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To the mayor of a great city
May 2007
Translation: Italian
… or to the rector of a university… . That is how we could begin
this update of Movie, which resumes publication after a period
of uncertainty as to the direction to be taken over the question
of filmed representation of urban planning themes and projects.
Events over the last few years pose the repeated and increasingly
urgent question about information and public consultation over decisions
which have visible effects upon the space in which we live and on
the management of its transformation. People who traditionally remain
on the margins of urban planning now discover that they are fully
entitled to take part in development processes involving living
space and they claim the right to public information and awareness.
Movie, by exploring the archives of the "urbanist cinema" has
shown that the subject is not a new one. But that is not sufficient.
Now the objective is to bring an established practice - the city
project - into line with the entirely new requirement of ensuring
publicity, transparency and accessibility in relation to the various
stages of an urban and environmental planning project which is increasingly
fragmented into operations of a private or only partially public
nature. In this respect, Movie will become the archive of examples
- to be studied, imitated, repeated and developed - produced by
those who have already taken seriously the question of communications
and the social aspects of project and policy decisions relating
to urban development.
Barcelona, one of the most important and dynamic cities in Europe,
which is coming to grips with a project that, over a period of twenty
years (from 1979 to 2004), has completely reinterpreted its hitherto
unaltered though glorious urban past, seems for this reason to be
a perfect place to begin. A few years ago, Alessandro Dal Sordo,
in his architecture degree thesis, described with accuracy and with
helpful documentary and bibliographic documentation the programme
that the city authorities had launched for creating a constant,
guided rapport with the public. Film and video played a significant
role in it.
Dividing the city into twelve "areas of new centrality", the programme
passed through four project stages, guided by major events of powerful
urban impact. These were initially led by Oriol Bohigas, the architect
who headed the city's urban planning office during the period of
redevelopment of public spaces (1979 - 1986). He was followed by
Joan Busquet who created the four areas for the 1992 Olympic Games
(1986 - 1992). A change of administration and a new mayor brought
new works to the metropolitan area, this time external, with the
completion of unfinished projects and a development towards the
regional scale of the city (1992 - 1997). Finally (1997 - 2004)
there was another major event, the Forum de les Cultures,
providing the occasion for restructuring the coastal area at the
mouth of the River Besòs and the public transport network. Public
action has rapidly and increasingly left space for private participation,
through companies (for example, Infrastrucures S.A, with
a 49% private shareholding), reserving for itself the responsibility
for supervising projects and the successful outcome of the programmes.
The management of communications is the real innovation in the whole
story. The need to share decision-making processes, the need to
attract investors and to avoid obstacles arising from possible hostility
to the project and the interest in increasing support for individual
enterprises, have produced a radical reversal in the project and
construction process and have led to the adoption of a procedure
based, from the earliest stages, on its complete publicity. The
Direcciò Corporativa Comunicaciò i Qualitat, specially set
up in order to look after all editorial and communications activities
for municipal initiatives, has thus been able to bring together
constructively the various contributions to the project which have
been separately produced by technical experts, administrators and
members of the public. Without entering into further detail that
would require more space than is available here, the experience
of the Barcelona development plans, from this point of view, raises
a question of central importance. A public administration which
wishes to maintain control over the outcome of activities that it
has to hand over or share to a large extent with private shareholders,
has as its only practicable option that of taking control of information
and the public channels for publicising its initiatives.
In 1999, three years after the creation of the Department of Communication
(1996), Barcelona City Council further developed this sector by
opening a department that was responsible for rationalising editorial
services which were already active, to cut communications costs
and establish a new system of broadcasting communications "products"
beginning with the comprehensive series of periodicals. Barcelona
Informaciò is a monthly magazine providing information about
municipal services and municipal activities, which is posted free
of charge to personal addresses, in 580,000 copies and 10 different
editions according to the city district. La Municipal is
published every three months and is also posted free of charge to
personal addresses, this time to workers in the various municipal
departments, providing an information bulletin to municipal employees.
Finally, Barcelona Metropolis Mediterranea, has been published
every three months since 1987 and is dedicated to aspects of urban
and infrastructure planning and publishes details of relevant projects.
The head of the Direcciò Corporativa Comunicaciò i Qualitat,
receives the results of the activities of five different offices
dedicated to marketing, internet, publications, research and public
participation. It is for him, in turn, to send out the communications
that are prepared by the municipal departments and selected on the
basis of the programmes prepared by a special commission. The commission
consists of twenty five people including the five communications
heads from the departments of general services, personal services,
maintenance, traffic and urban planning, as well as the individual
heads of communications for the ten city districts and heads of
communications for the municipal companies, including the companies
set up to carry out the major works and urban planning projects.
Once the calendar for the fortnightly meetings has been set, all
members of the commission are obliged to take part and to decide
upon the topics and projects to be dealt with, even if they are
not directly involved.
The short series of documentaries reviewed by Movies and
produced by the Ajuntament de Barcelona on the basis of the
management procedure for municipal communications described above,
shows some of the communications activities that Barcelona City
Council has carried out in relation to the city's urban planning
activity. What is particularly interesting is its ability to reveal
communications strategies in relation to the general public, which
is inevitably much clearer when seen on film. All four documentaries
cover in part the same material, the same pictures, rearranged however
in settings and in formats that are intended from time to time to
surprise or to reassure, to justify or, more directly, to show that
everything that is carried out is accessible to anyone who wants
to find out about it and that the views of everyone are taken into
account.
You can believe that or not, but it works.
(l.c.)
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