?set_language=en&amp;amp;cl=en&quot; target=&quot;_blank&quot;&gt;Academy of Fine Arts Vienna&lt;/a&gt;, &quot;Garden as Community&quot; at the&amp;nbsp;&lt;a href=&quot;http://www.tuwien.ac.at/&quot;&gt;Technical University of Vienna&lt;/a&gt;, Cultural Studies at the &lt;a href=&quot;http://www.fh-joanneum.at/aw/~a/home/?lan=de&quot; target=&quot;_blank&quot;&gt;FH Joanneum&amp;nbsp;Graz&lt;/a&gt; and is a visiting professor at the &lt;a href=&quot;http://www.uni-bremen.de/&quot; target=&quot;_blank&quot;&gt;University of Bremen&lt;/a&gt; &quot;Urban&amp;nbsp;Transformation and its Narratives&quot; 2006. &lt;br /&gt;&lt;strong&gt;For further information please visit her website:&lt;br /&gt;&lt;a href=&quot;http://www.elkekrasny.at/&quot; target=&quot;_blank&quot;&gt;http://www.elkekrasny.at/&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;</description><pubDate>Fri, 14 Dec 2012 14:14:57 +0100</pubDate><link>http://www.planum.net/journals-books/hands-on-urbanism-1</link><guid>http://www.planum.net/journals-books/hands-on-urbanism-1</guid></item><item><title>Urban Design Ecologies: AD Reader</title><description>&lt;hr/&gt;&lt;p&gt;&lt;br /&gt;The discipline of urban design is undergoing a rapid expansion and realignment. It is experiencing a shift from a profession dominated by architects and planners, directed at urban development, to a more expansive set of practices engaging new forms of social and environmental ecologies, as cities worldwide adapt to economic restructuring, mass migrations and climate change.&amp;nbsp;&lt;br /&gt;&lt;strong&gt;Bringing together classic and new texts from the last 40 years, this AD Reader focuses attention on the critical tools needed to understand how cities have been designed and constructed and then changed over time.&lt;/strong&gt; This enables new ways of envisioning how cities must be conceived and adapted in the future to the dual conditions of rapid urbanisation and economic restructuring, coupled with unpredictable environmental conditions due to climate change.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;With its emphasis on both urban design and the ecological, this book brings together key articles that point the way forward for reconciling the often conflicting concerns of urbanism and environmentalism. Twenty-three texts are organised into four distinct sections, covering metropolitan architecture, the sprawling megalopolis, the megacity and the recently emerging metacity.&lt;/strong&gt; These are broadly chronological and highlight the recent thinking behind some of the key urban developments, ranging from the art of traditional city-making covered by European architects and historians in the late 20th century to contemporary Tokyo described by Atelier Bow-Wow.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;Features original texts from: &lt;/strong&gt;&lt;br /&gt;Reyner Banham, Rem Koolhaas, Aldo Rossi, Colin Rowe, David Grahame Shane, Bernard Tschumi, Oswald Mathias Ungers, and Robert Venturi, Denise Scott Brown and Steven Izenour.&amp;nbsp;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;Contains newly commissioned texts from: &lt;br /&gt;&lt;/strong&gt;Mary Cadenasso, Sharon Haar and Victoria Marshall, Carlos Leite, Steward TA Pickett and Albert Pope.&amp;nbsp;&lt;strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Includes new translations of important essays by: &lt;br /&gt;&lt;/strong&gt;Vittorio Gregotti and Paola Vigan&amp;ograve;.&amp;nbsp;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;Topics range &lt;/strong&gt;from the European historic city to the Las Vegas Strip and the megacity of S&amp;atilde;o Paulo, taking in the global sustainable city.&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;br /&gt;&lt;strong&gt;CONTENTS:&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Introduction&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Brian McGrath&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;FROM THE ARCHITECTURE OF THE CITY &lt;br /&gt;TO METROPOLITAN ARCHITECTURE&lt;br /&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;The Architecture of the City&lt;br /&gt;&lt;em&gt;Aldo Rossi&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Collage City&lt;br /&gt;&lt;em&gt;Colin Rowe and Fred Koetter&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Cities Within the City&lt;br /&gt;&lt;em&gt;Oswald Mathias Ungers&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Chicago &amp;agrave; la Carte&lt;br /&gt;&lt;em&gt;Alvin Boyarsky&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Life in the Metropolis or The Culture of Congestion&lt;br /&gt;&lt;em&gt;Rem Koolhaas&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;The Making of Hong Kong&lt;br /&gt;&lt;em&gt;Barrie Shelton, Justyna Karakiewicz and Thomas Kvan&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;MEGALOPOLIS: THE NATURE OF SPRAWL&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;The Territory of Architecture&lt;br /&gt;&lt;em&gt;Vittorio Gregotti&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Los Angeles: The Architecture of Four Ecologies&lt;br /&gt;&lt;em&gt;Reyner Banham&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Learning From Las Vegas&lt;br /&gt;&lt;em&gt;Steven Izenour, Denise Scott Brown, Robert Venturi&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;An Urbanism of Reform&lt;br /&gt;&lt;em&gt;Albert Pope&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Mega Urban Ecologies&lt;br /&gt;&lt;em&gt;Sharon Haar and Victoria Marshall&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Ecology of the City: A Perspective from Science&lt;br /&gt;&lt;em&gt;Steward TA Pickett&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;THE MEGACITY&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;People as Infrastructure: Intersecting Fragments in Johannesburg&lt;br /&gt;&lt;em&gt;AbdouMaliq Simone&lt;br /&gt;&lt;/em&gt;&amp;bull;&amp;nbsp;Bangkok: The Architecture of Three Ecologies&lt;br /&gt;&lt;em&gt;Brian McGrath&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Sustainable Megacity Visions from S&amp;atilde;o Paulo&lt;br /&gt;&lt;em&gt;Carlos Leite&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Frugality and Urban Life&lt;br /&gt;&lt;em&gt;May Joseph&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Design, Sustainability and the Global City&lt;br /&gt;&lt;em&gt;Christian Hubert and Ioanna Theocharopoulou&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;THE META CITY&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Situationist Space&lt;br /&gt;&lt;em&gt;Tom McDonough&lt;br /&gt;&lt;/em&gt;&amp;bull;&amp;nbsp;The Manhattan Transcripts&lt;br /&gt;&lt;em&gt;Bernard Tschumi&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;The Fragmented Metropolis&lt;br /&gt;&lt;em&gt;David Grahame Shane&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Designing Ecological Heterogeneity&lt;br /&gt;&lt;em&gt;ML Cadenasso&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;The Elementary City&lt;br /&gt;&lt;em&gt;Paola Vigan&amp;ograve;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Made in Tokyo&lt;br /&gt;&lt;em&gt;Momoyo Kaijima, Junzo Kuroda, Yoshiharu Tsunamoro&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Index&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;ABOUT THE AUTHOR:&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Brian McGrath&lt;/strong&gt;&amp;nbsp;is an Associate Professor of Urban Design at &lt;a href=&quot;http://www.newschool.edu/parsons/&quot; target=&quot;_blank&quot;&gt;Parsons The New School for Design&lt;/a&gt; in New York. He taught at &lt;a href=&quot;http://www.columbia.edu/&quot; target=&quot;_blank&quot;&gt;Columbia University&lt;/a&gt; in the Urban Design Studios for 15 years in a programme that grew 500% in student population between 1991 and 2005. He was a Senior Fulbright Scholar in Thailand in 1998/99. He is currently a co-investigator on an interdisciplinary team on the Baltimore Ecosystem Study, a Long Term Ecological Research project where he coordinates a working group linking science research, public policy and design. McGrath has authored and contributed to many books and journals, he also teaches and lectures internationally.&lt;/p&gt;</description><pubDate>Fri, 23 Nov 2012 18:58:15 +0100</pubDate><link>http://www.planum.net/journals-books/urban-design-ecologies-ad-reader</link><guid>http://www.planum.net/journals-books/urban-design-ecologies-ad-reader</guid></item><item><title>Palimpsests: &lt;/br&gt; Biographies of 50 City Districts. &lt;/br&gt; International Case Studies &lt;/br&gt; of Urban Change</title><description>&lt;hr/&gt;&lt;p&gt;&lt;span&gt;Knox&amp;rsquo; in-situ studies present 50 especially significant city districts from the whole of Europe and North America in words and pictures. His field research focuses on typologically outstanding city districts that have developed a high degree of individuality. &lt;strong&gt;Cities are the symbiosis of diverse districts: the smaller units serve to provide an important identity function: business centers and amusement districts such as the City and the West End in London, technology and science quarters (Adlershof in Berlin), designer districts such as the Zona Tortona in Milan and the Fashion District in New York.&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;Two other factors that play a major role are the conversion of industrial wastelands and new districts colored by a supranational capitalism or a sustainable or dubious planning &amp;ndash; such as the Vauban residential quarter in Freiburg in South Germany or the Lower Ninth District in New Orleans. &lt;br /&gt;&lt;strong&gt;Paul Knox also always analyzes how and why these districts have turned out the way they are: outlining their visible and also their hidden and often blurred &amp;ldquo;biography&amp;rdquo;. A fascinating journey through space and time!&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&amp;nbsp;&lt;br /&gt;&lt;strong&gt;CONTENTS:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Preface&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Introduction: Cities and Their Districts&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Abandoibarra, Bilbao (&lt;em&gt;Regenerated district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Adlershof, Berlin (&lt;em&gt;Science &amp;amp; Technology district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Ancoats, Manchester (&lt;em&gt;Industrial suburb&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Belgravia, London (&lt;em&gt;Elite district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Boundary Estate, London (&lt;em&gt;Social housing district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Bournville, Birmingham (&lt;em&gt;Garden suburb&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Bryggen, Bergen (&lt;em&gt;Historic waterfront&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Cary, Raleigh (&lt;em&gt;Boornburb&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;The City, London (&lt;em&gt;Financial district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Dorchester, Boston (&lt;em&gt;Streetcar suburb&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Eastern Harbour, Amsterdam (&lt;em&gt;Waterfront district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Encino, California (&lt;em&gt;Sitcom suburb&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;False Creek, Vancouver (&lt;em&gt;Postindustrial district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Fashion District, New York (&lt;em&gt;Garment district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Forest Hills Gardens, New York (&lt;em&gt;Garden suburb&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;The Ghetto, Venezia (Ethnic district)&lt;br /&gt;&amp;bull;&amp;nbsp;Grands Boulevards, Paris (&lt;em&gt;Retail district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Greenbelt, Maryland (&lt;em&gt;New Town&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Hollywood, Los Angeles (&lt;em&gt;Media district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Hoxton, London (&lt;em&gt;Neoboherriia&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Hufeisensiedlung, Berlin (&lt;em&gt;Social housing district&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Isle of Dogs, London (&lt;em&gt;Regenerated district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Kentlaricls, Gaithersburg (&lt;em&gt;Neotraditional subdivision&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;The Kuip, Gent (&lt;em&gt;Altstadt district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;La Defense, Paris (&lt;em&gt;Office district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Levittown, New York (&lt;em&gt;Fordist suburb&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Little Saigon, Los Angeles (&lt;em&gt;Etlrincburb&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;The Loop, Chicago (&lt;em&gt;Central Business District&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Lower 9th District, New Orleans (&lt;em&gt;Ethnic district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Le Marais, Paris (&lt;em&gt;Mixed-use district&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Mission District, San Francisco (&lt;em&gt;Ethnic/Gay/Gentrified district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;New Town, Edinburgh (&lt;em&gt;Planned residential district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Old Town, Alexandria, Virginia (&lt;em&gt;Historic district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Pike Place Market, Seattle (&lt;em&gt;Market district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Prenzlauer Berg, Berlin (&lt;em&gt;Gentryied district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Quaclrilatero della rnoda, Milano (&lt;em&gt;Serniotic district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Riverside, Chicago (&lt;em&gt;Railway suburb&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Scharnhauser Park, Stuttgart (&lt;em&gt;New Town&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Schoneberg, Berlin (&lt;em&gt;Gay district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Shaw, Washington, DC. (&lt;em&gt;Ethnic district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;South Beach, Miami (&lt;em&gt;Destination district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;SouthPark, Charlotte (&lt;em&gt;Affluent suburb&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Spitalfields, London (&lt;em&gt;Transitional district&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Temple Bar, Dublin (&lt;em&gt;Cultural quarter&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Theatreland, London (&lt;em&gt;Entertainment district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Trastevere, Roma (&lt;em&gt;Medieval suburb&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Tysons Corner, Virginia (&lt;em&gt;Edge City district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Quartier Vauban, Freiburg im Breisgau (&lt;em&gt;Green district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Zahringerstadt, Bern (&lt;em&gt;Altstadt district&lt;/em&gt;)&lt;br /&gt;&amp;bull;&amp;nbsp;Zona Tortona, Milano (&lt;em&gt;Design district&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Index&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ABOUT THE AUTHOR&lt;/strong&gt;&amp;nbsp;&lt;br /&gt;Paul Knox is University Distinguished Professor and Executive Director of Long Range Planning at the College of Architecture and Urban Studies at &lt;a href=&quot;http://www.vt.edu/&quot; target=&quot;_blank&quot;&gt;Virginia Tech&lt;/a&gt;, in the United States. His most recent books include &lt;em&gt;Metroburbia, USA &lt;/em&gt;(Rutgers University Press), &lt;em&gt;Cities and Design &lt;/em&gt;(Routledge), and &lt;em&gt;Small Town Sustainability &lt;/em&gt;(Birkh&amp;auml;user Verlag, ehit Heike Mayer).