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Rotterdam Waterfront: in search of new perspectives
'From world port city to a fully connected European city as
part of the developing Delta Metropolis'. That is in a nutshell
the goal of the transformation of Rotterdam and its waterfront.
The year of 2001, in which Rotterdam is Cultural Capital of Europe,
is being used to pursue this goal. In order to generate ideas and
inspiration, residents and users of the waterfront as well as developers
are being consulted; London, Baltimore, Hamburg and Barcelona have
also been invited to supply ideas (figure 1).
Cultural dimension
The Rotterdam Waterfront project contains a number of dimensions
by which the relationship with the theme of the congress can be
illustrated, in the first place the cultural dimension. How can
the waterfront in the centre of the city, where there is a 'working
port' (the traditional soul of Rotterdam) acquire a new relevance
in the urban situation? The project has everything to do with a
yearning for a new civic pride. The Rotterdammer wants to be able
to feel at home again. At some locations this is very possible and
the interaction between city and river has been restored. But at
other places the city is hidden literally behind the dyke and the
river is virtually 'dead'. The task is to identify the new relevance
and on that basis to work towards a distinctive identity that satisfies
the yearning once again.
Dimension of use
Then there is the dimension of use. The popularity of living and
working in offices by the river is now rather evident. It is an
area with fantastic panoramic views that no other Dutch city can
match. Culture and leisure and entertainment as a specific expression
of urban living are another story. There is not so much to do or
see. The task is to give the city an opportunity as a centre of
urban culture, leisure and entertainment, also on the waterfront.
This dimension relates directly to one of the four themes of the
Biennial: Global Forces. The hypothesis to be tested in the context
of this task is that urban culture, leisure and entertainment (in
addition to housing and employment) can determine the new relevance
of the waterfront. An important question is to what extent the waterfront
of the city can and must develop in a specific/local or generic/global
way.
Linked to this is the question to how the relationship between the
economy and leisure time and the daily activities of the city on
the river could develop. Can the waterfront develop into a cultural
and economic experience of some import? Or is 'ordinary city' the
right option, a waterfront with impressive open spaces, maritime
activities and a great deal of space for spontaneous informal use?
Where is the tension? What is the right mix?
Dimension of urban planning and design
And last but not least there is the dimension of urban planning
and design and urban development. Rotterdam has been working for
at least 15 years systematically on the reconstruction of its central
area. Utilising the dynamics of the market the city is being re-oriented.
That is necessary because nothing takes place of its own accord.
Orientation across the river, vertically, and on the new networks
of the Delta Metropolis. But also oriented on the realisation of
special thematic spearhead areas in the fields of culture, museums,
shopping, theatre and leisure and entertainment. The task of functional-spatial
clustering is also applicable to the waterfront project. In the
strategic reorientation of the city on the river the waterfront
must be seen as a 'passing place' between the left and right banks
of the river Meuse. The new angles, the links, the relationships
to adjoining urban districts, the use of water and the harbours
and the relevance and design of public space all play a crucial
role (figure 2).
Reviews
The Rotterdam Waterfront project now finds itself at a crucial stage.
So many possible options have been reviewed from various angles
by various studies. This year the motto is: postpone the decision.
Many options are still possible.
1. The 1st City Bridge (Willemsbrug)
This study was carried out by the Dutch property developers MAB
and HBG in collaboration with the municipality of Rotterdam (with
the collaboration of Krill). The study area covers part of the railway
tunnel route and covers the Oudehaven, the Willemsbrug, the Noordereiland
and the 'Vrij Entrepot'. Making use of different scenarios a study
was carried out into whether and under what conditions coherent
development is possible, whereby on this side of the central area
too a cross-river structure with associated programmes can emerge.
A project comparable to the city axis (large-scale, formal, representative,
fixed in a complete infrastructure and strong routing), but also
complementary in character (small-scale, informal, unusual everyday,
regarded as a collage, a series of urban land uses and areas). Commissioned
by MAB, students of the Berlage Institute took the generation of
concepts and design strategies for the same area a step further.
2. De Boompjes
This study has been carried out jointly by 'VOF De Boompjes' (Multi
Development Corporation and Matser Project Development) and the