&lt;/p&gt;</description><pubDate>Sat, 15 Dec 2012 12:42:59 +0100</pubDate><link>http://www.planum.net/journals-books/palimpsests-biographies-of-50-city-districts</link><guid>http://www.planum.net/journals-books/palimpsests-biographies-of-50-city-districts</guid></item><item><title>City Rules. &lt;br/&gt; How regulations affect urban form</title><description>&lt;hr/&gt;&lt;p&gt;&quot;Zoning rules shape countless aspects of everyday American life, from where people live to how they get to work. However, the piecemeal manner in which the rules have been assembled over the past century has made it challenging to create more vibrant and livable urbanism&quot;.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;In&amp;nbsp;&lt;em&gt;City Rules:&amp;nbsp;How Regulations Affect Urban Form&lt;/em&gt;, urban scholar Emily Talen writes, &#039;this is a story of how rules affect the physical character of a city&#039;.&amp;nbsp;&lt;/strong&gt;&lt;strong&gt;In it, she traces the evolution of regulations and shows how they have shaped our cities. From its European predecessors to the first American zoning regulation in 1916 New York City, she explores the motivations behind these rules.&amp;nbsp;Current zoning often mandates single uses in homogenous, sprawling suburbs&amp;oacute;even as urban analysts see growing demand for mixed-use, compact, walkable neighborhoods.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;In&amp;nbsp;&lt;em&gt;City Rules&lt;/em&gt;, Talen shows us where zoning went wrong. By connecting specific codes to the neighborhoods they produced, she uses full-color illustrations to show how well-intentioned rules have left cities unable to adapt to the changing desires of their residents. She shows how more flexible approaches, such as form-based codes, can reverse the damage caused by pattern- and use-based codes.&lt;br /&gt;&lt;strong&gt;With examples of rules from across America, as well as from Europe,&amp;nbsp;&lt;em&gt;City Rules&lt;/em&gt;&amp;nbsp;is a comprehensive and comprehensible look at how we have let regulations dictate the form of our cities&amp;oacute;and how we can use them to make our cities better.&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;CONTENTS&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Foreword&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Acknowledgements&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Introduction&lt;br /&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Regulating Place&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Pattern&lt;br /&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Use&lt;br /&gt;&lt;strong&gt;&amp;bull;&lt;/strong&gt;&amp;nbsp;Form&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Reform&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Conclusion&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;References&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Index&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;ABOUT THE AUTHOR&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Emily Talen&lt;/strong&gt;&amp;nbsp;is professor in the School of Geographical Sciences and Urban Planning and Director of the &lt;a href=&quot;http://www.asu.edu/tour/downtown/purl.html&quot; target=&quot;_blank&quot;&gt;Phoenix Urban Research Lab&lt;/a&gt; at &lt;a href=&quot;http://www.asu.edu/&quot; target=&quot;_blank&quot;&gt;Arizona State University&lt;/a&gt;. She is also Coeditor of the&amp;nbsp;&lt;em&gt;Journal of Urbanism&lt;/em&gt;.&amp;nbsp;&lt;/p&gt;</description><pubDate>Fri, 23 Nov 2012 15:30:44 +0100</pubDate><link>http://www.planum.net/journals-books/city-rules</link><guid>http://www.planum.net/journals-books/city-rules</guid></item><item><title>Architectural and Program Diagrams 1</title><description>Construction and Design Manual&lt;hr/&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;Architecture can be as full of suspense as a graphic novel. Similar to comic strips or graphic novels, diagrams are a visual medium of communication&lt;/strong&gt;. This makes them easy to understand even across linguistic and cultural boundaries and an ideal method of communicating ideas to clients&lt;strong&gt;.&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;strong&gt;Today, architectural diagrams are no longer mere aids to explaining a design or reducing an idea to a simple outline, but have emerged as an art form of their own among the creative skills related to planning and building&lt;/strong&gt;. &lt;br /&gt;&lt;br /&gt;The title &lt;em&gt;Architectural and Program Diagrams&lt;/em&gt; in the series &quot;Construction and Design Manual&quot; brings together more than 400 pages from a predominantly international avant-garde and offers an overview of the state of the art in architectural representation across a spectrum extending from simple arrow diagrams to sober graphs and highly elaborate, often somewhat surreal collages and computer animations which trigger a wide range of intellectual and emotional responses. &lt;strong&gt;Diagrams tell stories. Those able to read them can follow the process by which ideas and thoughts take visual shape, find aesthetic form and, if all goes well, become part of the built environment.&lt;br /&gt;&lt;/strong&gt;&lt;span&gt;&lt;strong&gt;Two essay, total 967 images, 48 projects by 10 architects compose the book.&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;CONTENTS:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&lt;strong&gt;DIAGRAM AS &amp;ldquo;BATTLE MAP&amp;rdquo;&lt;/strong&gt; &lt;br /&gt;&lt;em&gt;by Manuel Gausa&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;&lt;strong&gt;DIAGRAMS&lt;/strong&gt; &lt;br /&gt;&lt;em&gt;by Ben van Berkel &amp;amp; Caroline Bos&lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;PROJECTS AND DIAGRAMS | 48 Projects by 10 Architects&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;ATELIER DATA&lt;/strong&gt;&lt;br /&gt;Mulemba House&lt;br /&gt;Faro Beach&lt;br /&gt;UGM - New Maribor Art Galley&lt;br /&gt;Q&amp;amp;A&amp;nbsp;&lt;br /&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;BudCud&lt;/strong&gt;&lt;br /&gt;Shinkenchiku&lt;br /&gt;Cheongan Tower&lt;br /&gt;Urban Coctail&lt;br /&gt;Q&amp;amp;A&lt;br /&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Ecdm&lt;/strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;Housing in Paris&lt;br /&gt;Housing in Mulhouse&lt;br /&gt;T8 Paris Rive Gauche&lt;br /&gt;Student Housing In Toulouse&lt;br /&gt;Claudebernard&lt;br /&gt;Q&amp;amp;A&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull; Ecosistema urbano architects&lt;/strong&gt;&lt;br /&gt;House of steel and wood&lt;br /&gt;Softly&lt;br /&gt;Urban Voids&lt;br /&gt;Metropolitan waterpark, Zaragoza Expo 08&lt;br /&gt;Ecoboulevard of the new suburban extension of Madrid&lt;br /&gt;Q&amp;amp;A&lt;br /&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Franz&lt;/strong&gt;&lt;br /&gt;BGG&lt;br /&gt;DGL Sporthalle Graz&lt;br /&gt;Expo Shanghai&lt;br /&gt;JZ&lt;br /&gt;LJH&lt;br /&gt;PHY&lt;br /&gt;STM&lt;br /&gt;WU&lt;br /&gt;Q&amp;amp;A&lt;br /&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Gausa+Raveau actarquitectura&lt;/strong&gt;&lt;br /&gt;CHI-CHI Taiwan Eartquake Memorial Park&lt;br /&gt;Fuerteventura&lt;br /&gt;Gwangju Multicultural Strings Cities&lt;br /&gt;Tornado Tower&lt;br /&gt;Q&amp;amp;A&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;GINSENG CHICKEN ARCHITECTURE PC&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;IT Convergence center&lt;br /&gt;Random Access + Formal Purity&lt;br /&gt;Superoceano&lt;br /&gt;The Beacon: Union Station 2020&lt;br /&gt;Garage City&lt;br /&gt;Q&amp;amp;A&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Interface Studio Architects&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;R+R House&lt;br /&gt;The Granary&lt;br /&gt;Newark Lo-Lo&lt;br /&gt;Life Swap&lt;br /&gt;Q&amp;amp;A&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;JDS Architects&lt;/strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;Beirut House of Arts and Culture&lt;br /&gt;Low Energy Housing&lt;br /&gt;Taipei POP Music Center&lt;br /&gt;United in diversity&lt;br /&gt;Ama Headquarter Masterplan&lt;br /&gt;Intense Laagbouw Groningen&lt;br /&gt;Q&amp;amp;A&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;KWK PROMES&amp;nbsp;&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;Aatrial House&amp;nbsp;&lt;br /&gt;Broken House&lt;br /&gt;Hidden House&lt;br /&gt;Single Family House in Bialy B&amp;oacute;r&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Fri, 05 Oct 2012 15:57:12 +0200</pubDate><link>http://www.planum.net/journals-books/architectural-and-program-diagrams-1</link><guid>http://www.planum.net/journals-books/architectural-and-program-diagrams-1</guid></item><item><title>Architectural Photography</title><description>Construction and Design Manual&lt;hr/&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;&lt;br /&gt;This title gives a well-grounded introduction to the necessary skills, techniques, and equipment while at the same time illustrating that the key to premium architectural photography is something far beyond the mere mechanics of focus, exposure, and composition&lt;/strong&gt;.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;An overview of the history of architectural photography and the fields in which it comes into play is followed by a detailed technical section discussing equipment, focal length, perspective, white balance, filters, HDR, and digital post-processing.&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;span&gt;&lt;strong&gt;This hands-on companion provides both practical information and inspiration for anyone interested in photography.&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;iframe src=&quot;http://www.book2look.com/embed/aVnAdU1ee3&amp;amp;euid=12257940&amp;amp;ruid=0&quot; frameborder=&quot;0&quot; align=&quot;middle&quot; width=&quot;450&quot; height=&quot;299&quot;&gt;&lt;/iframe&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;CONTENTS&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;Preface&lt;/p&gt;
&lt;p&gt;&amp;bull;&amp;nbsp;&lt;strong&gt;ARCHITECTURE AND PHOTOGRAPHY&lt;/strong&gt;&lt;br /&gt;What is architectural photography&lt;br /&gt;What makes a good architectural photograph&amp;nbsp;&lt;br /&gt;Who this book is aimed at&amp;nbsp;&lt;br /&gt;How this book is structured&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1.&amp;nbsp;THE HISTORY OF ARCHITECTURAL PHOTOGRAPHY&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Early technology&lt;br /&gt;&amp;bull;&amp;nbsp;The beginnings of architectural photography&lt;br /&gt;&amp;bull;&amp;nbsp;Pictorialism&lt;br /&gt;&amp;bull;&amp;nbsp;Straight photography&lt;br /&gt;&amp;bull;&amp;nbsp;Neue Sachlichkeit&lt;br /&gt;&amp;bull;&amp;nbsp;The postwar period&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2.&amp;nbsp;OPTICAL PRINCIPLES&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Lenses and focal lengths&lt;br /&gt;&amp;bull;&amp;nbsp;Image circles&lt;br /&gt;&amp;bull;&amp;nbsp;Stitching&lt;br /&gt;&amp;bull;&amp;nbsp;360-degree panoramas&lt;br /&gt;&amp;bull;&amp;nbsp;Shifting, swinging and tilting&lt;br /&gt;&amp;bull;&amp;nbsp;Framing and perspective&lt;br /&gt;&amp;bull;&amp;nbsp;Adjusting perspective&lt;br /&gt;&amp;bull;&amp;nbsp;Correcting horizontal lines&lt;br /&gt;&amp;bull;&amp;nbsp;Contrast&lt;br /&gt;&amp;bull;&amp;nbsp;High dynamic range imaging&lt;br /&gt;&amp;bull;&amp;nbsp;Resolution and sharpness&lt;br /&gt;&amp;bull;&amp;nbsp;Depth of field&lt;br /&gt;&amp;bull;&amp;nbsp;Increasing depth of field using&amp;nbsp;the Scheimpflug principle&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;3.&amp;nbsp;EQUIPMENT&lt;br /&gt;&lt;/strong&gt;&amp;bull;&amp;nbsp;Photographic disciplines&lt;br /&gt;&amp;bull;&amp;nbsp;Architectural photography with&amp;nbsp;a small-format camera&lt;br /&gt;&amp;bull;&amp;nbsp;The view camera&lt;br /&gt;&amp;bull;&amp;nbsp;Digital backs&lt;br /&gt;&amp;bull;&amp;nbsp;Lenses for analogue and digital&amp;nbsp;architectural photography&lt;br /&gt;&amp;bull;&amp;nbsp;The tripod&lt;br /&gt;&amp;bull;&amp;nbsp;The tripod head&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;4.&amp;nbsp;PHOTOGRAPHIC PRACTICE&lt;br /&gt;&lt;/strong&gt;&amp;bull;&amp;nbsp;Realisation&lt;br /&gt;&amp;bull;&amp;nbsp;Light and lighting&lt;br /&gt;&amp;bull;&amp;nbsp;Exposure metering&lt;br /&gt;&amp;bull;&amp;nbsp;The RAW format&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;5. COMPOSITION&lt;br /&gt;&lt;/strong&gt;&amp;bull;&amp;nbsp;Subject&lt;br /&gt;&amp;bull;&amp;nbsp;Camera viewpoint, angle of view&amp;nbsp;and distance from the subject&lt;br /&gt;&amp;bull;&amp;nbsp;Focal length&lt;br /&gt;&amp;bull;&amp;nbsp;Aperture and depth of field&lt;br /&gt;&amp;bull;&amp;nbsp;Image formats&lt;br /&gt;&amp;bull;&amp;nbsp;Foreground, middle distance&amp;nbsp;and background&lt;br /&gt;&amp;bull;&amp;nbsp;The Golden Ratio&lt;br /&gt;&amp;bull;&amp;nbsp;The art of using lines&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;6.&amp;nbsp;POST-PROCESSING&lt;br /&gt;&lt;/strong&gt;&amp;bull;&amp;nbsp;Developing&lt;br /&gt;&amp;bull;&amp;nbsp;Scanning&lt;br /&gt;&amp;bull;&amp;nbsp;Image editing&lt;br /&gt;&amp;bull;&amp;nbsp;Finishing&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;7.&amp;nbsp;COLOUR MANAGEMENT&lt;br /&gt;&lt;/strong&gt;&amp;bull;&amp;nbsp;Camera calibration&lt;br /&gt;&amp;bull;&amp;nbsp;Calibration of the&amp;nbsp;development process&lt;br /&gt;&amp;bull;&amp;nbsp;Monitor calibration&lt;br /&gt;&amp;bull;&amp;nbsp;Scanner calibration&lt;br /&gt;&amp;bull;&amp;nbsp;Printer calibration&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;8.&amp;nbsp;COMPOSITION AND ARTIFICIAL WORLDS, MODEL PHOTOGRAPHY, PHOTOGRAMMETRY&lt;br /&gt;&lt;/strong&gt;&amp;bull;&amp;nbsp;Computer-generated imaging&lt;br /&gt;&amp;bull;&amp;nbsp;Photogrammetry&lt;br /&gt;&amp;bull;&amp;nbsp;Model photography&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;9.&amp;nbsp;EQUIPMENT TIPS&lt;br /&gt;&lt;/strong&gt;&amp;bull;&amp;nbsp;Cameras&lt;br /&gt;&amp;bull;&amp;nbsp;Lenses&lt;br /&gt;&amp;bull;&amp;nbsp;Flash equipment&lt;br /&gt;&amp;bull;&amp;nbsp;Accessories&lt;br /&gt;&amp;bull;&amp;nbsp;Developing equipment&lt;br /&gt;&amp;bull;&amp;nbsp;Computers and monitors&lt;br /&gt;&amp;bull;&amp;nbsp;Scanner and scanning software&lt;br /&gt;&amp;bull;&amp;nbsp;Printers&lt;br /&gt;&amp;bull;&amp;nbsp;Image processing software&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;10.&amp;nbsp;EARNING MONEY FROM&amp;nbsp;ARCHITECTURAL PHOTOGRAPHY&lt;br /&gt;&lt;/strong&gt;&amp;bull;&amp;nbsp;Pathways into photography&lt;br /&gt;&amp;bull;&amp;nbsp;Tax and insurance&lt;br /&gt;&amp;bull;&amp;nbsp;Marketing&lt;br /&gt;&amp;bull;&amp;nbsp;Quotations, calculations, offers&amp;nbsp;and orders&lt;br /&gt;&amp;bull;&amp;nbsp;Working with picture agencies&lt;br /&gt;&amp;bull;&amp;nbsp;Photographic right in practice&amp;nbsp;using five legal cases&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;11.&amp;nbsp;APPENDIX&lt;br /&gt;&lt;/strong&gt;&amp;bull;&amp;nbsp;Glossary&lt;br /&gt;&amp;bull;&amp;nbsp;Bibliography&lt;br /&gt;&amp;bull;&amp;nbsp;Directory of links&lt;br /&gt;&amp;bull;&amp;nbsp;Index&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ABOUT THE AUTHORS&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Alex Hausberg&amp;nbsp;&lt;/strong&gt;born in 1967, freelance photodesigner since 1998 focusing on architectural photography. Many exhibitions. Lives and work in Bad Neuenahr.&lt;br /&gt;&lt;strong&gt;Anton Simons &lt;/strong&gt;born in 1940, journalist, blogger and book author. Lives and works in Sinzing/Rhein.&amp;nbsp;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Fri, 05 Oct 2012 19:24:39 +0200</pubDate><link>http://www.planum.net/journals-books/architectural-photography</link><guid>http://www.planum.net/journals-books/architectural-photography</guid></item><item><title>La Campagna Necessaria. &lt;/br&gt; Un’agenda d’intervento &lt;/br&gt; dopo l’esplosione urbana</title><description>&lt;hr/&gt;&lt;p&gt;&lt;strong&gt;Il rapporto citt&amp;agrave;-campagna &amp;egrave; forse tra i fenomeni pi&amp;ugrave; studiati della storia moderna, ma con l&amp;rsquo;inizio del XXI secolo il rovesciamento di numerosi paradigmi interpretativi impone un radicale ripensamento&lt;/strong&gt;: il post-fordismo che lascia spazio a una &amp;ldquo;economia di carta&amp;rdquo;; la globalizzazione e l&amp;rsquo;emergere di nuove potenze economiche che riorganizzano la geopolitica planetaria (dove l&amp;rsquo;Occidente perde continuamente peso); la popolazione mondiale che vive - per oltre la met&amp;agrave; - in agglomerati urbani a scapito delle campagne. Questi fatti inducono a guardare tale rapporto con occhi nuovi, costruendo alleanze evolute, sulle quali questo volume propone riflessioni critiche, traiettorie di ricerca e un&amp;rsquo;agenda per l&amp;rsquo;analisi e il progetto di un nuovo &amp;ldquo;patto di stabilit&amp;agrave;&amp;rdquo; tra citt&amp;agrave; e campagna.&lt;br /&gt;&lt;em&gt;dalla Presentazione del volume La campagna necessaria&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&amp;laquo;Nelle pagine di questo volume si d&amp;agrave; conto di esperienze, idee, progetti di &quot;casa nostra&quot;&lt;/strong&gt;. Si accenna a processi straordinari e titanici, come il Piano Paesistico della Regione Puglia; si raccontano pi&amp;ugrave; modesti microinvestimenti per la cura e la manutenzione dei boschi e del sistema agricolo periurbano; ancora si illustrano ricerche che si pongono obiettivi eccezionalmente rilevanti, per rispondere all&#039;emergenza carceraria da un lato e, dall&#039;altro, favorire il riuso del patrimonio rurale in abbandono. &lt;strong&gt;Si tratta in ogni caso del tentativo di dare senso e contenuto - e quindi di produrre un progetto - alla necessaria alleanza che va ricostruita tra citt&amp;agrave; e campagna.&lt;/strong&gt; [...]&lt;br /&gt;&lt;strong&gt;Questo libro testimonia una parte delle riflessioni prodotte attorno alla necessit&amp;agrave; di progetto per la &quot;citt&amp;agrave; esplosa&quot;, rivisitando un dibattito storico consolidato, non tanto per approfondirne le constatazioni ma per valutare le proposte e le soluzioni elaborate a partire da differenti punti di vista disciplinari, in ragione dell&#039;obiettivo di riqualificare i territori sottoposti al fenomeno dello sprawl&amp;nbsp;&lt;/strong&gt;[...]. La strada che pare necessaria e che negli ultimi tempi sembra permeare anche un certo dibattito disciplinare, implica lavorare almeno in due direzioni. Da un lato trovare la giusta misura per una ragionevole politica di densificazione urbana, in particolare delle aree appunto periurbane, delle periferie oggi a abassa e bassissima densit&amp;agrave;. [...] Questa politica non sortirebbe per&amp;ograve; gli effetti sperati se non fosse accompagnata da un progetto capace di rivalorizzare le aree agricole e rurali di frangia, che spesso rappresentano semplicemente il luogo di attesa di futuri sviluppi insediativi, e non una risorsa per la produzione primaria&amp;raquo;.&lt;br /&gt;&lt;em&gt;Marco Guerzoni, &quot;Tra il dire e il fare&quot;, La campagna necessaria&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;/p&gt;
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&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;CONTENTS&lt;/strong&gt;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Utopie rurali&lt;br /&gt;&lt;em&gt;Matteo Agnoletto&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Tra il dire e il fare&lt;br /&gt;&lt;em&gt;Marco Guerzoni&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;LE NARRAZIONI DELLA DISPERSIONE&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Tra inerzie di figure consolidate&amp;nbsp;e condizioni emergenti. Un&amp;rsquo;ipotesi di lavoro&amp;nbsp;nell&amp;rsquo;urbanizzazione diffusa dopo la crescita&lt;br /&gt;&lt;em&gt;Federico Zanfi&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;&amp;ldquo;Io sono stato qui&amp;rdquo;. L&amp;rsquo;analisi interrogata dall&amp;rsquo;esperienza&lt;br /&gt;&lt;em&gt;Stefano Munarin&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;La geografia della diffusione insediativa.&amp;nbsp;&lt;br /&gt;&lt;em&gt;Un dialogo sul territorio tra Giuseppe Dematteis&amp;nbsp;e Francesca Governa&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Dispersione a sud del 40&amp;deg; parallelo&lt;br /&gt;&lt;em&gt;Michelangelo Savino&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Verso la campagna. Alcune considerazioni sul ruolo&amp;nbsp;del territorio rurale negli strumenti urbanistici&lt;br /&gt;&lt;em&gt;Valentina Orioli&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Dialogo tra Francesco Indovina e Laura Fregolent&amp;nbsp;sull&amp;rsquo;analisi territoriale e sulla situazione presente&amp;nbsp;dell&amp;rsquo;urbanistica e della citt&amp;agrave; diffusa&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;L&amp;rsquo;evoluzione dei paesaggi rurali italiani 1990/2006:&amp;nbsp;tendenze, criticit&amp;agrave;, strategie d&amp;rsquo;azione&lt;br /&gt;&lt;em&gt;Antonio di Gennaro e Francesco P. Innamorato&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Dinamiche del territorio rurale attraverso&amp;nbsp;i dati censuari: un caso di studio nell&amp;rsquo;area&amp;nbsp;pedemontana bolognese&lt;br /&gt;&lt;em&gt;Alessandra Furlani&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Citt&amp;agrave; e campagna: materiali per un manifesto&lt;br /&gt;&lt;em&gt;Filippo De Pieri&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;strong&gt;UNA NUOVA ALLEANZA TRA CITTA` E CAMPAGNA&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Agricoltura-architettura-citt&amp;agrave;. Un percorso visivo&lt;br /&gt;&lt;em&gt;Andrea Branzi e Annalisa Trentin&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Un cattivo Darwin&lt;br /&gt;&lt;em&gt;Cristina Bianchetti&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Verso un&amp;rsquo;urbanistica pi&amp;ugrave; attenta all&amp;rsquo;ambiente:&amp;nbsp;la citt&amp;agrave; come mosaico territoriale&lt;br /&gt;&lt;em&gt;Carles Llop Torn&amp;eacute;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Natura in fabula&lt;/em&gt;.&lt;br /&gt;&lt;em&gt;Conversazione tra Cino Zucchi&amp;nbsp;e Angelo Sampieri&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Ordigni formali. Una prospettiva per il progetto&amp;nbsp;di architettura e il disegno del territorio&lt;br /&gt;&lt;em&gt;Giovanni La Varra&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Dieci panorami della citt&amp;agrave; e della campagna&lt;br /&gt;&lt;em&gt;baukuh, MARC, YellowOffice&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Dialoghi sulla campagna e sulla citt&amp;agrave;&amp;nbsp;tra Pierre Donadieu ed Egle Staiti&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;La prossimit&amp;agrave; come dispositivo interscalare&amp;nbsp;delle sfere di azione nelle politiche del paesaggio.&amp;nbsp;Azioni e reazioni sul paesaggio in Puglia&lt;br /&gt;&lt;em&gt;Mariavaleria Mininni&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Campagna e nuove infrastrutture in Italia.&amp;nbsp;Un quadro incerto&lt;br /&gt;&lt;em&gt;Paola Pucci &lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Between urban and rural. &lt;/em&gt;Fra il contenimento e una nuova agenda, il progetto delle aree di frangia come riflessione sul rapporto fra urbano e rurale. &lt;br /&gt;&lt;em&gt;Giulia Fini&lt;/em&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;La fotografia di paesaggio fra identit&amp;agrave;&amp;nbsp;e globalizzazione&lt;br /&gt;&lt;em&gt;William Guerrieri&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Prospettive per il futuro.&lt;br /&gt;&lt;em&gt;Una conversazione&amp;nbsp;tra Nicola Marzot e Winy Maas sulla densit&amp;agrave; urbana&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;PROGETTI&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;After Sprawl&lt;/em&gt;. Conversazione tra Xaveer de Geyter&amp;nbsp;e Sabina Tattara&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Dal Piano di area vasta al progetto metropolitano.&amp;nbsp;Esplorazioni e suggestioni nel territorio suburbano&amp;nbsp;bolognese&lt;br /&gt;&lt;em&gt;Alessandro Delpiano, Marco Guerzoni&amp;nbsp;e Samantha Trombetta&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Verso &lt;em&gt;Ruralcity&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;APPARATI&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Citt&amp;agrave; e campagna: una bibliografia&lt;br /&gt;&lt;em&gt;a cura di Emanuele Sommariva&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Profili biografici degli autori&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Il volume &amp;egrave; stato realizzato nell&#039;ambito del programma europeo&amp;nbsp;&lt;em&gt;Crepud-Med. Partners del programma&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;ABOUT THE EDITORS&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Matteo Agnoletto&lt;/strong&gt;&amp;nbsp;&amp;egrave; ricercatore in Composizione architettonica presso l&#039;Universit&amp;agrave; Alma Mater di Bologna. Ha svolto attivit&amp;agrave; professionale negli studi di Renzo Piano e Jean Nouvel. E&#039; stato capo redattore della rivista &quot;Parametro&quot;. Dal 2005 al 2008 &amp;egrave; stato collaboratore della sezione architettura alla Triennale di Milano, dove &amp;egrave; stato &lt;em&gt;advicer&lt;/em&gt; per il premio Medaglia d&#039;Oro dell&#039;Architettura Italiana e curatore di sezione delle mostre &lt;em&gt;Good N.E.W.S.&lt;/em&gt; (2006) e &lt;em&gt;Casa per tutti&lt;/em&gt; (2008)&lt;strong&gt;.&amp;nbsp;&lt;/strong&gt;Nel 2007 &amp;egrave; stato tra gli organizzatori dell&#039;evento &lt;em&gt;Superluoghi. Notizie dalla metropoli quotidiana.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Marco Guerzoni&lt;/strong&gt;, urbanista, per la Provincia di Bologna si occupa principalmente di housing sociale e di pianificazione delle attivit&amp;agrave; commerciali. E&#039; stato docente incaricato all&#039;Universit&amp;agrave; di Bologna; consulente &amp;nbsp;di alcuni enti territoriali per la redazione di studi e di strumenti di governo del territorio. Attualmente &amp;egrave; membro del comitato di corrispondenti della rivista &quot;Archivio di Studi Urbani e Regionali&quot; e della commissione tecnica di Urban Center Bologna. E&#039; autore e curatore di diverse pubblicazioni in materia di urbanistica e pianificazione, tra cui &lt;em&gt;Dalla casa all&#039;abitare&lt;/em&gt; (2009) e &lt;em&gt;Le citt&amp;agrave; degli altri&lt;/em&gt; (2010).&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Fri, 31 Aug 2012 17:05:30 +0200</pubDate><link>http://www.planum.net/journals-books/la-campagna-necessaria</link><guid>http://www.planum.net/journals-books/la-campagna-necessaria</guid></item><item><title>Immagini del cambiamento &lt;/br&gt; in Emilia-Romagna &lt;/br&gt; NEW! DOWNLOAD FREE</title><description>&lt;hr/&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;Questa ricerca &amp;egrave; stata svolta da un gruppo del DiAP Dipartimento di Architettura e Pianificazione del Politecnico di Milano, per conto della Regione Emilia-Romagna in accompagnamento alla redazione del nuovo Piano territoriale regionale, approvato nel febbraio 2010.&lt;/strong&gt; &lt;br /&gt;&lt;strong&gt;Il passaggio fondamentale &amp;egrave; stato considerare il territorio non come una somma di luoghi ma come un sistema, con la consapevolezza che solo valorizzando le specifiche differenze, capacit&amp;agrave; e ricchezze sar&amp;agrave; possibile raccogliere con successo la sfida del nuovo Piano.&lt;/strong&gt; &lt;br /&gt;Si &amp;egrave; quindi cercato di interpretare la regione lasciando sullo sfondo le partizioni amministrative, non solo provinciali e comunali ma anche regionali, per meglio restituire i livelli di interazione e integrazione all&amp;rsquo;interno del territorio regionale, da un lato, e il ruolo di cerniera dell&amp;rsquo;Emilia-Romagna in Italia e in Europa, dall&amp;rsquo;altro.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Con il Piano territoriale regionale si &amp;egrave; posto l&amp;rsquo;accento sulle priorit&amp;agrave; attorno alle quali impostare il lavoro per i prossimi anni: innovazione, sviluppo sostenibile, questione ambientale, economia verde; posizionamento dell&amp;rsquo;Emilia-Romagna ai pi&amp;ugrave; alti livelli funzionali nell&amp;rsquo;Europa allargata e nelle relazioni con l&amp;rsquo;Area mediterranea, l&amp;rsquo;Est europeo e l&amp;rsquo;Asia; semplificazione amministrativa e riordino delle istituzioni anche in dimensione regionale; costruzione di sistemi integrati di relazioni. &lt;br /&gt;&lt;strong&gt;Per il volume si &amp;egrave; scelta la veste di &amp;ldquo;atlante ibrido&amp;rdquo;, ovvero di raccolta di carte che rappresentano su base geografica alcuni connotati economici, sociali e culturali dell&amp;rsquo;Emilia-Romagna,&lt;/strong&gt; preferendo uno stile composito e sintetico, interpretativo pi&amp;ugrave; che descrittivo, volutamente tendenzioso, allo scopo di meglio fissare l&amp;rsquo;immagine di un territorio che sta cambiando.&lt;br /&gt;&lt;br /&gt;&amp;bull; &lt;strong&gt;NEW!&amp;nbsp;&lt;br /&gt;Il volume &amp;eacute; integralmente scaricabile sotto la voce &quot;Download&quot;, in alto a destra della presentazione.&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