municipality of Rotterdam (with the collaboration of Krill), supported
by a number of real estate owners in the Boompjes. In this study
the waterfront is viewed as an extension of the city centre on the
river. This study also refers to the further development of the
two cross-river structures (the city axis and the railway tunnel
route) as crucial pre-conditions for the development of the waterfront
since in this way the definitive link to the city centre can be
forged. The development of the Boompjes is then the next step in
relation to the intensification programme of the Oudehaven and Leuvehaven,
the extension of the centre on the river. 'An imposing open space'
is designated as a crucial project within the 'small' development
of the Boompjes (figure 3).
3. Foreign cities
In the context of 'Rotterdam 2001, Cultural Capital of Europe',
on the initiative of the municipality of Rotterdam four cities were
approached (London, Baltimore, Hamburg and Barcelona) and were invited
to develop a vision for the Boompjes, based on their 'own' thematic
approach in collaboration with architectural consultancies selected
by themselves. This design exhibition 'De Boompjes
.Window
to the world' is partially sponsored by a number of real estate
developers located on the Boompjes.
Hamburg was asked to illustrate the maritime dimension of the Boompjes.
In this vision a type of 'critical reconstruction' was introduced
by opening the Oudehaven onto the river and by straightening out
the historically curved path of the Willemsbrug. In addition small,
river-oriented projects on the Boompjes are proposed (figure 4).
London was invited to devote special attention to the cultural dimension.
A series of 'groundscrapers' on the Boompjes are proposed, a series
of 'cultural' buildings that allow existing buildings semi-public
access to the water and also supply conditional land uses along
the river (figure 5).
Barcelona was approached to view the Boompjes particularly from
the public space perspective. In this vision the Boompjes is mainly
an enclosed space fed by the introduction of a vastly improved underlying
network of (pedestrian) links (including a new bridge over the river),
a limited amount of construction and a water development. The Boompjes
manifests itself as a promenade on the river (figure 6).
Baltimore was asked to study the opportunities for the Boompjes
as a (tourist) attraction. This city focused on the transformation
of the Boompjes into a location for leisure and entertainment. This
requires a radical change to the traffic situation and new relationships
with the surrounding area but at the same time high quality design
of the open space and continued investment (figure 7).
4. Other studies
In addition studies were carried out into the desired use of water
and the harbours and public and private players organised themselves
into a 'Rotterdam Waterfront Partnership'. The residents of the
plan area did the same, all this to generate the bottom-up input
into the debate and the development vision to be formulated thereafter.
The Euromast and 'Tropicana' are also carrying out studies into
the redevelopment of the respective attractions.
Debate
There are two backdrops against which the debate about the Rotterdam
Waterfront can be placed. One is the scenario of optimum investment
in the leisure industry and the other is the realisation of a sustainable
development of the city on the water. These scenarios, and everything
associated with them, are regarded as building blocks about which
at the end of the year a debate will be conducted. The objective
is to provide inspiration, to seek a common objective and to find
an answer to the question how the enormous wealth of ideas for the
Rotterdam Waterfront can converge into a development vision for
the coming 15 years.
Links:
Municipality of Rotterdam - The Waterfront
http://www.cic.rotterdam.nl/index_waterfront.htm
Plans and Projects - Rotterdam
http://www.cic.rotterdam.nl/2100.htm
An interesting pictures directory
http://www.fast351.com/Nederland/rotterdam/
De Boompijes
http://www.waterstad-rotterdam.nl/deelgebieden/boompjes.htm
Baltimore design team on the Boompjes
http://planet.uli.org/Content/Conferences/Amsterdam/rotterdam.pdf
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Figure 1:
Rotterdam,
city on the river
(source: Aeroview)

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Figure 2:
Development Vision of the Rotterdam Waterfront, March 2000 (source:
Urban Planning and Housing Department, Municipality of Rotterdam)

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Figure 3:
A possible future
for the Boompjes
(source: Krill)

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Figure 4:
The Boompjes
according to Hamburg (source: LEISKA hotography)

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Figure 5:
The Boompjes
according to London (source: Fred Manson)

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Figure 6:
The Boompjes
according to Barcelona (source: Ayto, Barcelona)

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Figure 7:
The Boompjes
according to Baltimore (source: Baltimore Development
Corporation)
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