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&lt;div style=&quot;width: 420px; text-align: left;&quot;&gt;&amp;nbsp;&lt;br /&gt;&lt;hr /&gt;&lt;br /&gt;&lt;strong&gt;CONTENTS&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Prefazione&amp;nbsp;&lt;br /&gt;&lt;em&gt;Vasco Errani&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Il racconto visivo del Piano territoriale regionale&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Patrizia Gabellini&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Vedere una regione attraente&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Una piattaforma europea&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Il supporto di natura e storia&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Capisaldi e relazioni&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Visione trasversale 1: citt&amp;agrave; metropolitana bolognese&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Per Bologna si passa&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;A Bologna si studia&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;A Bologna si scambia&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Con Bologna si fa logistica nazionale&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Con Bologna si fa sistema fieristico europeo&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Con Bologna si fa eccellenza in sanit&amp;agrave; e benessere&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Visione trasversale 2: citt&amp;agrave;-territorio emiliana&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Il&amp;nbsp;&lt;em&gt;core&amp;nbsp;&lt;/em&gt;industriale&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Dentro l&amp;rsquo;economia mondo&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Parma, agroalimentare internazionale&amp;nbsp;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Reggio Emilia, imprenditori dal mondo&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Abitanti che crescono&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Un nuovo welfare&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Modena, terra di motori&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Ferrovie per le merci&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Prospettiva ferroviaria&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Visione trasversale 3: citt&amp;agrave; multipolare romagnola&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Stagioni: abitare la costa&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Ravenna,&amp;nbsp;&lt;em&gt;hub&amp;nbsp;&lt;/em&gt;portuale&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Multipolarit&amp;agrave;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Forl&amp;igrave;-Cesena, un agroalimentare postmoderno&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Intercettare le reti lunghe&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Sostenere le relazioni metropolitane&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Rimini, pi&amp;ugrave; dimensioni&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Progettare la trasversalit&amp;agrave;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Visione trasversale 4: citt&amp;agrave; polarizzate di frontiera&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Piacenza, polo energetico&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Piacenza, porta sul Po&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Calendari annuali&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Ferrara, citt&amp;agrave; d&amp;rsquo;arte e cultura&amp;nbsp;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Ferrovie interregionali&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;La traversa Cispadana&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Un&amp;rsquo;economia per le terre-acque&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Un&amp;rsquo;infrastruttura ambientale nel Delta&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Visione trasversale 5: un parco europeo&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Appennini diversi&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Reti antiche e postmoderne&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Una morbida collina&amp;nbsp;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Turismi&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Note a margine sulla comunicazione visiva&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Patrizia Gabellini&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Bibliografia e siti web&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;a cura di Marco Mareggi&amp;nbsp;&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;ABOUT THE AUTHORS&lt;/strong&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;Patrizia Gabellini&lt;/strong&gt;, architetto, &amp;egrave; professore ordinario di Urbanistica al &lt;a href=&quot;http://www.polimi.it&quot; target=&quot;_blank&quot;&gt;Politecnico di Milano&lt;/a&gt;. Sui temi della rappresentazione visiva ha lavorato in qualit&amp;agrave; di responsabile del Disegno e della comunicazione del Prg di Roma (2000) e scritto nei suoi libri &lt;em&gt;Il disegno urbanistico&lt;/em&gt; (1996), &lt;em&gt;Tecniche urbanistiche&lt;/em&gt; (2001), &lt;a href=&quot;http://www.planum.net/journals-books/fare-urbanistica-esperienze-comunicazione-memoria&quot; target=&quot;_self&quot;&gt;&lt;em&gt;Fare urbanistica&lt;/em&gt;&lt;/a&gt; (2010). Attualmente &amp;egrave; Assessore all&amp;rsquo;Urbanistica Ambiente Qualit&amp;agrave; urbana e Citt&amp;agrave; storica del Comune di Bologna.&lt;br /&gt;&lt;strong&gt;Andrea Di Giovanni&lt;/strong&gt;, architetto e dottore di ricerca, &amp;egrave; ricercatore in urbanistica presso il DiAP Dipartimento di Architettura e Pianificazione del &lt;a href=&quot;http://www.polimi.it&quot; target=&quot;_blank&quot;&gt;Politecnico di Milano&lt;/a&gt;. Insegna presso la &lt;a href=&quot;http://www.arch.polimi.it&quot; target=&quot;_blank&quot;&gt;Scuola di Architettura e Societ&amp;agrave;&lt;/a&gt; dello stesso Ateneo. &amp;Egrave; autore di saggi su riviste nazionali e internazionali. Ha pubblicato recentemente: &lt;em&gt;Spazi comuni. Progetto urbanistico e vita in pubblico nella citt&amp;agrave; contemporanea&lt;/em&gt; (2010).&lt;br /&gt;&lt;strong&gt;Caterina Gfeller&lt;/strong&gt;, architetto e graphic designer, &amp;egrave; specializzata in rappresentazione del territorio e presentazione del progetto. Ha collaborato alla redazione di piani locali e territoriali, come consulente di amministrazioni pubbliche e del &lt;a href=&quot;http://www.diap.polimi.it&quot; target=&quot;_blank&quot;&gt;Dipartimento di Architettura e Pianificazione&lt;/a&gt; del Politecnico di Milano, presso il quale tiene seminari di grafica e disegno urbanistico.&lt;br /&gt;&lt;strong&gt;Marco Mareggi&lt;/strong&gt;, architetto, &amp;egrave; dottore di ricerca e insegna alla Scuola di Architettura e Societ&amp;agrave; del Politecnico di Milano. Svolge attivit&amp;agrave; di ricerca, consulenza e formazione in Italia e all&amp;rsquo;estero in materia di analisi e progettazione urbana spaziale e temporale e di politiche temporali urbane. &amp;Egrave; autore di saggi su riviste nazionali e internazionali. Ha pubblicato recentemente: &lt;em&gt;&lt;a href=&quot;http://www.planum.net/journals-books/ritmi-urbani&quot; target=&quot;_self&quot;&gt;Ritmi urbani&lt;/a&gt;&lt;/em&gt; (2011).&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Fri, 31 Aug 2012 12:56:16 +0200</pubDate><link>http://www.planum.net/journals-books/immagini-del-cambiamento-in-emilia-romagna</link><guid>http://www.planum.net/journals-books/immagini-del-cambiamento-in-emilia-romagna</guid></item><item><title>Planning Olympic Legacies &lt;/br&gt; Transport Dreams and Urban Realities</title><description>&lt;hr/&gt;&lt;p&gt;&lt;br /&gt;&lt;strong&gt;When a city wins the right to hold the Olympics, one of the oft cited advantages to the region is the catalytic effect upon the urban and transport projects of the host cities.&lt;/strong&gt; &lt;br /&gt;However, with unparalleled access to documents and records, Eva Kassens-Noor questions and challenges this fundamental assertion of host cities who claim to have used the Olympic Games as a way to move forward their urban agendas.&lt;br /&gt;&lt;strong&gt;In fact, transport dreams to stage the &quot;perfect games&quot; of the International Olympic Committee and the governments of the host cities have lead to urban realities that significantly differ from the development path the city had set out to accomplish before winning the Olympic bid.&lt;/strong&gt; Ultimately it is precisely the IOC&amp;rsquo;s influence &amp;ndash; and the city&amp;rsquo;s foresight and sophistication (or lack thereof) in coping with it &amp;ndash; that determines whether years after the Games there are legacies benefitting the former hosts.&lt;br /&gt;&lt;br /&gt;The text is supported by revealing interviews from lead host city planners and key documents, which highlight striking discrepancies between media broadcasts and the internal communications between the IOC and host city governments. &lt;strong&gt;It focuses on the inside story of the urban and transport change process undergone by four cities (Barcelona, Atlanta, Sydney, and Athens) that staged the Olympics and forecasts London and Rio de Janeiro&amp;rsquo;s urban trajectories. The final chapter advises cities on how to leverage the Olympic opportunity to advance their long-run urban strategic plans and interests while fulfilling the International Olympic Committee&amp;rsquo;s fundamental requirements.&lt;/strong&gt;&lt;br /&gt;This is a uniquely positioned look at why Olympic cities have &amp;ndash; or do not have &amp;ndash; the transport and urban legacies they had wished for. The book will be of interest to planners, government agencies and those involved in organizing future Games.&lt;br /&gt;&amp;nbsp;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;br /&gt;&lt;strong&gt;CONTENTS&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;List of Tables&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;List of Figures&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;List of Maps&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;List of Acronyms&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Foreword&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Preface&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Acknowledgements&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&lt;strong&gt;1. The Olympic Games: an Ephemeral Opportunity for Cities&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;The creation of urban legacies&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;The creation of transport legacies&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Planning Olympic legacies in four hosts and two future hosts&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Book structure&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2. The IOC as a Powerful Stakeholder in the Planning Process&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Introducing the Olympic Games and the IOC&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Olympic transport requirements as a vision for the host city&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;The IOCs power in the planning process&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Conclusions&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;3. Planning for the 1992 Olympics and Barcelona&amp;rsquo;s Urban Legacy&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Barcelonas urban and transport history&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Barcelonas candidature and Olympic preparations&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Transport performance during the 1992 Olympics&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Transport outcomes and Barcelonas legacy&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Conclusions&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;4. Planning for the 1996 Olympics and Atlanta&amp;rsquo;s Urban Legacy&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Atlantas urban and transport history&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Atlantas candidature and Olympic preparations&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Transport performance during the 1996 Olympics&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Transport outcomes and Atlantas legacy&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Conclusions&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;5. Planning for the 2000 Olympics and Sydney&amp;rsquo;s Urban Legacy&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Sydneys urban and transport history&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Sydneyscandidature and Olympic preparations&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Transport performance during the 2000 Olympics&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Transport outcomes andSydneyslegacy&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Conclusions&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;6. Planning for the 2004 Olympics And Athens&amp;rsquo; Urban Legacy&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Athens candidature and Olympic preparations&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Transport performance during the 2004 Olympics&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Transport outcomes andAthenslegacy&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Conclusions&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Note&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;7. The Prospect of a Legacy for London 2012 and Rio De Janeiro 2016&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Planning Londons legacies, Londons candidature and Olympic preparations&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Prospects of a 2012 legacy&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Planning Rio de Janeiros legacies&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Rio de Janeiros candidature and Olympic preparations&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Prospects of a 2016 legacy&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Conclusions&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;8. Transport Dreams and Urban Realities&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Is the urban planning process altered due to Olympic requirements? If so how?&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;What role does the IOC play in urban development and the creation of transport legacies?&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Given the IOCs role how can host cities plan for valuable Olympic legacies and aspire not only to host the best Games ever but also retain the best leg...&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Summary of recommendations&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bibliography&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Unpublished sources&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Index&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;ABOUT THE AUTHOR&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;strong&gt;Eva Kassens-Noor&amp;nbsp;&lt;/strong&gt;&lt;/strong&gt;is an assistant professor of Urban and Transport Planning in the School of Planning, Design and Construction (SPDC) holding a joint appointment with the Global Urban Studies Program (GUSP) at &lt;a href=&quot;http://www.msu.edu/&quot; target=&quot;_blank&quot;&gt;Michigan State University&lt;/a&gt;. She is also an adjunct assistant professor in Geography. She received her Diplom-Ingenieur in Business Engineering from the &lt;a href=&quot;http://www.kit.edu/index.php&quot; target=&quot;_blank&quot;&gt;Universit&amp;auml;t Karlsruhe&lt;/a&gt; (TH) in Germany, her MST (Master of Science in Transportation) from the Civil and Engineering Department at MIT, and her Ph.D. from the Department of Urban Studies and Planning at&amp;nbsp;&lt;a href=&quot;http://web.mit.edu/&quot; target=&quot;_blank&quot;&gt;Massachusetts Institute of Technology&lt;/a&gt;.&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Fri, 20 Jul 2012 15:57:32 +0200</pubDate><link>http://www.planum.net/journals-books/planning-olympic-legacies</link><guid>http://www.planum.net/journals-books/planning-olympic-legacies</guid></item><item><title>The Urban Code of China</title><description>&lt;hr/&gt;&lt;p&gt;&lt;br /&gt;&lt;span&gt;When reading the Chinese city, which this book sets out to do, &lt;strong&gt;it is not the well-known cities such as Beijing, Shanghai, and Xi&#039;an that are in the focus of attention, but rather the essentially Chinese of the Chinese city, those characteristics or attributes that are more or less shared by all Chinese cities.&lt;/strong&gt; The spotlight is on their spatial grammar, their syntax, in short: their code. &lt;br /&gt;Only by deciphering their common traits a view to the underlying structure of Chinese cities is opened, and we can begin to reasonably evaluate and classify the diversity of impressions. &lt;br /&gt;&lt;strong&gt;Deciphering the code of the Chinese city also enables the author to &#039;read&#039; new Chinese towns designed by Western architects.&lt;/strong&gt; Thus, readers are provided with valuable insight on China&#039;s booming urbanization and urban development.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
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&lt;p&gt;&lt;br /&gt;&lt;strong&gt;CONTENTS&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;How to read a city?&lt;br /&gt;&lt;br /&gt;Transformations of empty urban spaces&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Pajamas and clotheslines&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Open and public urban places&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Rocks and plants&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Swinging lines and dancing dots&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Closed neighborhoods&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Introverted neighborhood&amp;nbsp;courtyards&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Roof and Iight sculptures&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Branding compound Iifestyles&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Orient meets Occident -&amp;nbsp;hybrid urban quarters&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Open urban space&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Linear centrality or the magic of the Golden Corridor&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Open neighborhood spaces&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Integrated perimeter block strips&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;The neighborhood pedestrian street&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Neighborhood and district center&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;The sutlers of urban growth&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Mediapolis&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Postmodern eclecticism in urban planning and design&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Urban Fictions&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Shanghai&amp;rsquo;s new satellite cities&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Straight out of Germany: Anting New Town&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;European travesties of the Chinase city&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Taiwushi New Town |&amp;nbsp;Thames Town&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Luodian New Town |&amp;nbsp;The Nordic city&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Holland Village in Shenyang: an urban parody&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;The compact city&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Great street - Vertical block&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Shenzhen urban village&#039;s&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;The big city&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;River Jumping&lt;br /&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Hyper-Growth&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;The cinese city as a semiotic system&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Summary&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Appendix&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Annotations&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Bibliography&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Illustrations credits&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ABOUT THE AUTHOR&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Dieter Hassenpflug&lt;/strong&gt; is Professor of urban sociology and social history at the &lt;a href=&quot;http://www.uni-weimar.de/cms/&quot; target=&quot;_blank&quot;&gt;Bauhaus-University Weimar&lt;/a&gt;&amp;nbsp;(discipline architecture) where he is also Director of the &lt;span&gt;Institute of European Urban Studies.&amp;nbsp;&lt;/span&gt;His teaching and research relate to the domain of urban sociology, with special focus on European urban history, the spatial semiology, thematic space production (world of experience, theme-parks, urban fiction) and the Chinese urbanism.&amp;nbsp;&lt;/p&gt;
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Fri, 20 Jul 2012 17:49:49 +0200</pubDate><link>http://www.planum.net/journals-books/the-urban-code-of-china-3</link><guid>http://www.planum.net/journals-books/the-urban-code-of-china-3</guid></item><item><title>Beyond Smart Cities. &lt;br/&gt; How Cities Network, Learn, and Innovate</title><description>&lt;hr/&gt;&lt;p&gt;&lt;strong&gt;&lt;br /&gt;The&amp;nbsp;promise of competitiveness and economic growth in so-called smart cities is widely advertised in Europe and the US&lt;/strong&gt;. The promise is focussed on &lt;strong&gt;global talent and knowledge economies&lt;/strong&gt; &lt;strong&gt;and not on learning and innovation&lt;/strong&gt;. But to really achieve smart cities &amp;ndash; that is to create the conditions of continuous learning and innovation &amp;ndash; this book argues that there is a need to understand what is below the surface and to examine the mechanisms which affect the way cities learn and then connect together.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;This book draws on quantitative and qualitative data with concrete case studies to show how networks already operating in cities are used to foster and strengthen connections in order to achieve breakthroughs in learning and innovation&lt;/strong&gt;. Going beyond smart cities means understanding how cities construct, convert and manipulate relationships that grow in urban environments. Cities discussed in this book &amp;ndash; Amman, Barcelona, Bilbao, Charlotte,Curitiba, Juarez, Portland, Seattle and Turin &amp;ndash; illuminate a blind spot in the literature. Each of these cities has achieved important transformations, and learning has played a key role, one that has been largely ignored in academic circles and practice concerning competitiveness and innovation.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
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&lt;p&gt;&lt;br /&gt;&lt;strong&gt;CONTENTS&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;br /&gt;PART I. The changing place of cities in the urban age&lt;br /&gt;&lt;/strong&gt;1. Overview&lt;br /&gt;2. The slow emergence of learning cities in an urbanizing world&lt;br /&gt;3. Cities as collective learners: what do we know?&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;PART II. Framing a view&lt;br /&gt;&lt;/strong&gt;4. A gamut of learning types&lt;br /&gt;5. Light on a shadow economy: city learning in 53 cities&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;PART III. Crucibles of learning: proactive learner-reformers&lt;br /&gt;&lt;/strong&gt;6. Informal learners&amp;mdash;Turin, Portland and Charlotte&lt;br /&gt;7. Technical learning: Curitiba and city think tanks&lt;br /&gt;8. Corporate styles: Bilbao, Seattle and others&lt;br /&gt;9. Clouds of trust in style&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;PART IV. Secrets of a knowing and accelerating change&lt;br /&gt;&lt;/strong&gt;10. Taking stock: why some cities learn and others do not&lt;br /&gt;11. Turning the learning world upside down&amp;mdash; pathways forward in policy and research&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ABOUT THE AUTHOR&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Tim Campbell&amp;nbsp;&lt;/strong&gt;has worked for more than 35 years in urban development with experience in scores of countries and hundreds of cities in Latin America, South and East Asia, Eastern Europe, and Africa. His areas of expertise include strategic urban planning, city development strategies, decentralization, urban policy, and social and poverty impact of urban development. He is chairman of the&amp;nbsp;&lt;a href=&quot;http://www.urbanage.org/&quot; target=&quot;_blank&quot;&gt;Urban Age Institute&lt;/a&gt;, which fosters leadership and innovation between and among cities in areas of strategic urban planning, urban policy and management, sustainable environmental planning, and poverty reduction.&amp;nbsp;Campbell retired from the &lt;a href=&quot;http://www.worldbank.org/&quot;&gt;World Bank&lt;/a&gt; in December 2005 after more than 17 years working in various capacities in the urban sector.&lt;/p&gt;
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Tue, 10 Jul 2012 10:09:04 +0200</pubDate><link>http://www.planum.net/journals-books/beyond-smart-cities-br-how-cities-network-learn-and-innovate</link><guid>http://www.planum.net/journals-books/beyond-smart-cities-br-how-cities-network-learn-and-innovate</guid></item><item><title>Smart City in Practice &lt;br/&gt; Converting Innovative Ideas into Reality</title><description>&lt;hr/&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;Smart Cities are being discussed all around the world. Information and communication technology is being implemented to contribute to solving current and future social challenges within cities.&lt;/strong&gt; &lt;br /&gt;This book shows how a Smart City was actually developed over five years, as a Public-Private Partnership between Deutsche Telekom and the city of Friedrichshafen. &lt;strong&gt;The aim of the project was to enhance the quality of life of the citizens, to increase the locational advantages for businesses and to raise the level of interconnection in the urban society.&lt;/strong&gt; &lt;br /&gt;The idea was put into practice over a five-year period and was accompanied by social-scientific research. The authors reveal the impact and purpose of the project, which provides a concrete contribution to the worldwide debate about Smart Cities.&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
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&lt;p&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;CONTENTS&lt;/strong&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;ENTER&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Enter Smart Cities&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;DEVELOP&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;Global challenges - cities get smarter&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;Unclear concept - smart what?&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;Various fields of action - a cross-section of smart spheres&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;Practical approaches - projects and rankings&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;Spatial context - integration and new building&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;Participants - the state, cities, and businesses&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;A new start - Germany goes smart&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;Smart City in practice - T-City Friedrichshafen&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ISTALL&lt;/strong&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;Converting ideas into reality -&amp;nbsp;&lt;br /&gt;&amp;nbsp; grand visions and manageable&amp;nbsp;work packages&lt;br /&gt;&lt;span&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;The city of Friedrichshafen -&amp;nbsp;a small city at Lake Constance&lt;br /&gt;&lt;span&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;Deutsche Telekom -&amp;nbsp;a large global corporation&lt;br /&gt;&lt;span&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;Broadband infrastructure -&amp;nbsp;landlines and mobile&amp;nbsp;communications&lt;br /&gt;&lt;span&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;Public Private Partnership -&amp;nbsp;the basic rules of cooperation&lt;br /&gt;&lt;span&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;Projects in practice -&amp;nbsp;solutions for everyday life&lt;br /&gt;&lt;span&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;Complexity - the limits&amp;nbsp;of controllability&lt;br /&gt;&lt;span&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;Idiosyncrasies - unique&amp;nbsp;features of Friedrichshafen&lt;br /&gt;&lt;span&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;Heterogeneity and dynamics -&amp;nbsp;challenges for Deutsche Telekom&lt;br /&gt;&lt;span&gt;&amp;bull;&amp;nbsp;&lt;/span&gt;Public relations -&amp;nbsp;do good and talk about it&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;OPEN&lt;/strong&gt;&lt;em&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/em&gt;&amp;bull;&amp;nbsp;Everyday life - new possibilities&amp;nbsp;and new limitations&amp;nbsp;&lt;br /&gt;&amp;bull;&amp;nbsp;Urban society - the interplay&amp;nbsp;of urbanity and virtuality&lt;br /&gt;&amp;bull;&amp;nbsp;Information and&amp;nbsp;communication - what&amp;rsquo;s new?&amp;nbsp;&lt;br /&gt;&amp;bull;&amp;nbsp;The Digital Divide -&amp;nbsp;gaps are opening up&lt;br /&gt;&amp;bull;&amp;nbsp;Always on - global on location&lt;br /&gt;&amp;bull;&amp;nbsp;Networking - the invisible city&lt;br /&gt;&amp;bull;&amp;nbsp;T-City - what does it have&amp;nbsp;in store for us?&lt;br /&gt;&amp;bull;&amp;nbsp;Participation -&amp;nbsp;a difficult process&lt;br /&gt;&amp;bull;&amp;nbsp;Advantages and usefulness -&amp;nbsp;a matter of perspective&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AVOID CRASH&lt;/strong&gt;&lt;em&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/em&gt;&amp;bull;&amp;nbsp;Avoiding crash -&amp;nbsp;dealing with concerns&lt;br /&gt;&amp;bull;&amp;nbsp;Project partners - differing&amp;nbsp;objectives and cultures&lt;br /&gt;&amp;bull;&amp;nbsp;About trust in the system&amp;nbsp;and concerns - &lt;br /&gt;&amp;nbsp; are the&amp;nbsp;technologies harmless?&amp;nbsp;&lt;br /&gt;&amp;bull;&amp;nbsp;Mobile communications&amp;nbsp;and WLAN - &lt;br /&gt;&amp;nbsp; &amp;ldquo;They are&amp;nbsp;bringing radiation directly&amp;nbsp;into the home &amp;hellip;&amp;rdquo;&amp;nbsp;&lt;br /&gt;&amp;bull;&amp;nbsp;Data protection - &lt;br /&gt;&amp;nbsp; &amp;ldquo;Where did&amp;nbsp;they get my address?&amp;rdquo;&lt;br /&gt;&amp;bull;&amp;nbsp;Data security - &amp;ldquo;Oops! Your&amp;nbsp;data could not be uploaded&amp;rdquo;&amp;nbsp;&lt;br /&gt;&amp;bull;&amp;nbsp;Attitudes towards information&amp;nbsp;and communication technology -&amp;nbsp;&lt;br /&gt;&amp;nbsp; taking concerns seriously&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;UPDATE&lt;/strong&gt;&lt;em&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/em&gt;&amp;bull;&amp;nbsp;Taking chances - learning from&amp;nbsp;experience&lt;br /&gt;&amp;bull;&amp;nbsp;In a nutshell - summary&lt;br /&gt;&amp;bull;&amp;nbsp;Finding balance - &lt;br /&gt;&amp;nbsp; considering&amp;nbsp;the local context and adapting&amp;nbsp;to the world&amp;nbsp;&lt;br /&gt;&amp;bull;&amp;nbsp;Visions and individual projects - both are needed&lt;br /&gt;&amp;bull;&amp;nbsp;Innovations through PPP - &lt;br /&gt;&amp;nbsp; using what is familiar and&amp;nbsp;making changes possible&lt;br /&gt;&amp;bull;&amp;nbsp;Focusing on concrete&amp;nbsp;applications - &lt;br /&gt;&amp;nbsp; necessary for&amp;nbsp;fostering enthusiasm&amp;nbsp;&lt;br /&gt;&amp;bull;&amp;nbsp;In conclusion&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;APPENDIX&lt;/strong&gt;&lt;em&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/em&gt;Glossary&lt;br /&gt;Literature&lt;br /&gt;Picture credits&lt;br /&gt;Acknowledgements&lt;br /&gt;Imprint&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CONTRIBUTING AUTHORS (Among others)&lt;/strong&gt; &lt;br /&gt;Citizens become pioneers &lt;br /&gt;by&amp;nbsp;&lt;em&gt;Ren&amp;eacute; Obermann&lt;strong&gt;&amp;nbsp;&lt;br /&gt;&lt;/strong&gt;&lt;/em&gt;T-City Futurists sum up&amp;nbsp;their experiences &lt;br /&gt;by&amp;nbsp;&lt;em&gt;Hans-Joachim Bachmann&lt;/em&gt;&amp;nbsp;&lt;br /&gt;Smart Meters -&amp;nbsp;a new contribution to&amp;nbsp;saving electricity &lt;br /&gt;by&amp;nbsp;&lt;em&gt;&lt;em&gt;Sebastian G&amp;ouml;lz&lt;br /&gt;&lt;/em&gt;&lt;/em&gt;Urbanity 2.0 &lt;br /&gt;About the&amp;nbsp;development of the urban in&amp;nbsp;the age of increasing virtuality &lt;br /&gt;by&amp;nbsp;&lt;em&gt;&lt;em&gt;Stefan Schmitz&lt;br /&gt;&lt;/em&gt;&lt;/em&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;em&gt;&lt;em&gt;&lt;/em&gt;&lt;/em&gt;&lt;em&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;/em&gt;&lt;/p&gt;</description><pubDate>Fri, 22 Jun 2012 15:06:58 +0200</pubDate><link>http://www.planum.net/journals-books/smart-city-in-practice-converting-innovative-ideas-into-reality</link><guid>http://www.planum.net/journals-books/smart-city-in-practice-converting-innovative-ideas-into-reality</guid></item><item><title>On mobility 2 &lt;/br&gt; Riconcettualizzazioni della mobilità &lt;/br&gt; nella città diffusa</title><description>&lt;hr/&gt;&lt;p&gt;&lt;span&gt;Questo libro racconta una ricerca che ha per oggetto il territorio della citt&amp;agrave; diffusa in Veneto, investito oggi da una serie di interventi di trasformazione dell&#039;infrastruttura stradale. A partire dall&#039;illustrazione di queste trasformazioni il volume avanza un insieme di ipotesi interpretative della situazione esistente, del sistema infrastrutturale, delle sue probabili evoluzioni e del carattere dei progetti che dovrebbero investirlo. &lt;strong&gt;Riconsiderando i modi di intervento e razionalizzazione, questo libro mostra una nuova e radicale riconcettualizzazione delle principali questioni delle infrastrutture per la mobilit&amp;agrave; e dell&#039;impatto sul territorio abitato, proponendo come necessaria una riflessione sulle politiche infrastrutturali della regione Veneto e del nostro Paese.&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;Partendo da una ricerca finanziata dal Ministero dell&#039;Istruzione, dell&#039;Universit&amp;agrave; e della Ricerca conclusasi con la pubblicazione del volume: &lt;em&gt;On mobility. Infrastrutture per la mobilit&amp;agrave; e costruzione del territorio metropolitano: linee guida per il progetto integrato (&lt;/em&gt;a cura di B. Secchi, Venezia 2010)&lt;em&gt;,&lt;/em&gt; i&amp;nbsp;ricercatori dell&#039;Universit&amp;agrave; Iuav di Venezia hanno approfondito, dettagliato e sviluppato diversi aspetti del tema precedentemente indagato. &lt;strong&gt;&lt;em&gt;On mobility 2&lt;/em&gt; presenta tali sviluppi che consentono di avanzare un insieme di ipotesi interpretative della situazione veneta, del suo sistema infrastrutturale, delle sue probabili evoluzioni e del carattere dei progetti che dovrebbero investirlo. &lt;br /&gt;&lt;/strong&gt;Il libro si compone di quattro parti, ciascuna esito del lavoro di uno dei gruppi di ricerca, a loro volta attraversate da alcune microstorie raccontate in forma di schede. Ad esse &amp;egrave; affidato il compito di ricostruire il percorso, spesso lungo e complesso, della realizzazione di alcuni progetti infrastrutturali, realizzazione che sta producendo e produrr&amp;agrave; importanti e profonde trasformazioni del territorio veneto.&lt;br /&gt;&lt;em&gt;Premessa, by Lorenzo Fabian e Paola Pellegrini&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;/p&gt;
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&lt;p&gt;&lt;strong&gt;&lt;br /&gt;CONTENTS&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Premessa&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;&lt;em&gt;Lorenzo Fabian e Paola Pellegrini&lt;br /&gt;&lt;/em&gt;&lt;/em&gt;&lt;strong&gt;Infrastrutture per la mobilit&amp;agrave; e la costruzione del territorio metropolitano. Le ragioni di una ricerca&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;UNA RICONCETTUALIZZAZIONE DEL SISTEMA STRADALE VENETO: TUBI E SPUGNE&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&amp;bull; Acqua e asfalto. Il progetto dell&#039;isotropia&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Bernardo Secchi, Paola Vigan&amp;ograve;&amp;nbsp;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull; microstoria, Il Passante di Mestre&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Stefania Catinella&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull; Tubi e spugne 1. Il progetto implicito di costruzione dell&#039;area centrale veneta&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Paola Pellegrini&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull; microstoria, La Pedemontana veneta&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Luca Velo&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull; Tubi e spugne 2. Mappe e modelli della rete della mobilit&amp;agrave;&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Lorenzo Fabian&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull; microstoria, Nuova Strada del Santo o Strada regionale 308&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Cristina Favotto&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull; Tubi e spugne 3. Scenari&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Paola Vigan&amp;ograve;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;NUOVE STRADE E PROCESSI DI GERARCHIZZAZIONE INTORNO ALLA CITTA&#039; DI VENEZIA&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&amp;bull; Allontanamenti e sconnessioni: processi di gerarchizzazione delle infrastrutture e di specializzazione degli usi del suolo nel territorio veneziano&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Maria Chiara Tosi&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull; microstoria, Il &quot;nodo di Dolo&quot; e le ipotesi per Veneto City&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Monica Bosio&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull; Confinamenti di strade e canali&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Margherita Vanore&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull; microstoria, L&#039;idrovia da Padova e Venezia&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Margherita Vanore&amp;nbsp;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&lt;strong&gt;&amp;bull; &lt;/strong&gt;Gestioni: la complassit&amp;agrave; del territorio veneziano tra stratificazione di competenze e sistema i vincoli&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Monica Bosio&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull; microstoria, La &quot;Biforcazione delle due Romee&quot; in area metropolitana veneziana: il nodo di Dolo e l&#039;accesso a Marghera&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Monica Bosio&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull; Intersezioni, raccordi e snodi: prove di semplificazione&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Stefano Rocchetto&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull; microstoria, Vallone Moranzani&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Stefano Rocchetto&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull; La minima occupazione di suolo. Integrazione, sovrapposizione, economia del territorio nel progetto delle infrastrutture stradali&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Bernardo De Sola Susperregi in collaborazione con Angela Gori&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull; Workshop Paesaggi della mobilit&amp;agrave;&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Stefano Rocchetto&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;INFRASTRUTTURE E PAESAGGI CULTURALI&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&amp;bull; Infrastrutture e paesaggi culturali: la ss 309 Romea nuova strada turistica&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Serena Maffioletti, Roberto Sordina, Marialuisa Dus&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;LE CONDIZIONI DI PRODUZIONE DEL PROGETTO. LA NORMATIVA PER LA COSTRUZIONE DELLE STRADE&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&amp;bull; Per una ricerca di progettazione&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Carlo Magnani&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull; Il ruolo della normativa nella costruzione delle strade in Italia&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Moria Morsut&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;&amp;bull; Rilevanza della normativa tecnica sugli esiti fisici del processo di realizzazione delle infrastrutture stradali&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Traudy Pelzel&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;ABOUT THE EDITORS:&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Lorenzo Fabian&lt;/strong&gt; si occupa di urbanistica e progettazione del territorio. Ha svolto e svolge la propria attivit&amp;agrave; di ricerca presso l&#039;&lt;a href=&quot;http://www.iuav.it&quot; target=&quot;_blank&quot;&gt;Universit&amp;agrave; Iuav di Venezia&lt;/a&gt; e presso il &lt;a href=&quot;http://www.diap.polimi.it&quot; target=&quot;_blank&quot;&gt;Dipartimento di Architettura e Pianificazione&lt;/a&gt; del &lt;a href=&quot;http://www.polimi.it&quot; target=&quot;_blank&quot;&gt;Politecnico di Milano&lt;/a&gt;. Insegna Progettazione Urbanistica allo Iuav, Comunicazione dell&#039;urbanistica e Analisi della citt&amp;agrave; e del territorio alla Facolt&amp;agrave; di Architettura e Societ&amp;agrave; del Politecnico di Milano. E&#039; autore di saggi e pubblicazioni aventi per oggetto la trasformazione dei territori contemporanei e gli strumenti del suo progetto.&lt;br /&gt;&lt;strong&gt;Paola Pellegrini&lt;/strong&gt;, architetto e dottore di ricerca in Urbanistica, svolge attivit&amp;agrave; professionale e di ricerca in merito alla progettaizione urbana e territoriale esplorando le possibilit&amp;agrave; di definizione di &lt;em&gt;visions,&amp;nbsp;&lt;/em&gt;scenari, politiche di &lt;em&gt;smart growth;&amp;nbsp;&lt;/em&gt;ha pubblicato gli esiti di questi studi e progetti in alcuni saggi e volumi. Insegna teorie dell&#039;urbanistica e progettazione urbanistica presso l&#039;&lt;a href=&quot;http://www.iuav.it&quot; target=&quot;_blank&quot;&gt;Universit&amp;agrave; Iuav di Venezia&lt;/a&gt;, &lt;em&gt;&lt;a href=&quot;http://www.emurbanism.eu/&quot; target=&quot;_blank&quot;&gt;European postgraduate Master in Urbanism&lt;/a&gt;,&amp;nbsp;&lt;/em&gt;e l&#039;&lt;a href=&quot;http://www.uniud.it/&quot; target=&quot;_blank&quot;&gt;Universit&amp;agrave; degli Studi di Udine&lt;/a&gt;, &lt;a href=&quot;http://dica.uniud.it/&quot; target=&quot;_blank&quot;&gt;Dipartimento di Ingegneria e Architettura&lt;/a&gt;.&lt;/p&gt;
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Tue, 29 May 2012 16:06:45 +0200</pubDate><link>http://www.planum.net/journals-books/on-mobility-2-riconcettualizzazioni-della-mobilita</link><guid>http://www.planum.net/journals-books/on-mobility-2-riconcettualizzazioni-della-mobilita</guid></item><item><title>Apocalypse Town &lt;br/&gt; Cronache dalla fine della civiltà urbana</title><description>&lt;hr/&gt;&lt;p&gt;&lt;span&gt;&lt;br /&gt;Dalle praterie urbane di Youngstown, dove l&#039;amministrazione comunale si &amp;egrave; ormai ridotta a pianificare con zelo l&#039;autodistruzione della citt&amp;agrave;, all&#039;industria del riciclo e della decostruzione di Buffalo, in cui attivisti visionari smontano con dovizia e con amore ci&amp;ograve; che resta della citt&amp;agrave;; dai deserti alimentari di Detroit e Philadelphia, dove sono scomparsi negozi e supermercati e gli abitanti si organizzano con geniali intraprese agricole, agli esperimenti di Cleveland dove fra le macerie della citt&amp;agrave; sta prendendo forma un nuovo paesaggio de-urbanizzato. &lt;br /&gt;Alessandro Coppola racconta territori e popolazioni di un&#039;America che non conosciamo, storie di persone che inventano nuovi modi di vita, perch&amp;eacute; da quelle parti sono in molti &lt;strong&gt;&amp;laquo;a credere che il trovarsi ai margini dei grandi flussi dell&#039;economia globale non sia pi&amp;ugrave; il problema da risolvere, ma la grande occasione da non sprecare&amp;raquo;&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
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&lt;p&gt;&lt;span&gt;&lt;br /&gt;&lt;strong&gt;CONTENTS&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Introduzione&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;I.&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;strong&gt;L&amp;rsquo;agonia della citt&amp;agrave; giovane&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Una bizzarra campagna&lt;br /&gt;&amp;bull;&amp;nbsp;Una civilt&amp;agrave; splendente di acciaio&lt;br /&gt;&amp;bull;&amp;nbsp;Il benessere sgretola&lt;br /&gt;&amp;bull;&amp;nbsp;I tanti &amp;laquo;luned&amp;igrave; neri&amp;raquo; di Youngstown&lt;br /&gt;&amp;bull;&amp;nbsp;&amp;laquo;Murder Capital&amp;raquo;&lt;br /&gt;&amp;bull;&amp;nbsp;La citt&amp;agrave; infetta il&amp;nbsp;suburbio&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;II. L&amp;rsquo;assassinio delle citt&amp;agrave;&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Primo movimento: dalla Rust Belt alla Sun Belt&lt;br /&gt;&amp;bull;&amp;nbsp;Secondo movimento: dall&amp;rsquo;Inner City al&amp;nbsp;suburbio&lt;br /&gt;&amp;bull;&amp;nbsp;L&amp;rsquo;&amp;laquo;hard-core&amp;raquo; del declino&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;III. Eutanasia o resurrezione?&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Lotta di classe a Idora Park&lt;br /&gt;&amp;bull;&amp;nbsp;La nuova frontiera, urbana&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;IV.&amp;nbsp;La citt&amp;agrave; che ricicl&amp;ograve; se stessa&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Distruggere con amore, cura e minuzia&lt;br /&gt;&amp;bull;&amp;nbsp;Fare di Buffalo la capitale americana della decostruzione&lt;br /&gt;&amp;bull;&amp;nbsp;Se la decostruzione diventasse&amp;nbsp;una vera industria&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;V. Combattere lo &amp;laquo;shrinkage&amp;raquo;&lt;br /&gt;&lt;/strong&gt;&amp;bull;&amp;nbsp;Un vertiginoso ammontare di dolore&lt;br /&gt;&amp;bull;&amp;nbsp;Decenni di terapie fallimentari&lt;br /&gt;&amp;bull;&amp;nbsp;Utopie liberiste&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;VI. Il ghetto ha fame, anzi mangia male&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Il mercato tassa l&amp;rsquo;&amp;laquo;underclass&amp;raquo;&lt;br /&gt;&amp;bull;&amp;nbsp;Dopo&amp;nbsp;le banche fuggono anche i supermercati&lt;br /&gt;&amp;bull;&amp;nbsp;L&amp;rsquo;industria della grande distribuzione snobba&amp;nbsp;i ghetti&lt;br /&gt;&amp;bull;&amp;nbsp;Il ghetto ha fame. Anzi mangia male, e paga molto&lt;br /&gt;&amp;bull;&amp;nbsp;Come sfamare il&amp;nbsp;ghetto?&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;VII. La rinascita dell&amp;rsquo;agricoltura urbana&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;Orti fra le rovine&lt;br /&gt;&amp;bull;&amp;nbsp;Prima gli incendi, poi le fattorie&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;VIII. Un nuovo metabolismo urbano&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;L&amp;rsquo;irresistibile ascesa del locavorismo&lt;br /&gt;&amp;bull;&amp;nbsp;Il &amp;laquo;buy local&amp;raquo; nutre l&amp;rsquo;agricoltura urbana&lt;br /&gt;&amp;bull;&amp;nbsp;Il mito di citt&amp;agrave; autosufficienti&lt;br /&gt;&amp;bull;&amp;nbsp;Un nuovo&amp;nbsp;metabolismo urbano&lt;br /&gt;&amp;bull;&amp;nbsp;Metabolismi perfetti (e avveniristici)&lt;br /&gt;&amp;bull;&amp;nbsp;Sforzi molecolari&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;IX. Da un&amp;rsquo;utopia all&amp;rsquo;altra&lt;/strong&gt;&lt;br /&gt;&amp;bull;&amp;nbsp;I conti salati dello &amp;laquo;shrinkage&amp;raquo;&lt;br /&gt;&amp;bull;&amp;nbsp;Rarefare la citt&amp;agrave;&lt;br /&gt;&amp;bull;&amp;nbsp;Berlino, 1977&lt;br /&gt;&amp;bull;&amp;nbsp;Detroit,&amp;nbsp;citt&amp;agrave;-arcipelago&lt;br /&gt;&amp;bull;&amp;nbsp;Rarefare &amp;egrave; pi&amp;ugrave; facile che&amp;nbsp;addensare&lt;br /&gt;&amp;bull;&amp;nbsp;La &amp;laquo;shrinkage culture&amp;raquo; e i&amp;nbsp;suoi pionieri&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Note&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Indice dei nomi&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Indice dei luoghi&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ABOUT THE AUTHOR&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Alessandro Coppola&amp;nbsp;&lt;/strong&gt;svolge attivit&amp;agrave; di ricerca presso il &lt;a href=&quot;http://www.diap.polimi.it/&quot; target=&quot;_blank&quot;&gt;Dipartimento di Architettura e Pianificazione&lt;/a&gt;&amp;nbsp;del Politecnico di Milano, dove insegna presso la Scuola di Architettura e Societ&amp;agrave;. &amp;Egrave; stato International Fellow in Urban Studies presso la &lt;a href=&quot;http://www.jhu.edu/&quot; target=&quot;_blank&quot;&gt;Johns Hopkins University&lt;/a&gt; di Baltimora. Oltre che per riviste scientifiche e disciplinari, ha scritto per &quot;Il Manifesto&quot;, &quot;l&#039;Unit&amp;agrave;&quot;, &quot;Aspenia&quot;, &quot;Rassegna Sindacale&quot; e &quot;Lo Straniero&quot;.&lt;/p&gt;
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Tue, 10 Jul 2012 11:09:08 +0200</pubDate><link>http://www.planum.net/journals-books/apocalypse-town</link><guid>http://www.planum.net/journals-books/apocalypse-town</guid></item><item><title>Progetto urbanistico e risorse scarse. &lt;br/&gt; Il Piano di Governo del Territorio &lt;br/&gt; di Cernusco sul Naviglio</title><description>&lt;hr/&gt;&lt;p&gt;&lt;span&gt;Gli effetti diretti della crisi economica globale sulla vita delle citt&amp;agrave; hanno modificato profondamente le condizioni del progetto urbanistico, incidendo sia sulla prassi amministrativa che sulle consuetudini tecniche pi&amp;ugrave; consolidate.&lt;strong&gt; Eppure queste nuove condizioni rendono il progetto per la citt&amp;agrave; non solo ancora possibile, quanto profondamente necessario. &lt;/strong&gt;&lt;br /&gt;La prima essenziale responsabilit&amp;agrave; del progetto consiste nel riconoscimento selettivo delle risorse esistenti, nella valutazione della loro disponibilit&amp;agrave; al cambiamento e adattamento e ad essere trattate come elementi centrali di riorganizzazione e di ricomposizione della citt&amp;agrave;.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;L&#039;esperienza del Piano di Governo del Territorio del Comune di Cernusco sul Naviglio, restituita dagli autori attraverso i principali passaggi tecnici, racconta di come in questa prospettiva, il progetto urbanistico abbia interpretato la scarsit&amp;agrave; di risorse come un&#039;occasione per riorientare le scelte politiche e amministrative,&lt;/strong&gt; per governare il cambiamento con realismo senza rinunciare ad una visione strategica d&#039;insieme della citt&amp;agrave;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
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&lt;p&gt;&lt;span&gt;&lt;br /&gt;&lt;strong&gt;C&lt;/strong&gt;&lt;/span&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;&lt;strong&gt;ONTENTS&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;PREMESSA&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;&lt;strong&gt;Fare urbanistica in tempi di crisi&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;&lt;strong&gt;PARTE 1. ESPERIENZA E PROGETTO&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;&lt;strong&gt;Piano di Governo del Territorio: una sperimentazione necessaria&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;&lt;strong&gt;Progettare in regime di risorse scarse&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Cernusco sul Naviglio: una citt&amp;agrave; straordinariamente normale&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Il passato come scenario strategico&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Il futuro, l&amp;rsquo;incertezza e la necessit&amp;agrave; del Piano&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;Approfondimenti&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;&lt;strong&gt;Box 1.&lt;/strong&gt;&lt;/strong&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;nbsp;Infrastrutture e mobilit&amp;agrave;: domanda, offerta e temi critici&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;Box 2.&lt;/strong&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;nbsp;La pianificazione sovracomunale&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;Box 3.&lt;/strong&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;nbsp;Offerta residua&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;Box 4.&lt;/strong&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;nbsp;Consumo di suolo&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;Box 5.&lt;/strong&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;nbsp;Processi di ascolto e progetto di politiche nel PGT di Cernusco&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;La costruzione del Piano&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Formazione dell&amp;rsquo;ufficio di Piano&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Indagini preliminari sullo stato della pianificazione&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Comunicazione e redazione&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Impostazione unitaria del Piano&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Informazioni e immagini del territorio&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Popolazioni residenti e in movimento&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Indagini sulla qualit&amp;agrave; della citt&amp;agrave; fisica&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Disciplina della citt&amp;agrave; consolidata&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Partizione del territorio e unitariet&amp;agrave; del disegno&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Compensazione e perequazione&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Approvazione e perfezionamento del Piano&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;PARTE 2.&amp;nbsp;MATERIALI&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;&lt;strong&gt;Documento di Piano&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;I temi strategici&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Il disegno d&amp;rsquo;insieme del Documento di Piano: 7 progetti per la citt&amp;agrave;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Il parco storico monumentale della Martesana&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Il parco sovracomunale delle Cave&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Il centro cittadino&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;La citt&amp;agrave; delle imprese&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;La ricomposizione della citt&amp;agrave; consolidata&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;La citt&amp;agrave; dello sport e delle associazioni&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Gli orti di Cernusco&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;&lt;strong&gt;Piano dei Servizi&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Il disegno d&amp;rsquo;insieme del Piano dei Servizi&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;I temi&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Le azioni e le regole&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull;&amp;nbsp;Gestione e sostenibilit&amp;agrave; del Piano&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;Piano delle Regole&lt;br /&gt;&lt;/strong&gt;&lt;span style=&quot;text-align: left;&quot;&gt;Il disegno e la disciplina del Piano delle Regole&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;Disposizioni del Piano&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;&lt;strong&gt;PARTE 3.&amp;nbsp;CONTRIBUTI&lt;br /&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull; Scelte tecniche, decisioni politiche, domanda della societ&amp;agrave;: &lt;br /&gt;una&amp;nbsp;discussione con la Giunta comunale&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;text-align: left;&quot;&gt;di G. Alberio e C. Calvaresi&lt;br /&gt;&lt;/em&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull; Infrastrutture e mobilit&amp;agrave;&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;text-align: left;&quot;&gt;di P. Malgeri&lt;br /&gt;&lt;/em&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;Box 6.&lt;/strong&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;nbsp;Mobilit&amp;agrave;: uno scenario in evoluzione&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;Box 7.&lt;/strong&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;nbsp;Interventi alla scala sovracomunale&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;Box 8.&lt;/strong&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;nbsp;Scenario di progetto&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;bull; Due passi avanti, uno indietro. &lt;br /&gt;La valutazione ambientale strategica,opportunit&amp;agrave; o esercitazione?&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;em style=&quot;text-align: left;&quot;&gt;di P. Pileri&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;ABOUT THE AUTHORS&lt;br /&gt;&lt;/strong&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;&lt;strong&gt;Antonio Longo&amp;nbsp;&lt;/strong&gt;&lt;/strong&gt;&lt;span style=&quot;text-align: left;&quot;&gt;(Milano 1966), architetto, &amp;egrave; ricercatore di progettazione urbanistica e territoriale presso il&amp;nbsp;&lt;/span&gt;&lt;a style=&quot;text-align: left;&quot; href=&quot;http://www.diap.polimi.it/&quot; target=&quot;_blank&quot;&gt;Dipartimento di Architettura e Pianificazione&lt;/a&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;nbsp;del Politecnico di Milano, dove &amp;egrave; docente presso la&amp;nbsp;&lt;/span&gt;&lt;a style=&quot;text-align: left;&quot; href=&quot;http://www.arch.polimi.it/&quot; target=&quot;_blank&quot;&gt;Scuola di Architettura e Societ&amp;agrave;&lt;/a&gt;&lt;span style=&quot;text-align: left;&quot;&gt;. I suoi interessi di ricerca sono centrati in particolare sul disegno urbanistico, sul progetto degli spazi aperti e del paesaggio, sull&#039;innovazione delle forme del progetto.&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;strong style=&quot;text-align: left;&quot;&gt;Alessandro Al&amp;igrave;&lt;/strong&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&amp;nbsp;(Catanzaro 1968), architetto, svolge ativit&amp;agrave; di progettazione urbanistica e architettonica a Milano, occupandosi in particolare di piani comunali, progetti di paesaggio e infrastrutture. Ha collaborato alla progettazione&amp;nbsp;dei piani di Bergamo e Venezia e ha sviluppato numerosi progetti urbanistici per piccole e medie citt&amp;agrave; italiane.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p style=&quot;text-align: left;&quot;&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Fri, 16 Mar 2012 15:06:33 +0100</pubDate><link>http://www.planum.net/journals-books/progetto-urbanistico-e-risorse-scarse</link><guid>http://www.planum.net/journals-books/progetto-urbanistico-e-risorse-scarse</guid></item><item><title>Urban Ecological Design. &lt;/br&gt; A Process for Regenerative Places</title><description>&lt;hr/&gt;&lt;p&gt;Urban Ecological Design presents an interdisciplinary method of transforming urban spaces that considers issues of ecology and sustainability alongside urban form. Rather than offer a prescriptive approach, the authors describe a &quot;process model&quot; that has been developed and tested over time. They illustrate the different stages of the desing process using theories, techniques, images, and case studies that will inform any urban design project.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&quot;As the purposes of the book we seek not to define the field of urban design but, rather, to present an interdisciplinary process. Our goal is not to explain how to design a specific city precinct of public space but to describe steps to help transfom these spaces into inviting and sustainable urban places. We propose a process for urban design called the not-only-one-solution process.&quot;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;em&gt;From the book&#039;s Introduction&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&quot;In this landmark book, Palazzo and Steiner outline a straighforward process for incorporating urban ecology into the design of cities, towns, and regions. They represent clear principles and practices that the next generation of urban designers can use to build greener, more livable cities and regions.&quot;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;An advance praise from Robert D. Yaro, President, Regional Plan Association, and Professor of Practice, University of Pennsylvania.&amp;nbsp;&lt;br /&gt;&amp;nbsp;&lt;/em&gt;&lt;/p&gt;
&lt;div&gt;&lt;object style=&quot;width: 450px; height: 265px;&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://static.issuu.com/webembed/viewers/style1/v1/IssuuViewer.swf?mode=embed&amp;amp;layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Flight%2Flayout.xml&amp;amp;showFlipBtn=true&amp;amp;documentId=120615140603-eb2a1721910f459c9f6e2093b652f7d2&amp;amp;docName=urban_ecological_design._a_process_for_regenerativ&amp;amp;username=Planumnet&amp;amp;loadingInfoText=Urban%20Ecological%20Design.%20A%20Process%20for%20Regenerative%20Places&amp;amp;et=1339769628220&amp;amp;er=73&quot; /&gt;&lt;param name=&quot;allowfullscreen&quot; value=&quot;true&quot; /&gt;&lt;param name=&quot;menu&quot; value=&quot;false&quot; /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;CONTENTS&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&amp;bull;&amp;nbsp;List of Illustrations&lt;br /&gt;&amp;bull;&amp;nbsp;Acknowledgments&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Foreword&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Barbara Faga, Executive Vice President, AECOM&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Introduction&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;1. &lt;/strong&gt;Processes&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;2. &lt;/strong&gt;Prerequisites&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;3. &lt;/strong&gt;Knowledge&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;4. &lt;/strong&gt;Synthesis&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;5. &lt;/strong&gt;Options&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;6. &lt;/strong&gt;Dialogues&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;7.&lt;/strong&gt; Master Plan&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;8. &lt;/strong&gt;Presentation&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;9. &lt;/strong&gt;Details&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;10. &lt;/strong&gt;Implementation&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;11. &lt;/strong&gt;Conclusion&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&amp;bull;&amp;nbsp;Bibliography&lt;br /&gt;&amp;bull;&amp;nbsp;Index&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;ABOUT THE AUTHORS:&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Danilo Palazzo&lt;/strong&gt;&amp;nbsp;&lt;span&gt;is Associate Professor of Urban Planning and Design at the Politecnico di Milano, Italy. His books include&amp;nbsp;&lt;/span&gt;&lt;em&gt;Sulle spalle dei giganti&lt;/em&gt;&lt;span&gt;&amp;nbsp;(Franco Angeli, 1997),&amp;nbsp;&lt;/span&gt;&lt;em&gt;Transforming the Places of Production&lt;/em&gt;&lt;span&gt;&amp;nbsp;(Olivares, 2002 with Fossa, Lane, Pirani),&amp;nbsp;&lt;/span&gt;&lt;em&gt;Urban Design&lt;/em&gt;&lt;span&gt;&amp;nbsp;(Mondadori Universit&amp;agrave;, 2008). He recently wrote an essay for the&amp;nbsp;&lt;/span&gt;&lt;em&gt;Companion to Urban Design&lt;/em&gt;&lt;span&gt;&amp;nbsp;(Routledge, 2010).&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;Frederick R.Steiner&lt;/strong&gt;&amp;nbsp;&lt;span&gt;is the dean of the School of Architecture and Henry M. Rockwell Chair in Architecture, The University of Texas at Austin. He has worked with local, state, and federal agencies on diverse environmental plans and designs.&amp;nbsp;&lt;span&gt;Steiner has published numerous articles and books. His most recent books include&amp;nbsp;&lt;/span&gt;&lt;em&gt;Design for a Vulnerable Planet&lt;/em&gt;&lt;span&gt;&amp;nbsp;(2011),&amp;nbsp;&lt;/span&gt;&lt;em&gt;Planning and Urban Design Standards&lt;/em&gt;&lt;span&gt;&amp;nbsp;(Student Edition with Kent Butler, 2007),&amp;nbsp;&lt;/span&gt;&lt;em&gt;The Essential Ian McHarg: Writings on Design and Nature&lt;/em&gt;&lt;span&gt;&amp;nbsp;(2006), and&amp;nbsp;&lt;/span&gt;&lt;em&gt;Human Ecology: Following Nature&amp;rsquo;s Lead&lt;/em&gt;&lt;span&gt;&amp;nbsp;(2002).&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/div&gt;</description><pubDate>Tue, 29 May 2012 15:00:28 +0200</pubDate><link>http://www.planum.net/journals-books/urban-ecological-design-a-process-for-regenerative-places</link><guid>http://www.planum.net/journals-books/urban-ecological-design-a-process-for-regenerative-places</guid></item><item><title>Changing Places. &lt;br/&gt; Urbanity, Citizenship &amp; Ideology &lt;br/&gt; in New European Neighbourhoods</title><description>&lt;hr/&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;This book investigates the process of change in some European&amp;nbsp;neighbourhoods, either newly and purposely built, or redeveloped from ashes. The book tries to offer evidence of many varied and complex paths of change, far from the mainstream simplified models of general urban evolution.&lt;/strong&gt;&amp;nbsp;&amp;nbsp;The piecemeal production of new additions to cities, as well as the process of incrementally reconverting old places and urban segments, we argue, proceeds in fact on twin tracts: structural change and internal evolution, therefore discourses and combined practices are to be considered together.&amp;nbsp;&lt;span&gt;&lt;strong&gt;&amp;ldquo;Changing places&amp;rdquo; is composed of a series of different case studies, all investigating the change of European neighbourhoods in the last twenty year.&lt;/strong&gt;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;All the cases investigate places in a process of consistent transformation. The rate and nature of change, however, is diverse. &lt;strong&gt;The book focuses upon local change, while most of city transformations are due to non-local reasons&lt;/strong&gt;. &lt;strong&gt;As is well-known, the restructuring of the economy has hit cities sparingly. Some cities are on privileged&lt;/strong&gt; ground because of size and political weight, and have been able to develop independent development policies, often supported by ambitious strategic visions. Through overwhelming rhetoric, urban &amp;ldquo;visions&amp;rdquo; have lately gained influence on public opinion and policy making.&lt;/span&gt;&amp;nbsp;&lt;br /&gt;&lt;strong&gt;This collection of case studies questions the nature of urban rhetoric, and explores individual neighbourhoods through rich, &amp;ldquo;thick&amp;rdquo; descriptions of their present situation and their development story.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;strong&gt;CONTENTS&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Introduction&lt;/span&gt;&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Marco Cremaschi and Frank Eckardt&amp;nbsp;&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;New neighbourhoods, places of Europe&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Marco Cremaschi, Frank Eckardt&amp;nbsp;&lt;/em&gt;&lt;strong&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;span&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Envisioned and manufactured landscapes in&amp;nbsp;&lt;/span&gt;&lt;em&gt;Marseille&lt;/em&gt;&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Heidi Bergsli&amp;nbsp;&lt;/em&gt;&lt;strong&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;span&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;Evolving urban citizenship and the erosion of public space in&amp;nbsp;&lt;/span&gt;&lt;em&gt;Ponte di Nona&lt;/em&gt;&lt;span&gt;, Rome&lt;/span&gt;&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Sandra Annunziata&lt;/em&gt;&lt;strong&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;The&amp;nbsp;&lt;em&gt;&amp;Oslash;restad&lt;/em&gt;&amp;nbsp;beyond what an eye captures: an existentialist enquiry into the being and becoming of new neighbourhoods&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Ivana Trkulja&lt;/em&gt;&lt;strong&gt;&amp;nbsp;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;&lt;/strong&gt;Spatial tactics: a study of everyday uses in the&amp;nbsp;&lt;em&gt;Parque&amp;nbsp;&lt;/em&gt;&lt;em&gt;das&amp;nbsp;&lt;/em&gt;&lt;em&gt;Na&amp;ccedil;&amp;otilde;es&amp;nbsp;&lt;/em&gt;in Lisbon&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Patricia Sim&amp;otilde;es Aelbrecht&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;&lt;/strong&gt;Re/En/living history,&amp;nbsp;&lt;em&gt;Copenhagen&lt;/em&gt;&amp;rsquo;s memory of modernism&amp;nbsp;&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Signe S. B&amp;oslash;ggild and Marie B. Yde&lt;/em&gt;&lt;strong&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;&lt;/strong&gt;The regeneration of inner city neighbourhoods and the role of cultural industries of&amp;nbsp;&lt;em&gt;Psiri&lt;/em&gt;&amp;nbsp;in Athens&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Nicholas Karachalis &amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;&lt;/strong&gt;Changing Frankfurt:&amp;nbsp;&lt;em&gt;Niederrad&lt;/em&gt;&amp;nbsp;at the gates of globalisation&amp;nbsp;&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Frank Eckardt and Jano&amp;scaron; Klocke&amp;nbsp;&lt;/em&gt;&lt;strong&gt;&amp;nbsp;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;&lt;/strong&gt;Neighbourhoods in transition: the case of&amp;nbsp;&lt;em&gt;Bielany&lt;/em&gt;&amp;nbsp;in Warsaw&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Magdalena G&amp;oacute;rzynska&amp;nbsp;&lt;/em&gt;&lt;strong&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;&lt;/strong&gt;Insurgent public sphere in illegal settlements:&amp;nbsp;&lt;em&gt;Afragola&amp;nbsp;&lt;/em&gt;in Naples metro-region&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Daniela De Leo&lt;/em&gt;&lt;strong&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;strong&gt;&lt;strong&gt;&amp;bull;&amp;nbsp;&lt;/strong&gt;&lt;/strong&gt;Conclusion: exploring urban change&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Marco Cremaschi, Frank Eckardt&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Contributors&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Index&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;ABOUT THE EDITOR:&lt;/strong&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Marco Cremaschi,&amp;nbsp;&lt;/strong&gt;Associate Professor of Urban Policies at the&amp;nbsp;&lt;a href=&quot;http://www.uniroma3.it/&quot; target=&quot;_blank&quot;&gt;Roma Tre University&lt;/a&gt;,&amp;nbsp;&lt;a href=&quot;http://www.urbanisticatre.uniroma3.it/&quot; target=&quot;_blank&quot;&gt;Department of Urban Studies&lt;/a&gt;.&amp;nbsp;He is the president of &lt;em&gt;Planum&lt;/em&gt;, a network publishing the &lt;em&gt;European Journal of Planning online&lt;/em&gt;. He has published extensively on housing, urban policies, and the European Union initiatives for the regeneration of cities.&lt;a href=&quot;mailto:m.cremaschi@uniroma3.it&quot; target=&quot;_blank&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;strong&gt;Frank Eckardt&lt;/strong&gt;, Professor for urban sociology at the &lt;a href=&quot;http://www.uni-weimar.de/cms/index.php?id=109&amp;amp;L=1&quot; target=&quot;_blank&quot;&gt;Bauhaus-University Weimar&lt;/a&gt;, coordinator of various international, national and regional research projects, has written on different subjects of urban sociology, urban planning and related fields.&lt;a href=&quot;m.cremaschi@uniroma3.it%20&quot; target=&quot;_blank&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Fri, 08 Jun 2012 14:45:22 +0200</pubDate><link>http://www.planum.net/journals-books/changing-places</link><guid>http://www.planum.net/journals-books/changing-places</guid></item><item><title>Ritmi urbani</title><description>&lt;hr/&gt;&lt;p&gt;&lt;br /&gt;&lt;br /&gt;&quot;I ritmi di una citt&amp;agrave; e i modi nei quali le pratiche sociali e i caratteri originari si incontrano sono il fulcro del racconto e della rappresentazione di tre esperienze di descrizione di territori della regione urbana milanese (Lodi, Gallarate e Paderno Dugnano) con uno sguardo insieme&amp;nbsp; spaziale e temporale. &lt;strong&gt;Le chiavi di accesso utilizzate per questa interpretazione densa della citt&amp;agrave; contemporanea rimandano agli orari di lavoro, ai tempi obbligati e ai tempi scelti, ai nuovi stili di vita e di consumo, alle popolazioni, al quotidiano, all&amp;rsquo;abitare mobile, per giungere ai possibili elementi della partitura dei ritmi urbani.&lt;/strong&gt;&lt;br /&gt;Due sono le ragioni di un ripensamento e di una riproposizione di queste che sono insieme&lt;strong&gt; &amp;ldquo;descrizioni di territori&amp;rdquo; &lt;/strong&gt;e&lt;strong&gt; &amp;ldquo;descrizioni per un progetto&amp;rdquo;.&lt;/strong&gt; Da un lato, mettere a disposizione materiali per &amp;ldquo;aggiornare&amp;rdquo; le analisi preliminari degli strumenti di governo del territorio e le fasi progettuali dei progetti urbani. Dall&amp;rsquo;altro lato, segnare una stagione di declino dell&amp;rsquo;agire per micro-azioni locali delle politiche temporali urbane e rilanciare un potenziale di comprensione e interpretazione di problemi irrisolti dell&amp;rsquo;abitare contemporaneo, attraverso i ritmi urbani&quot;.&lt;br /&gt;&lt;em&gt;From Book&#039;s Preface, by Marco Mareggi&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&quot;Parlare di ritmi rimanda in prima istanza alla musica e nello specifico alla relazione che intercorre tra suoni e loro durata che, se in una visione classica alludeva ad un universo armonico e ordinato,&lt;strong&gt; &amp;laquo;oggi (...) tende a considerare che il ritmo rappresenti un fecondo punto di accumulo di elementi contradditori: quantit&amp;agrave; e qualit&amp;agrave;, struttura e soggettivit&amp;agrave;, ripetizione e differenza. Nell&#039;espressione musicale moderna, in particolare, il ritmo non &amp;egrave; pi&amp;ugrave; considerato una ripetizione ordinata, ma piuttosto un&amp;nbsp;&quot;disordine capace di instaurare un ordine proprio&quot;&amp;raquo; [Gasparini 2009, 92]&lt;/strong&gt;. Il ritmo cos&amp;igrave; considerato ci consente di trovare concordanze, dossonanze e conflitti tra i fenomeni pi&amp;ugrave; diversi, in quanto elemento di stabilit&amp;agrave; dinamica. (...) Cos&amp;igrave; la sensibilit&amp;agrave; ai ritmi, traslata nell&#039;ambito di un&#039;operazione di descrizione urbana e territoriale, mi sembra metta in campo una modalit&amp;agrave; confacente alla contemporaneit&amp;agrave;, per la quale siamo alla ricerca di strumenti di comprensione&quot;.&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;From Book&#039;s Introduction, by Marco Mareggi&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;Le ricerche presentate nei tre casi di questo volume sono il frutto del lavoro svolto per la redazione dei&amp;nbsp;Piani territoriali degli orari delle citt&amp;agrave;&amp;nbsp;dei comuni di Lodi, Gallarate e Paderno Dugnano.&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;CONTENTS&lt;/strong&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;INTRODUZIONE. &lt;br /&gt;&lt;/strong&gt;&amp;bull;&amp;nbsp;&lt;strong&gt;Le ragioni di un ripensamento&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;1. PER UNA DESCRIZIONE SPAZIO-TEMPORALE DELLA CITTA&#039; CONTEMPORANEA&lt;br /&gt;&lt;/strong&gt;&amp;bull; Attraverso le lenti del tempo&lt;br /&gt;&amp;bull; Biografie individuali in contesti geografici&lt;br /&gt;&amp;bull; Per comprendere la citt&amp;agrave; vissuta&lt;br /&gt;&amp;bull; Patchwork orari tra lavorare e vivere&lt;br /&gt;&amp;bull; Mutamenti delle morfologie degli orari di lavoro&lt;br /&gt;&amp;bull; Tempi obbligati e tempi scelti&lt;br /&gt;&amp;bull; Nuovi stili di vita e di consumo&lt;br /&gt;&amp;bull; Per chi: da popolazione verso popolazioni&lt;br /&gt;&amp;bull; Valore al quotidiano&lt;br /&gt;&amp;bull; Diffuse forme di mobilit&amp;agrave;&lt;br /&gt;&amp;bull; Partitura urbana&lt;br /&gt;&amp;bull; Strumenti deboli e auspici di dialogo&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2. A LODI&lt;br /&gt;&lt;/strong&gt;&amp;bull; Un territorio di grande accessibilit&amp;agrave;&lt;br /&gt;&amp;bull; Polo attrattivo di una provincia agricola&lt;br /&gt;&amp;bull; Alcuni ritmi prevalenti&lt;br /&gt;&amp;bull; Calendario settimanale e giornaliero del centro storico&lt;br /&gt;&amp;bull; Pendolarismo verso Milano&lt;br /&gt;&amp;bull; Pendolarismo scolastico in entrata a Lodi, le aree dei terminal e dei plessi scolastici&lt;br /&gt;&amp;bull; Popolazioni temporanee verso la cittadella universitaria&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;3. A GALLARATE&lt;br /&gt;&lt;/strong&gt;&amp;bull; Nuovi orari di lavoro cambiano il paesaggio urbano&lt;br /&gt;&amp;bull; Malpensa, marcatempo del nuovo sistema del lavoro?&lt;br /&gt;&amp;bull; Orari scolastici, tempi obbligati per la citt&amp;agrave;&lt;br /&gt;&amp;bull; Mobilit&amp;agrave; sistematica e accessibilit&amp;agrave; alle reti lunghe&lt;br /&gt;&amp;bull; Tanti rioni&lt;br /&gt;&amp;bull; Ritmi del centro&lt;br /&gt;&amp;bull; Orari dei servizi pubblici&lt;br /&gt;&amp;bull; Un commercio di tradizione&lt;br /&gt;&amp;bull; Di sera a Gallarate&lt;br /&gt;&amp;bull; Cultura ed eventi tutto l&#039;anno&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;4. A PADERNO DUGNANO&lt;br /&gt;&lt;/strong&gt;&amp;bull; Territorio denso di attraversamenti. Infrastrutture e matrici storiche&lt;br /&gt;&amp;bull; Sette indentit&amp;agrave; senza una centralit&amp;agrave;. Storie e abitanti dei quartieri&lt;br /&gt;&amp;bull; Scampolo della citt&amp;agrave; infinita. Ritmi sincopati dell&#039;offerta del trasporto pubblico&lt;br /&gt;&amp;bull; Ritmi quotidiani dei servizi locali. Dotazioni e orari&lt;br /&gt;&amp;bull; Ritmi di un territorio attrattivo. Cittadelle e abitanti temporanei&lt;br /&gt;&amp;bull; Reciprocit&amp;agrave; con il circondario e con Milano. Relazioni quotidiane per lavoro e studio&lt;br /&gt;&amp;bull; Una citt&amp;agrave; di parchi. Luoghi per il tempo libero e la vita quotidiana&lt;br /&gt;&amp;bull; I progetti integrati del Piano territoriale degli orari&lt;br /&gt;&lt;br /&gt;&amp;bull;&lt;strong&gt;&amp;nbsp;Bibliografia e fonti&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;ABOUT THE AUTHOR&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;Marco Mareggi&lt;/strong&gt;, architetto, &amp;egrave; dottore di ricerca e insegna alla &lt;a href=&quot;http://www.arch.polimi.it&quot; target=&quot;_blank&quot;&gt;Scuola di Architettura e Societ&amp;agrave; del Politecnico di Milano&lt;/a&gt;. Svolge attivit&amp;agrave; di ricerca, di consulenza e di formazione in Italia e all&amp;rsquo;estero per pubbliche amministrazioni, universit&amp;agrave; e istituti di ricerca. Si occupa di analisi e progettazione urbana spaziale e temporale, progettazione di politiche temporali urbane, gestione di processi decisionali di governance e multipartner, analisi delle politiche pubbliche e governo del territorio. Ha accompagnato la stesura di diversi piani territoriali degli orari per citt&amp;agrave; italiane. Tra i suoi testi principali:&lt;em&gt; Politiche temporali urbane in Italia &lt;/em&gt;(Alinea, 2000),&lt;em&gt; Nuovi tempi della citt&amp;agrave; per la qualit&amp;agrave; della vita &lt;/em&gt;(Guerini, 2004). E&amp;rsquo; autore di saggi pubblicati su riviste nazionali e internazionali.&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/p&gt;
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Wed, 09 May 2012 11:07:43 +0200</pubDate><link>http://www.planum.net/journals-books/ritmi-urbani</link><guid>http://www.planum.net/journals-books/ritmi-urbani</guid></item></channel></rss>